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When paired with the 1.5x anamorphic front cylindrical elements, it effortlessly produces the waterfall bokeh of 2x anamorphic lenses. The T2.1 aperture delivers a high-end cinematic look across the line, easily isolating the subject to create the immersive, three-dimensional depth typical of larger formats.\u003c\/p\u003e\u003ch3\u003eFront-facing Cylindrical, Neutral Flare\u003c\/h3\u003e\u003cp\u003eFeaturing a classic front-cylindrical design, these lenses embrace signature barrel distortion and a constant squeeze ratio, effectively eliminating the mumps effect. This consistency reduces the burden on post-production while allowing the iconic anamorphic horizontal flares to dance with the light, rendering infinite colors from different light sources.\u003c\/p\u003e\u003ch3\u003eCompact Size, Ultimate Light\u003c\/h3\u003e\u003cp\u003eA robust all-aluminum alloy housing finished with an all-new titanium-tone anodization. The entire series features a lightweight design of approximately 700g, more portable than any previous DZOFILM optics. With a class-leading minimum focus distance of 48 to 78cm, it allows for effortless control during solo handheld, gimbal-mounted setups, or when integrated with the DJI Ronin 4D.\u003c\/p\u003e\u003ch3\u003eVersatile Compatibility, Infinite Expansion\u003c\/h3\u003e\u003cp\u003e80mm front diameter with 77mm thread; compatible with standard circular filters and matte box mounting. The 21mm rear lens element design ensures compatibility with VND filter adapters and auto-focus adapters. 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Its slender design allows it to easily access narrow, hidden spaces, capturing microscopic details invisible to the naked eye and transforming them into stunning imagery. Combining a T8 large aperture, wide-angle zoom macro capabilities, and a design inspired by starship exploration, it redefines macro cinematography.\u003c\/p\u003e\u003ch3\u003eUnprecedented Vision with Probe Zoom\u003c\/h3\u003e\u003cp\u003eThe X-tract 18-28mm T8 wide-angle probe zoom series redefines the possibilities of macro cinematography. Featuring a combination of 0, 90 and 360 degree lenses, it offers boundless creative flexibility and covers essential focal lengths for commercial filming, enabling effortless adjustments even in confined spaces while delivering enhanced spatial depth and dimensional detail.\u003c\/p\u003e\u003ch3\u003eMasterful Optical Balance for Immaculate Visuals\u003c\/h3\u003e\u003cp\u003eThe X-tract 18-28mm T8 0-degree lens features 7 high-refractive-index (HRI) lenses and 6 extra-low-dispersion (ED) lenses, striking an optimal balance between size and weight while minimizing chromatic aberrations, distortions, and optical flaws common in probe lenses. Distortion is kept within plus or minus 2 percent across the entire zoom range, with near-zero distortion and focus breathing at 24mm.\u003c\/p\u003e\u003ch3\u003eMore Dimensions, Greater Creativity\u003c\/h3\u003e\u003cp\u003eThe combination of prism structure and 360-degree rotating ring offers an additional dimension for creative adjustments. The entire series features a smooth 300-degree focus throw, tested for high-frequency durability and micron-level assembly precision. The X-tract lenses feature a parfocal design, locking the focus during zooming, delivering the classic Hitchcock dolly zoom effect even in macro shooting. Note: images captured with the 90-degree lens require Mirror Flip.\u003c\/p\u003e\u003ch3\u003eUnmatched Performance Beyond Primes\u003c\/h3\u003e\u003cp\u003eThe X-tract series features native breath control, reducing breathing effects to just 0.5 percent at 24mm. The X-tract 0-degree probe zoom maintains a relative illumination of 70.7 percent, while the 90-degree probe zoom offers 68.6 percent, ensuring consistent brightness and professional-grade visual performance.\u003c\/p\u003e\u003ch3\u003e360 Degree Periscope: Spin Into Future\u003c\/h3\u003e\u003cp\u003eThe X-tract 360-degree probe lens unlocks three shooting modes: Front Mode (0 degrees) with a 30cm probe shaft moving in a 55cm arc for smooth vertical shots in tight spaces; Oblique Mode (0 to 180 degrees) with dual rotation rings for Dutch angles and horizon adjustments; and Rear Mode (180 degrees) with a foldable design and 360-degree rotation for dramatic barrel roll effects.\u003c\/p\u003e\u003ch3\u003eUltra-Macro, Unlocking a New World\u003c\/h3\u003e\u003cp\u003eWith a maximum magnification ratio of 2.1:1, the X-tract reveals the intricate textures of everyday objects. The minimum focusing distance is reduced from the traditional 56.3cm of probe lenses to 47.3cm, with a minimum working distance of just 6mm, allowing the lens to almost touch the subject for finer macro details.\u003c\/p\u003e\u003ch3\u003eUltimate Protection, Ready for Any Challenge\u003c\/h3\u003e\u003cp\u003eConstructed from aerospace-grade aluminum alloy, the lens is lightweight yet robust. A 25 micron anodized coating enhances hardness and corrosion protection. Tested from -30C to 70C, with IP57-rated dust and water resistance (waterproof to over 28cm), and a hydrophobic anti-fog front coating.\u003c\/p\u003e\u003ch3\u003eCine-standard Crafts, Precise and Reliable\u003c\/h3\u003e\u003cp\u003eWith a 28cm water immersion depth, dual-sided hydrophobic coated UV filter, and O-shaped clamp, the lens ensures stability and versatility. The native PL mount features rear elements that protrude just 1.37cm from the mounting flange, compatible with DZOFILM Octopus and most PL-E\/RF\/LPL adapters and Speedboosters.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (X-tract 18-28mm Probe Zoom)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 18-28 mm\u003c\/li\u003e\n\u003cli\u003eLens Type: 0 degree Direct \/ 90 degree Periscope \/ 360 degree Periscope\u003c\/li\u003e\n\u003cli\u003eMount: PL\u003c\/li\u003e\n\u003cli\u003eAperture: T8-T45\u003c\/li\u003e\n\u003cli\u003eImage Circle: 43.2mm\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 25 Elements in 18 Groups (0 deg), 26 in 19 (90 deg), 27 in 20 (360 deg)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.47m\/1ft7in\u003c\/li\u003e\n\u003cli\u003eClose Focus (from lens front): 6mm\u003c\/li\u003e\n\u003cli\u003eZoom Ratio: 1.55x\u003c\/li\u003e\n\u003cli\u003eMagnification factor (28mm): 2.1X\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (72 degrees)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (300 degrees)\u003c\/li\u003e\n\u003cli\u003eZoom Control: Manual (100 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 29.6mm (37.7 x 30.58mm square filter on periscope models)\u003c\/li\u003e\n\u003cli\u003eLength: 415mm (0 deg), 421mm (90 deg); 360 deg periscope 16cm crossarm and 30cm lens arm\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy, IP57 rated\u003c\/li\u003e\n\u003cli\u003eWeight: 1090g (0 deg), 1132g (90 deg), 1144g (360 deg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656213807395,"sku":"DZO-X1828C","price":3999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/2_0436f1ca-1865-40a1-8dcb-e89e1e2bacb8.png?v=1790366779"},{"product_id":"dzofilm-dzo-x1828bcs","title":"DZOFILM X-tract Xtract 18-28mm__Detachable rear lens *1+ front lenses*2 90∘+360∘(PL_Black_Case_2pcs_Metric), Probe Zoom Cine Lens, PL Mount, Macro Probe Optics","description":"\u003cp\u003eDZOFILM Xtract 18-28mm__Detachable rear lens *1+ front lenses*2 90∘+360∘(PL_Black_Case_2pcs_Metric)\u003c\/p\u003e\u003ch3\u003eA Bold Probing into Spectacular Marvels\u003c\/h3\u003e\u003cp\u003eThe name X-tract is inspired by the word extract, meaning to draw out the essence. Its slender design allows it to easily access narrow, hidden spaces, capturing microscopic details invisible to the naked eye and transforming them into stunning imagery. Combining a T8 large aperture, wide-angle zoom macro capabilities, and a design inspired by starship exploration, it redefines macro cinematography.\u003c\/p\u003e\u003ch3\u003eUnprecedented Vision with Probe Zoom\u003c\/h3\u003e\u003cp\u003eThe X-tract 18-28mm T8 wide-angle probe zoom series redefines the possibilities of macro cinematography. Featuring a combination of 0, 90 and 360 degree lenses, it offers boundless creative flexibility and covers essential focal lengths for commercial filming, enabling effortless adjustments even in confined spaces while delivering enhanced spatial depth and dimensional detail.\u003c\/p\u003e\u003ch3\u003eMasterful Optical Balance for Immaculate Visuals\u003c\/h3\u003e\u003cp\u003eThe X-tract 18-28mm T8 0-degree lens features 7 high-refractive-index (HRI) lenses and 6 extra-low-dispersion (ED) lenses, striking an optimal balance between size and weight while minimizing chromatic aberrations, distortions, and optical flaws common in probe lenses. Distortion is kept within plus or minus 2 percent across the entire zoom range, with near-zero distortion and focus breathing at 24mm.\u003c\/p\u003e\u003ch3\u003eMore Dimensions, Greater Creativity\u003c\/h3\u003e\u003cp\u003eThe combination of prism structure and 360-degree rotating ring offers an additional dimension for creative adjustments. The entire series features a smooth 300-degree focus throw, tested for high-frequency durability and micron-level assembly precision. The X-tract lenses feature a parfocal design, locking the focus during zooming, delivering the classic Hitchcock dolly zoom effect even in macro shooting. Note: images captured with the 90-degree lens require Mirror Flip.\u003c\/p\u003e\u003ch3\u003eUnmatched Performance Beyond Primes\u003c\/h3\u003e\u003cp\u003eThe X-tract series features native breath control, reducing breathing effects to just 0.5 percent at 24mm. The X-tract 0-degree probe zoom maintains a relative illumination of 70.7 percent, while the 90-degree probe zoom offers 68.6 percent, ensuring consistent brightness and professional-grade visual performance.\u003c\/p\u003e\u003ch3\u003e360 Degree Periscope: Spin Into Future\u003c\/h3\u003e\u003cp\u003eThe X-tract 360-degree probe lens unlocks three shooting modes: Front Mode (0 degrees) with a 30cm probe shaft moving in a 55cm arc for smooth vertical shots in tight spaces; Oblique Mode (0 to 180 degrees) with dual rotation rings for Dutch angles and horizon adjustments; and Rear Mode (180 degrees) with a foldable design and 360-degree rotation for dramatic barrel roll effects.\u003c\/p\u003e\u003ch3\u003eUltra-Macro, Unlocking a New World\u003c\/h3\u003e\u003cp\u003eWith a maximum magnification ratio of 2.1:1, the X-tract reveals the intricate textures of everyday objects. The minimum focusing distance is reduced from the traditional 56.3cm of probe lenses to 47.3cm, with a minimum working distance of just 6mm, allowing the lens to almost touch the subject for finer macro details.\u003c\/p\u003e\u003ch3\u003eUltimate Protection, Ready for Any Challenge\u003c\/h3\u003e\u003cp\u003eConstructed from aerospace-grade aluminum alloy, the lens is lightweight yet robust. A 25 micron anodized coating enhances hardness and corrosion protection. Tested from -30C to 70C, with IP57-rated dust and water resistance (waterproof to over 28cm), and a hydrophobic anti-fog front coating.\u003c\/p\u003e\u003ch3\u003eCine-standard Crafts, Precise and Reliable\u003c\/h3\u003e\u003cp\u003eWith a 28cm water immersion depth, dual-sided hydrophobic coated UV filter, and O-shaped clamp, the lens ensures stability and versatility. The native PL mount features rear elements that protrude just 1.37cm from the mounting flange, compatible with DZOFILM Octopus and most PL-E\/RF\/LPL adapters and Speedboosters.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (X-tract 18-28mm Probe Zoom)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 18-28 mm\u003c\/li\u003e\n\u003cli\u003eLens Type: 0 degree Direct \/ 90 degree Periscope \/ 360 degree Periscope\u003c\/li\u003e\n\u003cli\u003eMount: PL\u003c\/li\u003e\n\u003cli\u003eAperture: T8-T45\u003c\/li\u003e\n\u003cli\u003eImage Circle: 43.2mm\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 25 Elements in 18 Groups (0 deg), 26 in 19 (90 deg), 27 in 20 (360 deg)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.47m\/1ft7in\u003c\/li\u003e\n\u003cli\u003eClose Focus (from lens front): 6mm\u003c\/li\u003e\n\u003cli\u003eZoom Ratio: 1.55x\u003c\/li\u003e\n\u003cli\u003eMagnification factor (28mm): 2.1X\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (72 degrees)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (300 degrees)\u003c\/li\u003e\n\u003cli\u003eZoom Control: Manual (100 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 29.6mm (37.7 x 30.58mm square filter on periscope models)\u003c\/li\u003e\n\u003cli\u003eLength: 415mm (0 deg), 421mm (90 deg); 360 deg periscope 16cm crossarm and 30cm lens arm\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy, IP57 rated\u003c\/li\u003e\n\u003cli\u003eWeight: 1090g (0 deg), 1132g (90 deg), 1144g (360 deg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656214102307,"sku":"DZO-X1828BCS","price":5299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/2_77fd70d3-f208-4638-93c2-2c1165d6be85.png?v=1790366784"},{"product_id":"dzofilm-dzo-x1828b","title":"DZOFILM X-tract 18-28mm_90°(PL_Black_Case_1pcs_Metric), Probe Zoom Cine Lens, PL Mount, Macro Probe Optics","description":"\u003cp\u003eDZOFILM X-tract 18-28mm_90°(PL_Black_Case_1pcs_Metric)\u003c\/p\u003e\u003ch3\u003eA Bold Probing into Spectacular Marvels\u003c\/h3\u003e\u003cp\u003eThe name X-tract is inspired by the word extract, meaning to draw out the essence. Its slender design allows it to easily access narrow, hidden spaces, capturing microscopic details invisible to the naked eye and transforming them into stunning imagery. Combining a T8 large aperture, wide-angle zoom macro capabilities, and a design inspired by starship exploration, it redefines macro cinematography.\u003c\/p\u003e\u003ch3\u003eUnprecedented Vision with Probe Zoom\u003c\/h3\u003e\u003cp\u003eThe X-tract 18-28mm T8 wide-angle probe zoom series redefines the possibilities of macro cinematography. Featuring a combination of 0, 90 and 360 degree lenses, it offers boundless creative flexibility and covers essential focal lengths for commercial filming, enabling effortless adjustments even in confined spaces while delivering enhanced spatial depth and dimensional detail.\u003c\/p\u003e\u003ch3\u003eMasterful Optical Balance for Immaculate Visuals\u003c\/h3\u003e\u003cp\u003eThe X-tract 18-28mm T8 0-degree lens features 7 high-refractive-index (HRI) lenses and 6 extra-low-dispersion (ED) lenses, striking an optimal balance between size and weight while minimizing chromatic aberrations, distortions, and optical flaws common in probe lenses. Distortion is kept within plus or minus 2 percent across the entire zoom range, with near-zero distortion and focus breathing at 24mm.\u003c\/p\u003e\u003ch3\u003eMore Dimensions, Greater Creativity\u003c\/h3\u003e\u003cp\u003eThe combination of prism structure and 360-degree rotating ring offers an additional dimension for creative adjustments. The entire series features a smooth 300-degree focus throw, tested for high-frequency durability and micron-level assembly precision. The X-tract lenses feature a parfocal design, locking the focus during zooming, delivering the classic Hitchcock dolly zoom effect even in macro shooting. Note: images captured with the 90-degree lens require Mirror Flip.\u003c\/p\u003e\u003ch3\u003eUnmatched Performance Beyond Primes\u003c\/h3\u003e\u003cp\u003eThe X-tract series features native breath control, reducing breathing effects to just 0.5 percent at 24mm. The X-tract 0-degree probe zoom maintains a relative illumination of 70.7 percent, while the 90-degree probe zoom offers 68.6 percent, ensuring consistent brightness and professional-grade visual performance.\u003c\/p\u003e\u003ch3\u003e360 Degree Periscope: Spin Into Future\u003c\/h3\u003e\u003cp\u003eThe X-tract 360-degree probe lens unlocks three shooting modes: Front Mode (0 degrees) with a 30cm probe shaft moving in a 55cm arc for smooth vertical shots in tight spaces; Oblique Mode (0 to 180 degrees) with dual rotation rings for Dutch angles and horizon adjustments; and Rear Mode (180 degrees) with a foldable design and 360-degree rotation for dramatic barrel roll effects.\u003c\/p\u003e\u003ch3\u003eUltra-Macro, Unlocking a New World\u003c\/h3\u003e\u003cp\u003eWith a maximum magnification ratio of 2.1:1, the X-tract reveals the intricate textures of everyday objects. The minimum focusing distance is reduced from the traditional 56.3cm of probe lenses to 47.3cm, with a minimum working distance of just 6mm, allowing the lens to almost touch the subject for finer macro details.\u003c\/p\u003e\u003ch3\u003eUltimate Protection, Ready for Any Challenge\u003c\/h3\u003e\u003cp\u003eConstructed from aerospace-grade aluminum alloy, the lens is lightweight yet robust. A 25 micron anodized coating enhances hardness and corrosion protection. Tested from -30C to 70C, with IP57-rated dust and water resistance (waterproof to over 28cm), and a hydrophobic anti-fog front coating.\u003c\/p\u003e\u003ch3\u003eCine-standard Crafts, Precise and Reliable\u003c\/h3\u003e\u003cp\u003eWith a 28cm water immersion depth, dual-sided hydrophobic coated UV filter, and O-shaped clamp, the lens ensures stability and versatility. The native PL mount features rear elements that protrude just 1.37cm from the mounting flange, compatible with DZOFILM Octopus and most PL-E\/RF\/LPL adapters and Speedboosters.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (X-tract 18-28mm Probe Zoom)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 18-28 mm\u003c\/li\u003e\n\u003cli\u003eLens Type: 0 degree Direct \/ 90 degree Periscope \/ 360 degree Periscope\u003c\/li\u003e\n\u003cli\u003eMount: PL\u003c\/li\u003e\n\u003cli\u003eAperture: T8-T45\u003c\/li\u003e\n\u003cli\u003eImage Circle: 43.2mm\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 25 Elements in 18 Groups (0 deg), 26 in 19 (90 deg), 27 in 20 (360 deg)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.47m\/1ft7in\u003c\/li\u003e\n\u003cli\u003eClose Focus (from lens front): 6mm\u003c\/li\u003e\n\u003cli\u003eZoom Ratio: 1.55x\u003c\/li\u003e\n\u003cli\u003eMagnification factor (28mm): 2.1X\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (72 degrees)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (300 degrees)\u003c\/li\u003e\n\u003cli\u003eZoom Control: Manual (100 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 29.6mm (37.7 x 30.58mm square filter on periscope models)\u003c\/li\u003e\n\u003cli\u003eLength: 415mm (0 deg), 421mm (90 deg); 360 deg periscope 16cm crossarm and 30cm lens arm\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy, IP57 rated\u003c\/li\u003e\n\u003cli\u003eWeight: 1090g (0 deg), 1132g (90 deg), 1144g (360 deg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656214135075,"sku":"DZO-X1828B","price":3499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/B_3.png?v=1790366785"},{"product_id":"dzofilm-dzo-x1828acs","title":"DZOFILM X-tract Xtract 18-28mm__Detachable rear lens *1+ front lenses*2 0∘+360∘(PL_Black_Case_2pcs_Metric), Probe Zoom Cine Lens, PL Mount, Macro Probe Optics","description":"\u003cp\u003eDZOFILM Xtract 18-28mm__Detachable rear lens *1+ front lenses*2 0∘+360∘(PL_Black_Case_2pcs_Metric)\u003c\/p\u003e\u003ch3\u003eA Bold Probing into Spectacular Marvels\u003c\/h3\u003e\u003cp\u003eThe name X-tract is inspired by the word extract, meaning to draw out the essence. Its slender design allows it to easily access narrow, hidden spaces, capturing microscopic details invisible to the naked eye and transforming them into stunning imagery. Combining a T8 large aperture, wide-angle zoom macro capabilities, and a design inspired by starship exploration, it redefines macro cinematography.\u003c\/p\u003e\u003ch3\u003eUnprecedented Vision with Probe Zoom\u003c\/h3\u003e\u003cp\u003eThe X-tract 18-28mm T8 wide-angle probe zoom series redefines the possibilities of macro cinematography. Featuring a combination of 0, 90 and 360 degree lenses, it offers boundless creative flexibility and covers essential focal lengths for commercial filming, enabling effortless adjustments even in confined spaces while delivering enhanced spatial depth and dimensional detail.\u003c\/p\u003e\u003ch3\u003eMasterful Optical Balance for Immaculate Visuals\u003c\/h3\u003e\u003cp\u003eThe X-tract 18-28mm T8 0-degree lens features 7 high-refractive-index (HRI) lenses and 6 extra-low-dispersion (ED) lenses, striking an optimal balance between size and weight while minimizing chromatic aberrations, distortions, and optical flaws common in probe lenses. Distortion is kept within plus or minus 2 percent across the entire zoom range, with near-zero distortion and focus breathing at 24mm.\u003c\/p\u003e\u003ch3\u003eMore Dimensions, Greater Creativity\u003c\/h3\u003e\u003cp\u003eThe combination of prism structure and 360-degree rotating ring offers an additional dimension for creative adjustments. The entire series features a smooth 300-degree focus throw, tested for high-frequency durability and micron-level assembly precision. The X-tract lenses feature a parfocal design, locking the focus during zooming, delivering the classic Hitchcock dolly zoom effect even in macro shooting. Note: images captured with the 90-degree lens require Mirror Flip.\u003c\/p\u003e\u003ch3\u003eUnmatched Performance Beyond Primes\u003c\/h3\u003e\u003cp\u003eThe X-tract series features native breath control, reducing breathing effects to just 0.5 percent at 24mm. The X-tract 0-degree probe zoom maintains a relative illumination of 70.7 percent, while the 90-degree probe zoom offers 68.6 percent, ensuring consistent brightness and professional-grade visual performance.\u003c\/p\u003e\u003ch3\u003e360 Degree Periscope: Spin Into Future\u003c\/h3\u003e\u003cp\u003eThe X-tract 360-degree probe lens unlocks three shooting modes: Front Mode (0 degrees) with a 30cm probe shaft moving in a 55cm arc for smooth vertical shots in tight spaces; Oblique Mode (0 to 180 degrees) with dual rotation rings for Dutch angles and horizon adjustments; and Rear Mode (180 degrees) with a foldable design and 360-degree rotation for dramatic barrel roll effects.\u003c\/p\u003e\u003ch3\u003eUltra-Macro, Unlocking a New World\u003c\/h3\u003e\u003cp\u003eWith a maximum magnification ratio of 2.1:1, the X-tract reveals the intricate textures of everyday objects. The minimum focusing distance is reduced from the traditional 56.3cm of probe lenses to 47.3cm, with a minimum working distance of just 6mm, allowing the lens to almost touch the subject for finer macro details.\u003c\/p\u003e\u003ch3\u003eUltimate Protection, Ready for Any Challenge\u003c\/h3\u003e\u003cp\u003eConstructed from aerospace-grade aluminum alloy, the lens is lightweight yet robust. A 25 micron anodized coating enhances hardness and corrosion protection. Tested from -30C to 70C, with IP57-rated dust and water resistance (waterproof to over 28cm), and a hydrophobic anti-fog front coating.\u003c\/p\u003e\u003ch3\u003eCine-standard Crafts, Precise and Reliable\u003c\/h3\u003e\u003cp\u003eWith a 28cm water immersion depth, dual-sided hydrophobic coated UV filter, and O-shaped clamp, the lens ensures stability and versatility. The native PL mount features rear elements that protrude just 1.37cm from the mounting flange, compatible with DZOFILM Octopus and most PL-E\/RF\/LPL adapters and Speedboosters.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (X-tract 18-28mm Probe Zoom)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 18-28 mm\u003c\/li\u003e\n\u003cli\u003eLens Type: 0 degree Direct \/ 90 degree Periscope \/ 360 degree Periscope\u003c\/li\u003e\n\u003cli\u003eMount: PL\u003c\/li\u003e\n\u003cli\u003eAperture: T8-T45\u003c\/li\u003e\n\u003cli\u003eImage Circle: 43.2mm\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 25 Elements in 18 Groups (0 deg), 26 in 19 (90 deg), 27 in 20 (360 deg)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.47m\/1ft7in\u003c\/li\u003e\n\u003cli\u003eClose Focus (from lens front): 6mm\u003c\/li\u003e\n\u003cli\u003eZoom Ratio: 1.55x\u003c\/li\u003e\n\u003cli\u003eMagnification factor (28mm): 2.1X\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (72 degrees)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (300 degrees)\u003c\/li\u003e\n\u003cli\u003eZoom Control: Manual (100 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 29.6mm (37.7 x 30.58mm square filter on periscope models)\u003c\/li\u003e\n\u003cli\u003eLength: 415mm (0 deg), 421mm (90 deg); 360 deg periscope 16cm crossarm and 30cm lens arm\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy, IP57 rated\u003c\/li\u003e\n\u003cli\u003eWeight: 1090g (0 deg), 1132g (90 deg), 1144g (360 deg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656214233379,"sku":"DZO-X1828ACS","price":5299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/2_c33a4c72-23a5-4fc1-b9e3-3c1983966b9e.png?v=1790366792"},{"product_id":"dzofilm-dzo-x1828abcs","title":"DZOFILM X-tract Xtract 18-28mm_Detachable rear lens *1 + front lenses*3 0∘+90∘+360∘(PL_Black_Case_3pcs_Metric), Probe Zoom Cine Lens, PL Mount, Macro Probe Optics","description":"\u003cp\u003eDZOFILM Xtract 18-28mm_Detachable rear lens *1 + front lenses*3 0∘+90∘+360∘(PL_Black_Case_3pcs_Metric)\u003c\/p\u003e\u003ch3\u003eA Bold Probing into Spectacular Marvels\u003c\/h3\u003e\u003cp\u003eThe name X-tract is inspired by the word extract, meaning to draw out the essence. Its slender design allows it to easily access narrow, hidden spaces, capturing microscopic details invisible to the naked eye and transforming them into stunning imagery. Combining a T8 large aperture, wide-angle zoom macro capabilities, and a design inspired by starship exploration, it redefines macro cinematography.\u003c\/p\u003e\u003ch3\u003eUnprecedented Vision with Probe Zoom\u003c\/h3\u003e\u003cp\u003eThe X-tract 18-28mm T8 wide-angle probe zoom series redefines the possibilities of macro cinematography. Featuring a combination of 0, 90 and 360 degree lenses, it offers boundless creative flexibility and covers essential focal lengths for commercial filming, enabling effortless adjustments even in confined spaces while delivering enhanced spatial depth and dimensional detail.\u003c\/p\u003e\u003ch3\u003eMasterful Optical Balance for Immaculate Visuals\u003c\/h3\u003e\u003cp\u003eThe X-tract 18-28mm T8 0-degree lens features 7 high-refractive-index (HRI) lenses and 6 extra-low-dispersion (ED) lenses, striking an optimal balance between size and weight while minimizing chromatic aberrations, distortions, and optical flaws common in probe lenses. Distortion is kept within plus or minus 2 percent across the entire zoom range, with near-zero distortion and focus breathing at 24mm.\u003c\/p\u003e\u003ch3\u003eMore Dimensions, Greater Creativity\u003c\/h3\u003e\u003cp\u003eThe combination of prism structure and 360-degree rotating ring offers an additional dimension for creative adjustments. The entire series features a smooth 300-degree focus throw, tested for high-frequency durability and micron-level assembly precision. The X-tract lenses feature a parfocal design, locking the focus during zooming, delivering the classic Hitchcock dolly zoom effect even in macro shooting. Note: images captured with the 90-degree lens require Mirror Flip.\u003c\/p\u003e\u003ch3\u003eUnmatched Performance Beyond Primes\u003c\/h3\u003e\u003cp\u003eThe X-tract series features native breath control, reducing breathing effects to just 0.5 percent at 24mm. The X-tract 0-degree probe zoom maintains a relative illumination of 70.7 percent, while the 90-degree probe zoom offers 68.6 percent, ensuring consistent brightness and professional-grade visual performance.\u003c\/p\u003e\u003ch3\u003e360 Degree Periscope: Spin Into Future\u003c\/h3\u003e\u003cp\u003eThe X-tract 360-degree probe lens unlocks three shooting modes: Front Mode (0 degrees) with a 30cm probe shaft moving in a 55cm arc for smooth vertical shots in tight spaces; Oblique Mode (0 to 180 degrees) with dual rotation rings for Dutch angles and horizon adjustments; and Rear Mode (180 degrees) with a foldable design and 360-degree rotation for dramatic barrel roll effects.\u003c\/p\u003e\u003ch3\u003eUltra-Macro, Unlocking a New World\u003c\/h3\u003e\u003cp\u003eWith a maximum magnification ratio of 2.1:1, the X-tract reveals the intricate textures of everyday objects. The minimum focusing distance is reduced from the traditional 56.3cm of probe lenses to 47.3cm, with a minimum working distance of just 6mm, allowing the lens to almost touch the subject for finer macro details.\u003c\/p\u003e\u003ch3\u003eUltimate Protection, Ready for Any Challenge\u003c\/h3\u003e\u003cp\u003eConstructed from aerospace-grade aluminum alloy, the lens is lightweight yet robust. A 25 micron anodized coating enhances hardness and corrosion protection. Tested from -30C to 70C, with IP57-rated dust and water resistance (waterproof to over 28cm), and a hydrophobic anti-fog front coating.\u003c\/p\u003e\u003ch3\u003eCine-standard Crafts, Precise and Reliable\u003c\/h3\u003e\u003cp\u003eWith a 28cm water immersion depth, dual-sided hydrophobic coated UV filter, and O-shaped clamp, the lens ensures stability and versatility. The native PL mount features rear elements that protrude just 1.37cm from the mounting flange, compatible with DZOFILM Octopus and most PL-E\/RF\/LPL adapters and Speedboosters.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (X-tract 18-28mm Probe Zoom)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 18-28 mm\u003c\/li\u003e\n\u003cli\u003eLens Type: 0 degree Direct \/ 90 degree Periscope \/ 360 degree Periscope\u003c\/li\u003e\n\u003cli\u003eMount: PL\u003c\/li\u003e\n\u003cli\u003eAperture: T8-T45\u003c\/li\u003e\n\u003cli\u003eImage Circle: 43.2mm\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 25 Elements in 18 Groups (0 deg), 26 in 19 (90 deg), 27 in 20 (360 deg)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.47m\/1ft7in\u003c\/li\u003e\n\u003cli\u003eClose Focus (from lens front): 6mm\u003c\/li\u003e\n\u003cli\u003eZoom Ratio: 1.55x\u003c\/li\u003e\n\u003cli\u003eMagnification factor (28mm): 2.1X\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (72 degrees)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (300 degrees)\u003c\/li\u003e\n\u003cli\u003eZoom Control: Manual (100 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 29.6mm (37.7 x 30.58mm square filter on periscope models)\u003c\/li\u003e\n\u003cli\u003eLength: 415mm (0 deg), 421mm (90 deg); 360 deg periscope 16cm crossarm and 30cm lens arm\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy, IP57 rated\u003c\/li\u003e\n\u003cli\u003eWeight: 1090g (0 deg), 1132g (90 deg), 1144g (360 deg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656214561059,"sku":"DZO-X1828ABCS","price":6599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/2_44048e33-e71a-4319-b19c-6876f4857ed3.png?v=1790366795"},{"product_id":"dzofilm-dzo-x1828abc","title":"DZOFILM X-tract 18-28mm_0\/90\/360°(PL_Black_Case_3pcs_Metric), Probe Zoom Cine Lens, PL Mount, Macro Probe Optics","description":"\u003cp\u003eDZOFILM X-tract 18-28mm_0\/90\/360°(PL_Black_Case_3pcs_Metric)\u003c\/p\u003e\u003ch3\u003eA Bold Probing into Spectacular Marvels\u003c\/h3\u003e\u003cp\u003eThe name X-tract is inspired by the word extract, meaning to draw out the essence. Its slender design allows it to easily access narrow, hidden spaces, capturing microscopic details invisible to the naked eye and transforming them into stunning imagery. Combining a T8 large aperture, wide-angle zoom macro capabilities, and a design inspired by starship exploration, it redefines macro cinematography.\u003c\/p\u003e\u003ch3\u003eUnprecedented Vision with Probe Zoom\u003c\/h3\u003e\u003cp\u003eThe X-tract 18-28mm T8 wide-angle probe zoom series redefines the possibilities of macro cinematography. Featuring a combination of 0, 90 and 360 degree lenses, it offers boundless creative flexibility and covers essential focal lengths for commercial filming, enabling effortless adjustments even in confined spaces while delivering enhanced spatial depth and dimensional detail.\u003c\/p\u003e\u003ch3\u003eMasterful Optical Balance for Immaculate Visuals\u003c\/h3\u003e\u003cp\u003eThe X-tract 18-28mm T8 0-degree lens features 7 high-refractive-index (HRI) lenses and 6 extra-low-dispersion (ED) lenses, striking an optimal balance between size and weight while minimizing chromatic aberrations, distortions, and optical flaws common in probe lenses. Distortion is kept within plus or minus 2 percent across the entire zoom range, with near-zero distortion and focus breathing at 24mm.\u003c\/p\u003e\u003ch3\u003eMore Dimensions, Greater Creativity\u003c\/h3\u003e\u003cp\u003eThe combination of prism structure and 360-degree rotating ring offers an additional dimension for creative adjustments. The entire series features a smooth 300-degree focus throw, tested for high-frequency durability and micron-level assembly precision. The X-tract lenses feature a parfocal design, locking the focus during zooming, delivering the classic Hitchcock dolly zoom effect even in macro shooting. Note: images captured with the 90-degree lens require Mirror Flip.\u003c\/p\u003e\u003ch3\u003eUnmatched Performance Beyond Primes\u003c\/h3\u003e\u003cp\u003eThe X-tract series features native breath control, reducing breathing effects to just 0.5 percent at 24mm. The X-tract 0-degree probe zoom maintains a relative illumination of 70.7 percent, while the 90-degree probe zoom offers 68.6 percent, ensuring consistent brightness and professional-grade visual performance.\u003c\/p\u003e\u003ch3\u003e360 Degree Periscope: Spin Into Future\u003c\/h3\u003e\u003cp\u003eThe X-tract 360-degree probe lens unlocks three shooting modes: Front Mode (0 degrees) with a 30cm probe shaft moving in a 55cm arc for smooth vertical shots in tight spaces; Oblique Mode (0 to 180 degrees) with dual rotation rings for Dutch angles and horizon adjustments; and Rear Mode (180 degrees) with a foldable design and 360-degree rotation for dramatic barrel roll effects.\u003c\/p\u003e\u003ch3\u003eUltra-Macro, Unlocking a New World\u003c\/h3\u003e\u003cp\u003eWith a maximum magnification ratio of 2.1:1, the X-tract reveals the intricate textures of everyday objects. The minimum focusing distance is reduced from the traditional 56.3cm of probe lenses to 47.3cm, with a minimum working distance of just 6mm, allowing the lens to almost touch the subject for finer macro details.\u003c\/p\u003e\u003ch3\u003eUltimate Protection, Ready for Any Challenge\u003c\/h3\u003e\u003cp\u003eConstructed from aerospace-grade aluminum alloy, the lens is lightweight yet robust. A 25 micron anodized coating enhances hardness and corrosion protection. Tested from -30C to 70C, with IP57-rated dust and water resistance (waterproof to over 28cm), and a hydrophobic anti-fog front coating.\u003c\/p\u003e\u003ch3\u003eCine-standard Crafts, Precise and Reliable\u003c\/h3\u003e\u003cp\u003eWith a 28cm water immersion depth, dual-sided hydrophobic coated UV filter, and O-shaped clamp, the lens ensures stability and versatility. The native PL mount features rear elements that protrude just 1.37cm from the mounting flange, compatible with DZOFILM Octopus and most PL-E\/RF\/LPL adapters and Speedboosters.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (X-tract 18-28mm Probe Zoom)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 18-28 mm\u003c\/li\u003e\n\u003cli\u003eLens Type: 0 degree Direct \/ 90 degree Periscope \/ 360 degree Periscope\u003c\/li\u003e\n\u003cli\u003eMount: PL\u003c\/li\u003e\n\u003cli\u003eAperture: T8-T45\u003c\/li\u003e\n\u003cli\u003eImage Circle: 43.2mm\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 25 Elements in 18 Groups (0 deg), 26 in 19 (90 deg), 27 in 20 (360 deg)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.47m\/1ft7in\u003c\/li\u003e\n\u003cli\u003eClose Focus (from lens front): 6mm\u003c\/li\u003e\n\u003cli\u003eZoom Ratio: 1.55x\u003c\/li\u003e\n\u003cli\u003eMagnification factor (28mm): 2.1X\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (72 degrees)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (300 degrees)\u003c\/li\u003e\n\u003cli\u003eZoom Control: Manual (100 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 29.6mm (37.7 x 30.58mm square filter on periscope models)\u003c\/li\u003e\n\u003cli\u003eLength: 415mm (0 deg), 421mm (90 deg); 360 deg periscope 16cm crossarm and 30cm lens arm\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy, IP57 rated\u003c\/li\u003e\n\u003cli\u003eWeight: 1090g (0 deg), 1132g (90 deg), 1144g (360 deg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656214626595,"sku":"DZO-X1828ABC","price":9599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/2_a76dfbfb-6115-4f72-9807-b19a2e8f079d.png?v=1790366798"},{"product_id":"dzofilm-dzo-x1828a","title":"DZOFILM X-tract 18-28mm_0°(PL_Black_Case_1pcs_Metric), Probe Zoom Cine Lens, PL Mount, Macro Probe Optics","description":"\u003cp\u003eDZOFILM X-tract 18-28mm_0°(PL_Black_Case_1pcs_Metric)\u003c\/p\u003e\u003ch3\u003eA Bold Probing into Spectacular Marvels\u003c\/h3\u003e\u003cp\u003eThe name X-tract is inspired by the word extract, meaning to draw out the essence. Its slender design allows it to easily access narrow, hidden spaces, capturing microscopic details invisible to the naked eye and transforming them into stunning imagery. Combining a T8 large aperture, wide-angle zoom macro capabilities, and a design inspired by starship exploration, it redefines macro cinematography.\u003c\/p\u003e\u003ch3\u003eUnprecedented Vision with Probe Zoom\u003c\/h3\u003e\u003cp\u003eThe X-tract 18-28mm T8 wide-angle probe zoom series redefines the possibilities of macro cinematography. Featuring a combination of 0, 90 and 360 degree lenses, it offers boundless creative flexibility and covers essential focal lengths for commercial filming, enabling effortless adjustments even in confined spaces while delivering enhanced spatial depth and dimensional detail.\u003c\/p\u003e\u003ch3\u003eMasterful Optical Balance for Immaculate Visuals\u003c\/h3\u003e\u003cp\u003eThe X-tract 18-28mm T8 0-degree lens features 7 high-refractive-index (HRI) lenses and 6 extra-low-dispersion (ED) lenses, striking an optimal balance between size and weight while minimizing chromatic aberrations, distortions, and optical flaws common in probe lenses. Distortion is kept within plus or minus 2 percent across the entire zoom range, with near-zero distortion and focus breathing at 24mm.\u003c\/p\u003e\u003ch3\u003eMore Dimensions, Greater Creativity\u003c\/h3\u003e\u003cp\u003eThe combination of prism structure and 360-degree rotating ring offers an additional dimension for creative adjustments. The entire series features a smooth 300-degree focus throw, tested for high-frequency durability and micron-level assembly precision. The X-tract lenses feature a parfocal design, locking the focus during zooming, delivering the classic Hitchcock dolly zoom effect even in macro shooting. Note: images captured with the 90-degree lens require Mirror Flip.\u003c\/p\u003e\u003ch3\u003eUnmatched Performance Beyond Primes\u003c\/h3\u003e\u003cp\u003eThe X-tract series features native breath control, reducing breathing effects to just 0.5 percent at 24mm. The X-tract 0-degree probe zoom maintains a relative illumination of 70.7 percent, while the 90-degree probe zoom offers 68.6 percent, ensuring consistent brightness and professional-grade visual performance.\u003c\/p\u003e\u003ch3\u003e360 Degree Periscope: Spin Into Future\u003c\/h3\u003e\u003cp\u003eThe X-tract 360-degree probe lens unlocks three shooting modes: Front Mode (0 degrees) with a 30cm probe shaft moving in a 55cm arc for smooth vertical shots in tight spaces; Oblique Mode (0 to 180 degrees) with dual rotation rings for Dutch angles and horizon adjustments; and Rear Mode (180 degrees) with a foldable design and 360-degree rotation for dramatic barrel roll effects.\u003c\/p\u003e\u003ch3\u003eUltra-Macro, Unlocking a New World\u003c\/h3\u003e\u003cp\u003eWith a maximum magnification ratio of 2.1:1, the X-tract reveals the intricate textures of everyday objects. The minimum focusing distance is reduced from the traditional 56.3cm of probe lenses to 47.3cm, with a minimum working distance of just 6mm, allowing the lens to almost touch the subject for finer macro details.\u003c\/p\u003e\u003ch3\u003eUltimate Protection, Ready for Any Challenge\u003c\/h3\u003e\u003cp\u003eConstructed from aerospace-grade aluminum alloy, the lens is lightweight yet robust. A 25 micron anodized coating enhances hardness and corrosion protection. Tested from -30C to 70C, with IP57-rated dust and water resistance (waterproof to over 28cm), and a hydrophobic anti-fog front coating.\u003c\/p\u003e\u003ch3\u003eCine-standard Crafts, Precise and Reliable\u003c\/h3\u003e\u003cp\u003eWith a 28cm water immersion depth, dual-sided hydrophobic coated UV filter, and O-shaped clamp, the lens ensures stability and versatility. The native PL mount features rear elements that protrude just 1.37cm from the mounting flange, compatible with DZOFILM Octopus and most PL-E\/RF\/LPL adapters and Speedboosters.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (X-tract 18-28mm Probe Zoom)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 18-28 mm\u003c\/li\u003e\n\u003cli\u003eLens Type: 0 degree Direct \/ 90 degree Periscope \/ 360 degree Periscope\u003c\/li\u003e\n\u003cli\u003eMount: PL\u003c\/li\u003e\n\u003cli\u003eAperture: T8-T45\u003c\/li\u003e\n\u003cli\u003eImage Circle: 43.2mm\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 25 Elements in 18 Groups (0 deg), 26 in 19 (90 deg), 27 in 20 (360 deg)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.47m\/1ft7in\u003c\/li\u003e\n\u003cli\u003eClose Focus (from lens front): 6mm\u003c\/li\u003e\n\u003cli\u003eZoom Ratio: 1.55x\u003c\/li\u003e\n\u003cli\u003eMagnification factor (28mm): 2.1X\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (72 degrees)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (300 degrees)\u003c\/li\u003e\n\u003cli\u003eZoom Control: Manual (100 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 29.6mm (37.7 x 30.58mm square filter on periscope models)\u003c\/li\u003e\n\u003cli\u003eLength: 415mm (0 deg), 421mm (90 deg); 360 deg periscope 16cm crossarm and 30cm lens arm\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy, IP57 rated\u003c\/li\u003e\n\u003cli\u003eWeight: 1090g (0 deg), 1132g (90 deg), 1144g (360 deg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656214724899,"sku":"DZO-X1828A","price":3499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/18-28mm_A_1.png?v=1790366800"},{"product_id":"dzofilm-dzo-vr21b7pls","title":"DZOFILM Vespid Retro 7-lens Kit (16, 25, 35, 50, 75, 100,125mm) with hard case (PL mount with EF bayonet, Silver), Full-Frame Vintage-Look Cine Prime Kit, PL Mount, Manual Focus and Iris","description":"\u003cp\u003eDZOFILM Vespid Retro 7-lens Kit (16, 25, 35, 50, 75, 100,125mm) with hard case (PL mount with EF bayonet, Silver)\u003c\/p\u003e\u003ch3\u003eTime Resides in Amber, Reflecting a Glimmer of Uniqueness\u003c\/h3\u003e\u003cp\u003eMemories are recreated through images, enabling us to travel between reality and imagination in time and space. Vespid Retro Prime provides infinite inspiration and surprise with a unique golden coating design. The image created by the vintage cinema prime lens becomes the extension of sense and continuation of dreams.\u003c\/p\u003e\u003ch3\u003eGolden Coating, Retro Aesthetics\u003c\/h3\u003e\u003cp\u003eSpecial coating techniques enhance the unique characteristics of vintage cine lenses, creating more possibilities for evocative and stylistic filming. The unconventional anodized aluminum alloy in silver provides a classic and stylish appearance that recalls the golden age of cinema.\u003c\/p\u003e\u003ch3\u003eAmber Hue, Craft Eternity\u003c\/h3\u003e\u003cp\u003eDrawing inspiration from classic vintage lenses, these optics offer precisely controllable amber halation, a tool for intentional expression rather than just an effect. The controllable warm tangerine glow evokes sun-soaked memories, rich in sensual and poetic naturalistic colors, especially powerful for arthouse and atmospheric work.\u003c\/p\u003e\u003ch3\u003eViolet Tint, Alluring Reverie\u003c\/h3\u003e\u003cp\u003eThe amber coating channels what cinematographers love most about vintage lenses, adding a warm soft tint on the cold bluish image that renders skin tones beautifully. Vintage colors and delicate nuances suit the presentation of dreamlike surreal moments.\u003c\/p\u003e\u003ch3\u003eVintage Look, Modern Composition\u003c\/h3\u003e\u003cp\u003eInspired by the industrial design of the 1970s and Mondrian paintings, the silver appearance is subtly embellished with red and blue inks for a retro yet vibrant look. Rounded elements and rectangular lettering present modernity with geometric balance.\u003c\/p\u003e\u003ch3\u003eA Combination of Retro and Modern\u003c\/h3\u003e\u003cp\u003eResolves high-resolution details and yet feels smooth. Delivers crisp, high-contrast images that still retain a soft vintage look with dreamy rendition and gorgeous bokeh.\u003c\/p\u003e\u003ch3\u003eExquisite Size, Compactly Solid\u003c\/h3\u003e\u003cp\u003eThe lens housing is made of aluminum alloy, sturdy and durable across environments. The lightweight and compact body, consistent with Vespid Prime, can be easily grasped with one hand, with a matte finish and delicate texture.\u003c\/p\u003e\u003ch3\u003eFF\/VV Format for Professional Filmmaking\u003c\/h3\u003e\u003cp\u003eThis vintage-inspired lens series covers full-frame cine camera sensors with an image circle up to 46.5mm across the range, from wide-angle to standard to telephoto, maintaining consistent vintage characteristics through focal length changes.\u003c\/p\u003e\u003ch3\u003eConsistent Mechanics, Smooth Operation\u003c\/h3\u003e\u003cp\u003eVespid Retro has the same reliable mechanical performance as the original Vespid Prime, with uniform, constant position of focus and iris rings requiring no adjustment when changing lenses. Combines a classic 270-degree focus rotation with interchangeable PL and EF mounts, from ARRI to Canon cinema cameras.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Vespid Retro series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 16 \/ 25 \/ 35 \/ 50 \/ 75 \/ 100 \/ 125 mm\u003c\/li\u003e\n\u003cli\u003eColour: Silver\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003cli\u003eT-Stop: T2.8-T22 (16mm), T2.1-T22 (25\/35\/50\/75\/100\/125mm)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 9-14 elements in 7-11 groups depending on focal length\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.25m\/10in (16mm) to 0.79m\/2ft7in (125mm)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (50 to 84 degrees depending on focal length)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (270 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 80mm \/ 3.15in\u003c\/li\u003e\n\u003cli\u003eLength: 87mm\/3.43in to 100mm\/3.94in depending on focal length\u003c\/li\u003e\n\u003cli\u003eIris Blade: 16\u003c\/li\u003e\n\u003cli\u003eFilter Size: M77\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy\u003c\/li\u003e\n\u003cli\u003eWeight: 930g (16mm), 1021g (25mm), 962g (35mm), 857g (50mm), 887g (75mm), 945g (100mm), 981g (125mm)\u003c\/li\u003e\n\u003cli\u003eCoating: golden\/amber halation coating; Limited Edition, sold only as a set\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656214790435,"sku":"DZO-VR21B7PLS","price":7799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/UYfm1hMBf1Lm9l0pSVB5xd5330_c9a1aa36-d4be-4fa5-9914-4034bce13e8d.jpg?v=1790366801"},{"product_id":"dzofilm-dzo-vp9pli","title":"DZOFILM Vespid Prime 9-lens Kit-16\/ 25\/ 35\/ 40\/ 50\/ 75\/ 90 Macro imperial\/ 100\/ 125mm (PL+EF), Vista Vision Full-Frame Coverage, Interchangeable PL and EF Mount, 46.5mm Image Circle, Manual Focus and Iris, M77 Front Filter","description":"\u003cp\u003eDZOFILM Vespid Prime 9-lens Kit-16\/ 25\/ 35\/ 40\/ 50\/ 75\/ 90 Macro imperial\/ 100\/ 125mm (PL+EF)\u003c\/p\u003e\u003ch3\u003eInnovative Design, Inspiring Visuals\u003c\/h3\u003e\u003cp\u003eThe Vespid Cine Prime Lenses offer superior image quality with a perfect balance of modern and vintage aesthetics. Its APO design produces sharp and accurate images with minimal chromatic aberration.\u003c\/p\u003e\u003ch3\u003eGorgeous Bokeh, Aesthetic Appeal\u003c\/h3\u003e\u003cp\u003eDesigned for professional cinematography, Vespid primes excel in optical precision, effectively controlling aberrations for remarkable resolution and true-to-life colors. They create soft and natural bokeh for organic and emotional images with smooth focus transitions, while their internal design minimizes focus breathing. This makes them ideal for everything from subtle focus transitions in dialogue scenes to dynamic documentary work.\u003c\/p\u003e\u003ch3\u003ePrecise Mechanism, Smooth Operation\u003c\/h3\u003e\u003cp\u003eAs professional cine prime lenses, the lenses are fully manual with 270 degrees of focus rotation, giving you smooth and accurate focus control. The shared position of the focus and iris gears across the lens set allows for fast lens changes with minimal adjustment of lens accessories. The focus and iris rings are smooth to operate, allowing for precise adjustments to focus and exposure.\u003c\/p\u003e\u003ch3\u003eBroad Perspectives, Infinite Creativity\u003c\/h3\u003e\u003cp\u003eVespid 12mm offers a diagonal field of view of 126 degrees on Vista Vision format, with a horizontal view of 119 degrees and a vertical view of 81 degrees. While the ultra-wide-angle composition boosts cinematic and dramatic effects, the extremely expansive visual field offers stunningly rich details. This opens up more opportunities for visual storytelling.\u003c\/p\u003e\u003ch3\u003eCine-standard Design for Versatile Applications\u003c\/h3\u003e\u003cp\u003eComprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style. Compatible with Vista Vision large-format sensors, these primes meet the varied demands of independent filmmaking and large-scale productions.\u003c\/p\u003e\u003ch3\u003eCompact and Solid Build\u003c\/h3\u003e\u003cp\u003eThese lenses housing are crafted from a durable aluminum alloy, making them robust and reliable in various environments. Their compact, lightweight design makes them ideal for handheld, gimbal, and drone work.\u003c\/p\u003e\u003ch3\u003eInclusive Compatibility, Unlocking Potential\u003c\/h3\u003e\u003cp\u003eVespid Prime lenses come with a versatile interchangeable PL and EF mounting system, compatible with Octopus adapters. Additionally, with a 77mm filter thread, they accommodate various filtration options. Including a prime or two in any camera bag ensures you are ready for any shooting scenario. Compatible with KOOP Rear Filter (Standard Set \/ Artistic Set) and Octopus Adapter (PL or EF Mount).\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Vespid Prime series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 12 \/ 16 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 90 \/ 100 \/ 125 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22 (12mm), T2.1-T22 (21\/25\/35\/40\/50\/75\/100\/125mm), T2.8-T22 (16\/90mm Macro)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: varies by focal length (9-15 elements in 7-11 groups)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.2m\/8in to 0.79m\/2ft7in depending on focal length\u003c\/li\u003e\n\u003cli\u003eMax. Magnification Ratio: 1.5X (90mm Macro)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (50-84 degrees depending on focal length)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (270 degrees; 300 degrees on 16mm)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 80mm \/ 3.15in\u003c\/li\u003e\n\u003cli\u003eLength (lens front to flange plane): 72mm\/2.83in to 112mm\/4.41in depending on focal length\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10 (16 on some)\u003c\/li\u003e\n\u003cli\u003eFilter Size: M77\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy\u003c\/li\u003e\n\u003cli\u003eWeight (Product): 725g (12mm), 930g (16mm), 880g (21mm), 1021g (25mm), 962g (35mm), 905g (40mm), 857g (50mm), 887g (75mm), 839g (90mm), 945g (100mm), 981g (125mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656215118115,"sku":"DZO-VP9PLI","price":6999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/1724082929_1846915.jpg?v=1790366803"},{"product_id":"dzofilm-dzo-vp7v2pl","title":"DZOFILM Vespid Prime 7-Iens Kit V2 一 16 T2.8+ 25 \/ 35 \/ 50 \/ 75 \/ 100 \/ 125mm T2.1 with case (PL+EF) -Promotion kit, Vista Vision Full-Frame Coverage, Interchangeable PL and EF Mount, 46.5mm Image Circle, Manual Focus and Iris, M77 Front Filter","description":"\u003cp\u003eDZOFILM Vespid Prime 7-Iens Kit V2 一 16 T2.8+ 25 \/ 35 \/ 50 \/ 75 \/ 100 \/ 125mm T2.1 with case (PL+EF) -Promotion kit\u003c\/p\u003e\u003ch3\u003eInnovative Design, Inspiring Visuals\u003c\/h3\u003e\u003cp\u003eThe Vespid Cine Prime Lenses offer superior image quality with a perfect balance of modern and vintage aesthetics. Its APO design produces sharp and accurate images with minimal chromatic aberration.\u003c\/p\u003e\u003ch3\u003eGorgeous Bokeh, Aesthetic Appeal\u003c\/h3\u003e\u003cp\u003eDesigned for professional cinematography, Vespid primes excel in optical precision, effectively controlling aberrations for remarkable resolution and true-to-life colors. They create soft and natural bokeh for organic and emotional images with smooth focus transitions, while their internal design minimizes focus breathing. This makes them ideal for everything from subtle focus transitions in dialogue scenes to dynamic documentary work.\u003c\/p\u003e\u003ch3\u003ePrecise Mechanism, Smooth Operation\u003c\/h3\u003e\u003cp\u003eAs professional cine prime lenses, the lenses are fully manual with 270 degrees of focus rotation, giving you smooth and accurate focus control. The shared position of the focus and iris gears across the lens set allows for fast lens changes with minimal adjustment of lens accessories. The focus and iris rings are smooth to operate, allowing for precise adjustments to focus and exposure.\u003c\/p\u003e\u003ch3\u003eBroad Perspectives, Infinite Creativity\u003c\/h3\u003e\u003cp\u003eVespid 12mm offers a diagonal field of view of 126 degrees on Vista Vision format, with a horizontal view of 119 degrees and a vertical view of 81 degrees. While the ultra-wide-angle composition boosts cinematic and dramatic effects, the extremely expansive visual field offers stunningly rich details. This opens up more opportunities for visual storytelling.\u003c\/p\u003e\u003ch3\u003eCine-standard Design for Versatile Applications\u003c\/h3\u003e\u003cp\u003eComprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style. 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Compatible with KOOP Rear Filter (Standard Set \/ Artistic Set) and Octopus Adapter (PL or EF Mount).\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Vespid Prime series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 12 \/ 16 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 90 \/ 100 \/ 125 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22 (12mm), T2.1-T22 (21\/25\/35\/40\/50\/75\/100\/125mm), T2.8-T22 (16\/90mm Macro)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: varies by focal length (9-15 elements in 7-11 groups)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.2m\/8in to 0.79m\/2ft7in depending on focal length\u003c\/li\u003e\n\u003cli\u003eMax. 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The focus and iris rings are smooth to operate, allowing for precise adjustments to focus and exposure.\u003c\/p\u003e\u003ch3\u003eBroad Perspectives, Infinite Creativity\u003c\/h3\u003e\u003cp\u003eVespid 12mm offers a diagonal field of view of 126 degrees on Vista Vision format, with a horizontal view of 119 degrees and a vertical view of 81 degrees. While the ultra-wide-angle composition boosts cinematic and dramatic effects, the extremely expansive visual field offers stunningly rich details. This opens up more opportunities for visual storytelling.\u003c\/p\u003e\u003ch3\u003eCine-standard Design for Versatile Applications\u003c\/h3\u003e\u003cp\u003eComprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style. Compatible with Vista Vision large-format sensors, these primes meet the varied demands of independent filmmaking and large-scale productions.\u003c\/p\u003e\u003ch3\u003eCompact and Solid Build\u003c\/h3\u003e\u003cp\u003eThese lenses housing are crafted from a durable aluminum alloy, making them robust and reliable in various environments. Their compact, lightweight design makes them ideal for handheld, gimbal, and drone work.\u003c\/p\u003e\u003ch3\u003eInclusive Compatibility, Unlocking Potential\u003c\/h3\u003e\u003cp\u003eVespid Prime lenses come with a versatile interchangeable PL and EF mounting system, compatible with Octopus adapters. Additionally, with a 77mm filter thread, they accommodate various filtration options. Including a prime or two in any camera bag ensures you are ready for any shooting scenario. Compatible with KOOP Rear Filter (Standard Set \/ Artistic Set) and Octopus Adapter (PL or EF Mount).\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Vespid Prime series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 12 \/ 16 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 90 \/ 100 \/ 125 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22 (12mm), T2.1-T22 (21\/25\/35\/40\/50\/75\/100\/125mm), T2.8-T22 (16\/90mm Macro)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: varies by focal length (9-15 elements in 7-11 groups)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.2m\/8in to 0.79m\/2ft7in depending on focal length\u003c\/li\u003e\n\u003cli\u003eMax. 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Its APO design produces sharp and accurate images with minimal chromatic aberration.\u003c\/p\u003e\u003ch3\u003eGorgeous Bokeh, Aesthetic Appeal\u003c\/h3\u003e\u003cp\u003eDesigned for professional cinematography, Vespid primes excel in optical precision, effectively controlling aberrations for remarkable resolution and true-to-life colors. They create soft and natural bokeh for organic and emotional images with smooth focus transitions, while their internal design minimizes focus breathing. This makes them ideal for everything from subtle focus transitions in dialogue scenes to dynamic documentary work.\u003c\/p\u003e\u003ch3\u003ePrecise Mechanism, Smooth Operation\u003c\/h3\u003e\u003cp\u003eAs professional cine prime lenses, the lenses are fully manual with 270 degrees of focus rotation, giving you smooth and accurate focus control. The shared position of the focus and iris gears across the lens set allows for fast lens changes with minimal adjustment of lens accessories. The focus and iris rings are smooth to operate, allowing for precise adjustments to focus and exposure.\u003c\/p\u003e\u003ch3\u003eBroad Perspectives, Infinite Creativity\u003c\/h3\u003e\u003cp\u003eVespid 12mm offers a diagonal field of view of 126 degrees on Vista Vision format, with a horizontal view of 119 degrees and a vertical view of 81 degrees. While the ultra-wide-angle composition boosts cinematic and dramatic effects, the extremely expansive visual field offers stunningly rich details. This opens up more opportunities for visual storytelling.\u003c\/p\u003e\u003ch3\u003eCine-standard Design for Versatile Applications\u003c\/h3\u003e\u003cp\u003eComprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style. Compatible with Vista Vision large-format sensors, these primes meet the varied demands of independent filmmaking and large-scale productions.\u003c\/p\u003e\u003ch3\u003eCompact and Solid Build\u003c\/h3\u003e\u003cp\u003eThese lenses housing are crafted from a durable aluminum alloy, making them robust and reliable in various environments. Their compact, lightweight design makes them ideal for handheld, gimbal, and drone work.\u003c\/p\u003e\u003ch3\u003eInclusive Compatibility, Unlocking Potential\u003c\/h3\u003e\u003cp\u003eVespid Prime lenses come with a versatile interchangeable PL and EF mounting system, compatible with Octopus adapters. Additionally, with a 77mm filter thread, they accommodate various filtration options. Including a prime or two in any camera bag ensures you are ready for any shooting scenario. Compatible with KOOP Rear Filter (Standard Set \/ Artistic Set) and Octopus Adapter (PL or EF Mount).\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Vespid Prime series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 12 \/ 16 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 90 \/ 100 \/ 125 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22 (12mm), T2.1-T22 (21\/25\/35\/40\/50\/75\/100\/125mm), T2.8-T22 (16\/90mm Macro)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: varies by focal length (9-15 elements in 7-11 groups)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.2m\/8in to 0.79m\/2ft7in depending on focal length\u003c\/li\u003e\n\u003cli\u003eMax. 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Vespid Cyber lenses are specifically designed to work seamlessly with the DJI RS 3 Pro and DJI LiDAR Range Finder for smooth autofocus and exceptional image quality.\u003c\/p\u003e\u003ch3\u003eQuick Set-up\u003c\/h3\u003e\u003cp\u003eConnects to the DJI Ronin RS 3 Pro without calibration.\u003c\/p\u003e\u003ch3\u003eMultiple Applications\u003c\/h3\u003e\u003cp\u003eCan be applied in post-production and virtual production.\u003c\/p\u003e\u003ch3\u003eThree Golden Focal Lengths\u003c\/h3\u003e\u003cp\u003eCountless possibilities in the future. Available in 35mm, 50mm, and 75mm, with more options to come.\u003c\/p\u003e\u003ch3\u003eLightweight Design\u003c\/h3\u003e\u003cp\u003eWith a 95mm front diameter, each lens weighs no more than 1.15kg.\u003c\/p\u003e\u003ch3\u003eMulti-country Certification\u003c\/h3\u003e\u003cp\u003eEnsures reliable usability. 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Vespid Cyber lenses are specifically designed to work seamlessly with the DJI RS 3 Pro and DJI LiDAR Range Finder for smooth autofocus and exceptional image quality.\u003c\/p\u003e\u003ch3\u003eQuick Set-up\u003c\/h3\u003e\u003cp\u003eConnects to the DJI Ronin RS 3 Pro without calibration.\u003c\/p\u003e\u003ch3\u003eMultiple Applications\u003c\/h3\u003e\u003cp\u003eCan be applied in post-production and virtual production.\u003c\/p\u003e\u003ch3\u003eThree Golden Focal Lengths\u003c\/h3\u003e\u003cp\u003eCountless possibilities in the future. Available in 35mm, 50mm, and 75mm, with more options to come.\u003c\/p\u003e\u003ch3\u003eLightweight Design\u003c\/h3\u003e\u003cp\u003eWith a 95mm front diameter, each lens weighs no more than 1.15kg.\u003c\/p\u003e\u003ch3\u003eMulti-country Certification\u003c\/h3\u003e\u003cp\u003eEnsures reliable usability. 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Optimized structure and precision coatings ensure consistent color performance across all focal lengths for seamless production and post-production integration.\u003c\/p\u003e\u003ch3\u003eRefined Optics for Unmatched Imagery\u003c\/h3\u003e\u003cp\u003eThe new Vespid 2 elevates resolution to meet the most exacting demands of in- and out-of-focus rendering. Its redesigned optics suppress chromatic aberration, delivering pure and natural skin tones, while a ten-blade iris with a linear aperture scale produces refined, expressive bokeh for every frame. Enhanced distortion control across the full range from 18mm ultra-wide to 105mm telephoto ensures stable, consistent imagery in multi-camera setups or complex shooting environments.\u003c\/p\u003e\u003ch3\u003eCompact Size, Ultimate Visuals\u003c\/h3\u003e\u003cp\u003eVespid 2 is the most compact T1.9 Vista Vision prime set on the market, initially available in 18mm, 24mm, 35mm, 50mm, 85mm, and 105mm. Covering the full spectrum from wide to medium telephoto, it supports sensors up to 46.5mm, including RED V-Raptor VV, ARRI Alexa LF, Sony Venice, and other large-format systems, and in many scenarios extends coverage to medium-format systems.\u003c\/p\u003e\u003ch3\u003eFloating Elements for Sharper Image\u003c\/h3\u003e\u003cp\u003eBuilding on the compact optical design of Vespids, the Vespid 2 lineup integrates floating elements to precisely correct aberration from infinity to minimum focus, ensuring exceptional close-focus performance. With a maximum magnification of 1:5.5 to 1:8, close-up performance is significantly enhanced. Minimal lens breathing ensures smooth transitions and stable framing that needs no systemic correction.\u003c\/p\u003e\u003ch3\u003eCooke \/i Real-Time Communication\u003c\/h3\u003e\u003cp\u003eVespid 2 integrates the Cooke \/i protocol within its compact housing and is fully compatible with ARRI, RED, Blackmagic, Sony, and Canon cinema cameras. Lens data such as focal length, T-stop and focus distance is automatically recorded and displayed in real time, reducing manual input errors. Equipped with a 4-pin Lemo interface, it will support wireless follow-focus systems and a wide range of professional cine accessories.\u003c\/p\u003e\u003ch3\u003eWhere Compromises End, Excellence Begins\u003c\/h3\u003e\u003cp\u003eAt only around 800g, each Vespid 2 lens pairs an 80mm front diameter with an 80mm barrel length, making it the most compact PL-mount Vista Vision high-speed prime. 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Vespid 2 builds on this compact, high-performance spirit with full optical and handling upgrades. It empowers filmmakers to achieve faster, more accurate, and more expressive workflows.\u003c\/p\u003e\u003ch3\u003eOptical Reinvention for a New Visual Standard\u003c\/h3\u003e\u003cp\u003eVespid 2 features a fully upgraded optical design with a constant T1.9 aperture across the series. Each lens incorporates new-generation self-developed aspherical elements, precision-polished to the highest standards, paired with multi-layer nano coatings and specially calibrated coating formulas to minimize reflections and suppress stray light. The result is outstanding resolution with clean, pure imagery, rich details and textures, and controlled contrast. Optimized structure and precision coatings ensure consistent color performance across all focal lengths for seamless production and post-production integration.\u003c\/p\u003e\u003ch3\u003eRefined Optics for Unmatched Imagery\u003c\/h3\u003e\u003cp\u003eThe new Vespid 2 elevates resolution to meet the most exacting demands of in- and out-of-focus rendering. Its redesigned optics suppress chromatic aberration, delivering pure and natural skin tones, while a ten-blade iris with a linear aperture scale produces refined, expressive bokeh for every frame. Enhanced distortion control across the full range from 18mm ultra-wide to 105mm telephoto ensures stable, consistent imagery in multi-camera setups or complex shooting environments.\u003c\/p\u003e\u003ch3\u003eCompact Size, Ultimate Visuals\u003c\/h3\u003e\u003cp\u003eVespid 2 is the most compact T1.9 Vista Vision prime set on the market, initially available in 18mm, 24mm, 35mm, 50mm, 85mm, and 105mm. Covering the full spectrum from wide to medium telephoto, it supports sensors up to 46.5mm, including RED V-Raptor VV, ARRI Alexa LF, Sony Venice, and other large-format systems, and in many scenarios extends coverage to medium-format systems.\u003c\/p\u003e\u003ch3\u003eFloating Elements for Sharper Image\u003c\/h3\u003e\u003cp\u003eBuilding on the compact optical design of Vespids, the Vespid 2 lineup integrates floating elements to precisely correct aberration from infinity to minimum focus, ensuring exceptional close-focus performance. With a maximum magnification of 1:5.5 to 1:8, close-up performance is significantly enhanced. Minimal lens breathing ensures smooth transitions and stable framing that needs no systemic correction.\u003c\/p\u003e\u003ch3\u003eCooke \/i Real-Time Communication\u003c\/h3\u003e\u003cp\u003eVespid 2 integrates the Cooke \/i protocol within its compact housing and is fully compatible with ARRI, RED, Blackmagic, Sony, and Canon cinema cameras. Lens data such as focal length, T-stop and focus distance is automatically recorded and displayed in real time, reducing manual input errors. Equipped with a 4-pin Lemo interface, it will support wireless follow-focus systems and a wide range of professional cine accessories.\u003c\/p\u003e\u003ch3\u003eWhere Compromises End, Excellence Begins\u003c\/h3\u003e\u003cp\u003eAt only around 800g, each Vespid 2 lens pairs an 80mm front diameter with an 80mm barrel length, making it the most compact PL-mount Vista Vision high-speed prime. Designed for compact setups, it works effortlessly with DJI Ronin 4D, gimbals, handheld rigs, sliders, and drones.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Vespid Prime 2 series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 18 \/ 24 \/ 35 \/ 50 \/ 85 \/ 105 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9-T22 (constant T1.9)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eMax Magnification Ratio: 1:7.6 (18mm), 1:8 (24mm), 1:5.5 (35mm), 1:8 (50mm), 1:7.5 (85mm), 1:7.6 (105mm)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 11-15 elements in 8-13 groups depending on focal length\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.25m\/0.8ft (18mm) to 0.9m\/3ft (105mm)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (65-68 degrees depending on focal length)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (300 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 80mm \/ 3.15in\u003c\/li\u003e\n\u003cli\u003eLength: 80mm \/ 3.15in (PL)\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10\u003c\/li\u003e\n\u003cli\u003eFilter Size: M77\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eLens Data: Cooke \/i protocol, 4-pin Lemo interface\u003c\/li\u003e\n\u003cli\u003eWeight: 766g (18mm), 766g (24mm), 800g (35mm), 836g (50mm), 865g (85mm), 833g (105mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656215871779,"sku":"DZO-V26SETIX","price":6289.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Vespid2_6-Lens_Kit_3.png?v=1790366827"},{"product_id":"dzofilm-dzo-v250ih","title":"DZOFILM Vespid Prime2 50mm(PL_Black_Carton_1pcs_Imperial), Full-Frame Cine Prime, Interchangeable PL and EF Mount, Manual Focus and Iris, Cine-Standard 0.8 MOD Gears","description":"\u003cp\u003eDZOFILM Vespid Prime2 50mm(PL_Black_Carton_1pcs_Imperial)\u003c\/p\u003e\u003ch3\u003eWhat is Vespid 2\u003c\/h3\u003e\u003cp\u003eNamed after the agile and efficient wasp, Vespid embodies precision and speed. Vespid 2 builds on this compact, high-performance spirit with full optical and handling upgrades. It empowers filmmakers to achieve faster, more accurate, and more expressive workflows.\u003c\/p\u003e\u003ch3\u003eOptical Reinvention for a New Visual Standard\u003c\/h3\u003e\u003cp\u003eVespid 2 features a fully upgraded optical design with a constant T1.9 aperture across the series. Each lens incorporates new-generation self-developed aspherical elements, precision-polished to the highest standards, paired with multi-layer nano coatings and specially calibrated coating formulas to minimize reflections and suppress stray light. The result is outstanding resolution with clean, pure imagery, rich details and textures, and controlled contrast. Optimized structure and precision coatings ensure consistent color performance across all focal lengths for seamless production and post-production integration.\u003c\/p\u003e\u003ch3\u003eRefined Optics for Unmatched Imagery\u003c\/h3\u003e\u003cp\u003eThe new Vespid 2 elevates resolution to meet the most exacting demands of in- and out-of-focus rendering. Its redesigned optics suppress chromatic aberration, delivering pure and natural skin tones, while a ten-blade iris with a linear aperture scale produces refined, expressive bokeh for every frame. Enhanced distortion control across the full range from 18mm ultra-wide to 105mm telephoto ensures stable, consistent imagery in multi-camera setups or complex shooting environments.\u003c\/p\u003e\u003ch3\u003eCompact Size, Ultimate Visuals\u003c\/h3\u003e\u003cp\u003eVespid 2 is the most compact T1.9 Vista Vision prime set on the market, initially available in 18mm, 24mm, 35mm, 50mm, 85mm, and 105mm. Covering the full spectrum from wide to medium telephoto, it supports sensors up to 46.5mm, including RED V-Raptor VV, ARRI Alexa LF, Sony Venice, and other large-format systems, and in many scenarios extends coverage to medium-format systems.\u003c\/p\u003e\u003ch3\u003eFloating Elements for Sharper Image\u003c\/h3\u003e\u003cp\u003eBuilding on the compact optical design of Vespids, the Vespid 2 lineup integrates floating elements to precisely correct aberration from infinity to minimum focus, ensuring exceptional close-focus performance. With a maximum magnification of 1:5.5 to 1:8, close-up performance is significantly enhanced. Minimal lens breathing ensures smooth transitions and stable framing that needs no systemic correction.\u003c\/p\u003e\u003ch3\u003eCooke \/i Real-Time Communication\u003c\/h3\u003e\u003cp\u003eVespid 2 integrates the Cooke \/i protocol within its compact housing and is fully compatible with ARRI, RED, Blackmagic, Sony, and Canon cinema cameras. Lens data such as focal length, T-stop and focus distance is automatically recorded and displayed in real time, reducing manual input errors. Equipped with a 4-pin Lemo interface, it will support wireless follow-focus systems and a wide range of professional cine accessories.\u003c\/p\u003e\u003ch3\u003eWhere Compromises End, Excellence Begins\u003c\/h3\u003e\u003cp\u003eAt only around 800g, each Vespid 2 lens pairs an 80mm front diameter with an 80mm barrel length, making it the most compact PL-mount Vista Vision high-speed prime. Designed for compact setups, it works effortlessly with DJI Ronin 4D, gimbals, handheld rigs, sliders, and drones.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Vespid Prime 2 series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 18 \/ 24 \/ 35 \/ 50 \/ 85 \/ 105 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9-T22 (constant T1.9)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eMax Magnification Ratio: 1:7.6 (18mm), 1:8 (24mm), 1:5.5 (35mm), 1:8 (50mm), 1:7.5 (85mm), 1:7.6 (105mm)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 11-15 elements in 8-13 groups depending on focal length\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.25m\/0.8ft (18mm) to 0.9m\/3ft (105mm)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (65-68 degrees depending on focal length)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (300 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 80mm \/ 3.15in\u003c\/li\u003e\n\u003cli\u003eLength: 80mm \/ 3.15in (PL)\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10\u003c\/li\u003e\n\u003cli\u003eFilter Size: M77\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eLens Data: Cooke \/i protocol, 4-pin Lemo interface\u003c\/li\u003e\n\u003cli\u003eWeight: 766g (18mm), 766g (24mm), 800g (35mm), 836g (50mm), 865g (85mm), 833g (105mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656215937315,"sku":"DZO-V250IH","price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Vespid2_50mm_Single_Lens_ft_3.png?v=1790366831"},{"product_id":"dzofilm-dzo-v235ih","title":"DZOFILM Vespid Prime2 35mm(PL_Black_Carton_1pcs_Imperial), Full-Frame Cine Prime, Interchangeable PL and EF Mount, Manual Focus and Iris, Cine-Standard 0.8 MOD Gears","description":"\u003cp\u003eDZOFILM Vespid Prime2 35mm(PL_Black_Carton_1pcs_Imperial)\u003c\/p\u003e\u003ch3\u003eWhat is Vespid 2\u003c\/h3\u003e\u003cp\u003eNamed after the agile and efficient wasp, Vespid embodies precision and speed. Vespid 2 builds on this compact, high-performance spirit with full optical and handling upgrades. It empowers filmmakers to achieve faster, more accurate, and more expressive workflows.\u003c\/p\u003e\u003ch3\u003eOptical Reinvention for a New Visual Standard\u003c\/h3\u003e\u003cp\u003eVespid 2 features a fully upgraded optical design with a constant T1.9 aperture across the series. Each lens incorporates new-generation self-developed aspherical elements, precision-polished to the highest standards, paired with multi-layer nano coatings and specially calibrated coating formulas to minimize reflections and suppress stray light. The result is outstanding resolution with clean, pure imagery, rich details and textures, and controlled contrast. Optimized structure and precision coatings ensure consistent color performance across all focal lengths for seamless production and post-production integration.\u003c\/p\u003e\u003ch3\u003eRefined Optics for Unmatched Imagery\u003c\/h3\u003e\u003cp\u003eThe new Vespid 2 elevates resolution to meet the most exacting demands of in- and out-of-focus rendering. Its redesigned optics suppress chromatic aberration, delivering pure and natural skin tones, while a ten-blade iris with a linear aperture scale produces refined, expressive bokeh for every frame. Enhanced distortion control across the full range from 18mm ultra-wide to 105mm telephoto ensures stable, consistent imagery in multi-camera setups or complex shooting environments.\u003c\/p\u003e\u003ch3\u003eCompact Size, Ultimate Visuals\u003c\/h3\u003e\u003cp\u003eVespid 2 is the most compact T1.9 Vista Vision prime set on the market, initially available in 18mm, 24mm, 35mm, 50mm, 85mm, and 105mm. Covering the full spectrum from wide to medium telephoto, it supports sensors up to 46.5mm, including RED V-Raptor VV, ARRI Alexa LF, Sony Venice, and other large-format systems, and in many scenarios extends coverage to medium-format systems.\u003c\/p\u003e\u003ch3\u003eFloating Elements for Sharper Image\u003c\/h3\u003e\u003cp\u003eBuilding on the compact optical design of Vespids, the Vespid 2 lineup integrates floating elements to precisely correct aberration from infinity to minimum focus, ensuring exceptional close-focus performance. With a maximum magnification of 1:5.5 to 1:8, close-up performance is significantly enhanced. Minimal lens breathing ensures smooth transitions and stable framing that needs no systemic correction.\u003c\/p\u003e\u003ch3\u003eCooke \/i Real-Time Communication\u003c\/h3\u003e\u003cp\u003eVespid 2 integrates the Cooke \/i protocol within its compact housing and is fully compatible with ARRI, RED, Blackmagic, Sony, and Canon cinema cameras. Lens data such as focal length, T-stop and focus distance is automatically recorded and displayed in real time, reducing manual input errors. Equipped with a 4-pin Lemo interface, it will support wireless follow-focus systems and a wide range of professional cine accessories.\u003c\/p\u003e\u003ch3\u003eWhere Compromises End, Excellence Begins\u003c\/h3\u003e\u003cp\u003eAt only around 800g, each Vespid 2 lens pairs an 80mm front diameter with an 80mm barrel length, making it the most compact PL-mount Vista Vision high-speed prime. 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Vespid 2 builds on this compact, high-performance spirit with full optical and handling upgrades. It empowers filmmakers to achieve faster, more accurate, and more expressive workflows.\u003c\/p\u003e\u003ch3\u003eOptical Reinvention for a New Visual Standard\u003c\/h3\u003e\u003cp\u003eVespid 2 features a fully upgraded optical design with a constant T1.9 aperture across the series. Each lens incorporates new-generation self-developed aspherical elements, precision-polished to the highest standards, paired with multi-layer nano coatings and specially calibrated coating formulas to minimize reflections and suppress stray light. The result is outstanding resolution with clean, pure imagery, rich details and textures, and controlled contrast. Optimized structure and precision coatings ensure consistent color performance across all focal lengths for seamless production and post-production integration.\u003c\/p\u003e\u003ch3\u003eRefined Optics for Unmatched Imagery\u003c\/h3\u003e\u003cp\u003eThe new Vespid 2 elevates resolution to meet the most exacting demands of in- and out-of-focus rendering. Its redesigned optics suppress chromatic aberration, delivering pure and natural skin tones, while a ten-blade iris with a linear aperture scale produces refined, expressive bokeh for every frame. Enhanced distortion control across the full range from 18mm ultra-wide to 105mm telephoto ensures stable, consistent imagery in multi-camera setups or complex shooting environments.\u003c\/p\u003e\u003ch3\u003eCompact Size, Ultimate Visuals\u003c\/h3\u003e\u003cp\u003eVespid 2 is the most compact T1.9 Vista Vision prime set on the market, initially available in 18mm, 24mm, 35mm, 50mm, 85mm, and 105mm. Covering the full spectrum from wide to medium telephoto, it supports sensors up to 46.5mm, including RED V-Raptor VV, ARRI Alexa LF, Sony Venice, and other large-format systems, and in many scenarios extends coverage to medium-format systems.\u003c\/p\u003e\u003ch3\u003eFloating Elements for Sharper Image\u003c\/h3\u003e\u003cp\u003eBuilding on the compact optical design of Vespids, the Vespid 2 lineup integrates floating elements to precisely correct aberration from infinity to minimum focus, ensuring exceptional close-focus performance. With a maximum magnification of 1:5.5 to 1:8, close-up performance is significantly enhanced. Minimal lens breathing ensures smooth transitions and stable framing that needs no systemic correction.\u003c\/p\u003e\u003ch3\u003eCooke \/i Real-Time Communication\u003c\/h3\u003e\u003cp\u003eVespid 2 integrates the Cooke \/i protocol within its compact housing and is fully compatible with ARRI, RED, Blackmagic, Sony, and Canon cinema cameras. Lens data such as focal length, T-stop and focus distance is automatically recorded and displayed in real time, reducing manual input errors. Equipped with a 4-pin Lemo interface, it will support wireless follow-focus systems and a wide range of professional cine accessories.\u003c\/p\u003e\u003ch3\u003eWhere Compromises End, Excellence Begins\u003c\/h3\u003e\u003cp\u003eAt only around 800g, each Vespid 2 lens pairs an 80mm front diameter with an 80mm barrel length, making it the most compact PL-mount Vista Vision high-speed prime. 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Vespid 2 builds on this compact, high-performance spirit with full optical and handling upgrades. It empowers filmmakers to achieve faster, more accurate, and more expressive workflows.\u003c\/p\u003e\u003ch3\u003eOptical Reinvention for a New Visual Standard\u003c\/h3\u003e\u003cp\u003eVespid 2 features a fully upgraded optical design with a constant T1.9 aperture across the series. Each lens incorporates new-generation self-developed aspherical elements, precision-polished to the highest standards, paired with multi-layer nano coatings and specially calibrated coating formulas to minimize reflections and suppress stray light. The result is outstanding resolution with clean, pure imagery, rich details and textures, and controlled contrast. Optimized structure and precision coatings ensure consistent color performance across all focal lengths for seamless production and post-production integration.\u003c\/p\u003e\u003ch3\u003eRefined Optics for Unmatched Imagery\u003c\/h3\u003e\u003cp\u003eThe new Vespid 2 elevates resolution to meet the most exacting demands of in- and out-of-focus rendering. Its redesigned optics suppress chromatic aberration, delivering pure and natural skin tones, while a ten-blade iris with a linear aperture scale produces refined, expressive bokeh for every frame. Enhanced distortion control across the full range from 18mm ultra-wide to 105mm telephoto ensures stable, consistent imagery in multi-camera setups or complex shooting environments.\u003c\/p\u003e\u003ch3\u003eCompact Size, Ultimate Visuals\u003c\/h3\u003e\u003cp\u003eVespid 2 is the most compact T1.9 Vista Vision prime set on the market, initially available in 18mm, 24mm, 35mm, 50mm, 85mm, and 105mm. Covering the full spectrum from wide to medium telephoto, it supports sensors up to 46.5mm, including RED V-Raptor VV, ARRI Alexa LF, Sony Venice, and other large-format systems, and in many scenarios extends coverage to medium-format systems.\u003c\/p\u003e\u003ch3\u003eFloating Elements for Sharper Image\u003c\/h3\u003e\u003cp\u003eBuilding on the compact optical design of Vespids, the Vespid 2 lineup integrates floating elements to precisely correct aberration from infinity to minimum focus, ensuring exceptional close-focus performance. With a maximum magnification of 1:5.5 to 1:8, close-up performance is significantly enhanced. Minimal lens breathing ensures smooth transitions and stable framing that needs no systemic correction.\u003c\/p\u003e\u003ch3\u003eCooke \/i Real-Time Communication\u003c\/h3\u003e\u003cp\u003eVespid 2 integrates the Cooke \/i protocol within its compact housing and is fully compatible with ARRI, RED, Blackmagic, Sony, and Canon cinema cameras. Lens data such as focal length, T-stop and focus distance is automatically recorded and displayed in real time, reducing manual input errors. Equipped with a 4-pin Lemo interface, it will support wireless follow-focus systems and a wide range of professional cine accessories.\u003c\/p\u003e\u003ch3\u003eWhere Compromises End, Excellence Begins\u003c\/h3\u003e\u003cp\u003eAt only around 800g, each Vespid 2 lens pairs an 80mm front diameter with an 80mm barrel length, making it the most compact PL-mount Vista Vision high-speed prime. 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Vespid 2 builds on this compact, high-performance spirit with full optical and handling upgrades. It empowers filmmakers to achieve faster, more accurate, and more expressive workflows.\u003c\/p\u003e\u003ch3\u003eOptical Reinvention for a New Visual Standard\u003c\/h3\u003e\u003cp\u003eVespid 2 features a fully upgraded optical design with a constant T1.9 aperture across the series. Each lens incorporates new-generation self-developed aspherical elements, precision-polished to the highest standards, paired with multi-layer nano coatings and specially calibrated coating formulas to minimize reflections and suppress stray light. The result is outstanding resolution with clean, pure imagery, rich details and textures, and controlled contrast. Optimized structure and precision coatings ensure consistent color performance across all focal lengths for seamless production and post-production integration.\u003c\/p\u003e\u003ch3\u003eRefined Optics for Unmatched Imagery\u003c\/h3\u003e\u003cp\u003eThe new Vespid 2 elevates resolution to meet the most exacting demands of in- and out-of-focus rendering. Its redesigned optics suppress chromatic aberration, delivering pure and natural skin tones, while a ten-blade iris with a linear aperture scale produces refined, expressive bokeh for every frame. Enhanced distortion control across the full range from 18mm ultra-wide to 105mm telephoto ensures stable, consistent imagery in multi-camera setups or complex shooting environments.\u003c\/p\u003e\u003ch3\u003eCompact Size, Ultimate Visuals\u003c\/h3\u003e\u003cp\u003eVespid 2 is the most compact T1.9 Vista Vision prime set on the market, initially available in 18mm, 24mm, 35mm, 50mm, 85mm, and 105mm. Covering the full spectrum from wide to medium telephoto, it supports sensors up to 46.5mm, including RED V-Raptor VV, ARRI Alexa LF, Sony Venice, and other large-format systems, and in many scenarios extends coverage to medium-format systems.\u003c\/p\u003e\u003ch3\u003eFloating Elements for Sharper Image\u003c\/h3\u003e\u003cp\u003eBuilding on the compact optical design of Vespids, the Vespid 2 lineup integrates floating elements to precisely correct aberration from infinity to minimum focus, ensuring exceptional close-focus performance. With a maximum magnification of 1:5.5 to 1:8, close-up performance is significantly enhanced. Minimal lens breathing ensures smooth transitions and stable framing that needs no systemic correction.\u003c\/p\u003e\u003ch3\u003eCooke \/i Real-Time Communication\u003c\/h3\u003e\u003cp\u003eVespid 2 integrates the Cooke \/i protocol within its compact housing and is fully compatible with ARRI, RED, Blackmagic, Sony, and Canon cinema cameras. Lens data such as focal length, T-stop and focus distance is automatically recorded and displayed in real time, reducing manual input errors. Equipped with a 4-pin Lemo interface, it will support wireless follow-focus systems and a wide range of professional cine accessories.\u003c\/p\u003e\u003ch3\u003eWhere Compromises End, Excellence Begins\u003c\/h3\u003e\u003cp\u003eAt only around 800g, each Vespid 2 lens pairs an 80mm front diameter with an 80mm barrel length, making it the most compact PL-mount Vista Vision high-speed prime. Designed for compact setups, it works effortlessly with DJI Ronin 4D, gimbals, handheld rigs, sliders, and drones.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Vespid Prime 2 series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 18 \/ 24 \/ 35 \/ 50 \/ 85 \/ 105 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9-T22 (constant T1.9)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eMax Magnification Ratio: 1:7.6 (18mm), 1:8 (24mm), 1:5.5 (35mm), 1:8 (50mm), 1:7.5 (85mm), 1:7.6 (105mm)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 11-15 elements in 8-13 groups depending on focal length\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.25m\/0.8ft (18mm) to 0.9m\/3ft (105mm)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (65-68 degrees depending on focal length)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (300 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 80mm \/ 3.15in\u003c\/li\u003e\n\u003cli\u003eLength: 80mm \/ 3.15in (PL)\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10\u003c\/li\u003e\n\u003cli\u003eFilter Size: M77\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eLens Data: Cooke \/i protocol, 4-pin Lemo interface\u003c\/li\u003e\n\u003cli\u003eWeight: 766g (18mm), 766g (24mm), 800g (35mm), 836g (50mm), 865g (85mm), 833g (105mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656216396067,"sku":"DZO-V2105IH","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Vespid2_105mm_Single_Lens_ft_3.png?v=1790366838"},{"product_id":"dzofilm-dzo-v12521pl","title":"DZOFILM Vespid FF 125mm T2.1 PL \u0026 EF mount, Vista Vision Full-Frame Coverage, Interchangeable PL and EF Mount, 46.5mm Image Circle, Manual Focus and Iris, M77 Front Filter","description":"\u003cp\u003eVespid FF 125mm T2.1 PL \u0026amp; EF mount\u003c\/p\u003e\u003ch3\u003eInnovative Design, Inspiring Visuals\u003c\/h3\u003e\u003cp\u003eThe Vespid Cine Prime Lenses offer superior image quality with a perfect balance of modern and vintage aesthetics. Its APO design produces sharp and accurate images with minimal chromatic aberration.\u003c\/p\u003e\u003ch3\u003eGorgeous Bokeh, Aesthetic Appeal\u003c\/h3\u003e\u003cp\u003eDesigned for professional cinematography, Vespid primes excel in optical precision, effectively controlling aberrations for remarkable resolution and true-to-life colors. They create soft and natural bokeh for organic and emotional images with smooth focus transitions, while their internal design minimizes focus breathing. This makes them ideal for everything from subtle focus transitions in dialogue scenes to dynamic documentary work.\u003c\/p\u003e\u003ch3\u003ePrecise Mechanism, Smooth Operation\u003c\/h3\u003e\u003cp\u003eAs professional cine prime lenses, the lenses are fully manual with 270 degrees of focus rotation, giving you smooth and accurate focus control. The shared position of the focus and iris gears across the lens set allows for fast lens changes with minimal adjustment of lens accessories. The focus and iris rings are smooth to operate, allowing for precise adjustments to focus and exposure.\u003c\/p\u003e\u003ch3\u003eBroad Perspectives, Infinite Creativity\u003c\/h3\u003e\u003cp\u003eVespid 12mm offers a diagonal field of view of 126 degrees on Vista Vision format, with a horizontal view of 119 degrees and a vertical view of 81 degrees. While the ultra-wide-angle composition boosts cinematic and dramatic effects, the extremely expansive visual field offers stunningly rich details. This opens up more opportunities for visual storytelling.\u003c\/p\u003e\u003ch3\u003eCine-standard Design for Versatile Applications\u003c\/h3\u003e\u003cp\u003eComprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style. Compatible with Vista Vision large-format sensors, these primes meet the varied demands of independent filmmaking and large-scale productions.\u003c\/p\u003e\u003ch3\u003eCompact and Solid Build\u003c\/h3\u003e\u003cp\u003eThese lenses housing are crafted from a durable aluminum alloy, making them robust and reliable in various environments. Their compact, lightweight design makes them ideal for handheld, gimbal, and drone work.\u003c\/p\u003e\u003ch3\u003eInclusive Compatibility, Unlocking Potential\u003c\/h3\u003e\u003cp\u003eVespid Prime lenses come with a versatile interchangeable PL and EF mounting system, compatible with Octopus adapters. Additionally, with a 77mm filter thread, they accommodate various filtration options. Including a prime or two in any camera bag ensures you are ready for any shooting scenario. Compatible with KOOP Rear Filter (Standard Set \/ Artistic Set) and Octopus Adapter (PL or EF Mount).\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Vespid Prime series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 12 \/ 16 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 90 \/ 100 \/ 125 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22 (12mm), T2.1-T22 (21\/25\/35\/40\/50\/75\/100\/125mm), T2.8-T22 (16\/90mm Macro)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: varies by focal length (9-15 elements in 7-11 groups)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.2m\/8in to 0.79m\/2ft7in depending on focal length\u003c\/li\u003e\n\u003cli\u003eMax. Magnification Ratio: 1.5X (90mm Macro)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (50-84 degrees depending on focal length)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (270 degrees; 300 degrees on 16mm)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 80mm \/ 3.15in\u003c\/li\u003e\n\u003cli\u003eLength (lens front to flange plane): 72mm\/2.83in to 112mm\/4.41in depending on focal length\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10 (16 on some)\u003c\/li\u003e\n\u003cli\u003eFilter Size: M77\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy\u003c\/li\u003e\n\u003cli\u003eWeight (Product): 725g (12mm), 930g (16mm), 880g (21mm), 1021g (25mm), 962g (35mm), 905g (40mm), 857g (50mm), 887g (75mm), 839g (90mm), 945g (100mm), 981g (125mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656216428835,"sku":"DZO-V12521PL","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/125.png?v=1790366840"},{"product_id":"dzofilm-dzo-v10021pl","title":"DZOFILM Vespid FF 100mm T2.1 PL \u0026 EF mount, Vista Vision Full-Frame Coverage, Interchangeable PL and EF Mount, 46.5mm Image Circle, Manual Focus and Iris, M77 Front Filter","description":"\u003cp\u003eVespid FF 100mm T2.1 PL \u0026amp; EF mount\u003c\/p\u003e\u003ch3\u003eInnovative Design, Inspiring Visuals\u003c\/h3\u003e\u003cp\u003eThe Vespid Cine Prime Lenses offer superior image quality with a perfect balance of modern and vintage aesthetics. Its APO design produces sharp and accurate images with minimal chromatic aberration.\u003c\/p\u003e\u003ch3\u003eGorgeous Bokeh, Aesthetic Appeal\u003c\/h3\u003e\u003cp\u003eDesigned for professional cinematography, Vespid primes excel in optical precision, effectively controlling aberrations for remarkable resolution and true-to-life colors. They create soft and natural bokeh for organic and emotional images with smooth focus transitions, while their internal design minimizes focus breathing. This makes them ideal for everything from subtle focus transitions in dialogue scenes to dynamic documentary work.\u003c\/p\u003e\u003ch3\u003ePrecise Mechanism, Smooth Operation\u003c\/h3\u003e\u003cp\u003eAs professional cine prime lenses, the lenses are fully manual with 270 degrees of focus rotation, giving you smooth and accurate focus control. The shared position of the focus and iris gears across the lens set allows for fast lens changes with minimal adjustment of lens accessories. The focus and iris rings are smooth to operate, allowing for precise adjustments to focus and exposure.\u003c\/p\u003e\u003ch3\u003eBroad Perspectives, Infinite Creativity\u003c\/h3\u003e\u003cp\u003eVespid 12mm offers a diagonal field of view of 126 degrees on Vista Vision format, with a horizontal view of 119 degrees and a vertical view of 81 degrees. While the ultra-wide-angle composition boosts cinematic and dramatic effects, the extremely expansive visual field offers stunningly rich details. This opens up more opportunities for visual storytelling.\u003c\/p\u003e\u003ch3\u003eCine-standard Design for Versatile Applications\u003c\/h3\u003e\u003cp\u003eComprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style. Compatible with Vista Vision large-format sensors, these primes meet the varied demands of independent filmmaking and large-scale productions.\u003c\/p\u003e\u003ch3\u003eCompact and Solid Build\u003c\/h3\u003e\u003cp\u003eThese lenses housing are crafted from a durable aluminum alloy, making them robust and reliable in various environments. Their compact, lightweight design makes them ideal for handheld, gimbal, and drone work.\u003c\/p\u003e\u003ch3\u003eInclusive Compatibility, Unlocking Potential\u003c\/h3\u003e\u003cp\u003eVespid Prime lenses come with a versatile interchangeable PL and EF mounting system, compatible with Octopus adapters. Additionally, with a 77mm filter thread, they accommodate various filtration options. Including a prime or two in any camera bag ensures you are ready for any shooting scenario. Compatible with KOOP Rear Filter (Standard Set \/ Artistic Set) and Octopus Adapter (PL or EF Mount).\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Vespid Prime series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 12 \/ 16 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 90 \/ 100 \/ 125 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22 (12mm), T2.1-T22 (21\/25\/35\/40\/50\/75\/100\/125mm), T2.8-T22 (16\/90mm Macro)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: varies by focal length (9-15 elements in 7-11 groups)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.2m\/8in to 0.79m\/2ft7in depending on focal length\u003c\/li\u003e\n\u003cli\u003eMax. Magnification Ratio: 1.5X (90mm Macro)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (50-84 degrees depending on focal length)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (270 degrees; 300 degrees on 16mm)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 80mm \/ 3.15in\u003c\/li\u003e\n\u003cli\u003eLength (lens front to flange plane): 72mm\/2.83in to 112mm\/4.41in depending on focal length\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10 (16 on some)\u003c\/li\u003e\n\u003cli\u003eFilter Size: M77\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy\u003c\/li\u003e\n\u003cli\u003eWeight (Product): 725g (12mm), 930g (16mm), 880g (21mm), 1021g (25mm), 962g (35mm), 905g (40mm), 857g (50mm), 887g (75mm), 839g (90mm), 945g (100mm), 981g (125mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656216690979,"sku":"DZO-V10021PL","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/100mm.png?v=1790366843"},{"product_id":"dzofilm-dzo-v07521pl","title":"DZOFILM Vespid FF 75mm T2.1 PL \u0026 EF mount, Vista Vision Full-Frame Coverage, Interchangeable PL and EF Mount, 46.5mm Image Circle, Manual Focus and Iris, M77 Front Filter","description":"\u003cp\u003eVespid FF 75mm T2.1 PL \u0026amp; EF mount\u003c\/p\u003e\u003ch3\u003eInnovative Design, Inspiring Visuals\u003c\/h3\u003e\u003cp\u003eThe Vespid Cine Prime Lenses offer superior image quality with a perfect balance of modern and vintage aesthetics. Its APO design produces sharp and accurate images with minimal chromatic aberration.\u003c\/p\u003e\u003ch3\u003eGorgeous Bokeh, Aesthetic Appeal\u003c\/h3\u003e\u003cp\u003eDesigned for professional cinematography, Vespid primes excel in optical precision, effectively controlling aberrations for remarkable resolution and true-to-life colors. They create soft and natural bokeh for organic and emotional images with smooth focus transitions, while their internal design minimizes focus breathing. This makes them ideal for everything from subtle focus transitions in dialogue scenes to dynamic documentary work.\u003c\/p\u003e\u003ch3\u003ePrecise Mechanism, Smooth Operation\u003c\/h3\u003e\u003cp\u003eAs professional cine prime lenses, the lenses are fully manual with 270 degrees of focus rotation, giving you smooth and accurate focus control. The shared position of the focus and iris gears across the lens set allows for fast lens changes with minimal adjustment of lens accessories. The focus and iris rings are smooth to operate, allowing for precise adjustments to focus and exposure.\u003c\/p\u003e\u003ch3\u003eBroad Perspectives, Infinite Creativity\u003c\/h3\u003e\u003cp\u003eVespid 12mm offers a diagonal field of view of 126 degrees on Vista Vision format, with a horizontal view of 119 degrees and a vertical view of 81 degrees. While the ultra-wide-angle composition boosts cinematic and dramatic effects, the extremely expansive visual field offers stunningly rich details. This opens up more opportunities for visual storytelling.\u003c\/p\u003e\u003ch3\u003eCine-standard Design for Versatile Applications\u003c\/h3\u003e\u003cp\u003eComprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style. Compatible with Vista Vision large-format sensors, these primes meet the varied demands of independent filmmaking and large-scale productions.\u003c\/p\u003e\u003ch3\u003eCompact and Solid Build\u003c\/h3\u003e\u003cp\u003eThese lenses housing are crafted from a durable aluminum alloy, making them robust and reliable in various environments. Their compact, lightweight design makes them ideal for handheld, gimbal, and drone work.\u003c\/p\u003e\u003ch3\u003eInclusive Compatibility, Unlocking Potential\u003c\/h3\u003e\u003cp\u003eVespid Prime lenses come with a versatile interchangeable PL and EF mounting system, compatible with Octopus adapters. Additionally, with a 77mm filter thread, they accommodate various filtration options. Including a prime or two in any camera bag ensures you are ready for any shooting scenario. Compatible with KOOP Rear Filter (Standard Set \/ Artistic Set) and Octopus Adapter (PL or EF Mount).\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Vespid Prime series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 12 \/ 16 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 90 \/ 100 \/ 125 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22 (12mm), T2.1-T22 (21\/25\/35\/40\/50\/75\/100\/125mm), T2.8-T22 (16\/90mm Macro)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: varies by focal length (9-15 elements in 7-11 groups)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.2m\/8in to 0.79m\/2ft7in depending on focal length\u003c\/li\u003e\n\u003cli\u003eMax. Magnification Ratio: 1.5X (90mm Macro)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (50-84 degrees depending on focal length)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (270 degrees; 300 degrees on 16mm)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 80mm \/ 3.15in\u003c\/li\u003e\n\u003cli\u003eLength (lens front to flange plane): 72mm\/2.83in to 112mm\/4.41in depending on focal length\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10 (16 on some)\u003c\/li\u003e\n\u003cli\u003eFilter Size: M77\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy\u003c\/li\u003e\n\u003cli\u003eWeight (Product): 725g (12mm), 930g (16mm), 880g (21mm), 1021g (25mm), 962g (35mm), 905g (40mm), 857g (50mm), 887g (75mm), 839g (90mm), 945g (100mm), 981g (125mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656216756515,"sku":"DZO-V07521PL","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/75mm.png?v=1790366845"},{"product_id":"dzofilm-dzo-v05021pl","title":"DZOFILM Vespid FF 50mm T2.1 PL \u0026 EF mount, Vista Vision Full-Frame Coverage, Interchangeable PL and EF Mount, 46.5mm Image Circle, Manual Focus and Iris, M77 Front Filter","description":"\u003cp\u003eVespid FF 50mm T2.1 PL \u0026amp; EF mount\u003c\/p\u003e\u003ch3\u003eInnovative Design, Inspiring Visuals\u003c\/h3\u003e\u003cp\u003eThe Vespid Cine Prime Lenses offer superior image quality with a perfect balance of modern and vintage aesthetics. Its APO design produces sharp and accurate images with minimal chromatic aberration.\u003c\/p\u003e\u003ch3\u003eGorgeous Bokeh, Aesthetic Appeal\u003c\/h3\u003e\u003cp\u003eDesigned for professional cinematography, Vespid primes excel in optical precision, effectively controlling aberrations for remarkable resolution and true-to-life colors. They create soft and natural bokeh for organic and emotional images with smooth focus transitions, while their internal design minimizes focus breathing. This makes them ideal for everything from subtle focus transitions in dialogue scenes to dynamic documentary work.\u003c\/p\u003e\u003ch3\u003ePrecise Mechanism, Smooth Operation\u003c\/h3\u003e\u003cp\u003eAs professional cine prime lenses, the lenses are fully manual with 270 degrees of focus rotation, giving you smooth and accurate focus control. The shared position of the focus and iris gears across the lens set allows for fast lens changes with minimal adjustment of lens accessories. The focus and iris rings are smooth to operate, allowing for precise adjustments to focus and exposure.\u003c\/p\u003e\u003ch3\u003eBroad Perspectives, Infinite Creativity\u003c\/h3\u003e\u003cp\u003eVespid 12mm offers a diagonal field of view of 126 degrees on Vista Vision format, with a horizontal view of 119 degrees and a vertical view of 81 degrees. While the ultra-wide-angle composition boosts cinematic and dramatic effects, the extremely expansive visual field offers stunningly rich details. This opens up more opportunities for visual storytelling.\u003c\/p\u003e\u003ch3\u003eCine-standard Design for Versatile Applications\u003c\/h3\u003e\u003cp\u003eComprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style. Compatible with Vista Vision large-format sensors, these primes meet the varied demands of independent filmmaking and large-scale productions.\u003c\/p\u003e\u003ch3\u003eCompact and Solid Build\u003c\/h3\u003e\u003cp\u003eThese lenses housing are crafted from a durable aluminum alloy, making them robust and reliable in various environments. Their compact, lightweight design makes them ideal for handheld, gimbal, and drone work.\u003c\/p\u003e\u003ch3\u003eInclusive Compatibility, Unlocking Potential\u003c\/h3\u003e\u003cp\u003eVespid Prime lenses come with a versatile interchangeable PL and EF mounting system, compatible with Octopus adapters. Additionally, with a 77mm filter thread, they accommodate various filtration options. Including a prime or two in any camera bag ensures you are ready for any shooting scenario. Compatible with KOOP Rear Filter (Standard Set \/ Artistic Set) and Octopus Adapter (PL or EF Mount).\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Vespid Prime series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 12 \/ 16 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 90 \/ 100 \/ 125 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22 (12mm), T2.1-T22 (21\/25\/35\/40\/50\/75\/100\/125mm), T2.8-T22 (16\/90mm Macro)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: varies by focal length (9-15 elements in 7-11 groups)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.2m\/8in to 0.79m\/2ft7in depending on focal length\u003c\/li\u003e\n\u003cli\u003eMax. Magnification Ratio: 1.5X (90mm Macro)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (50-84 degrees depending on focal length)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (270 degrees; 300 degrees on 16mm)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 80mm \/ 3.15in\u003c\/li\u003e\n\u003cli\u003eLength (lens front to flange plane): 72mm\/2.83in to 112mm\/4.41in depending on focal length\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10 (16 on some)\u003c\/li\u003e\n\u003cli\u003eFilter Size: M77\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy\u003c\/li\u003e\n\u003cli\u003eWeight (Product): 725g (12mm), 930g (16mm), 880g (21mm), 1021g (25mm), 962g (35mm), 905g (40mm), 857g (50mm), 887g (75mm), 839g (90mm), 945g (100mm), 981g (125mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656216822051,"sku":"DZO-V05021PL","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/50mm.png?v=1790366850"},{"product_id":"dzofilm-dzo-v04021pl","title":"DZOFILM Vespid FF 40mm T2.1 PL \u0026 EF mount, Vista Vision Full-Frame Coverage, Interchangeable PL and EF Mount, 46.5mm Image Circle, Manual Focus and Iris, M77 Front Filter","description":"\u003cp\u003eVespid FF 40mm T2.1 PL \u0026amp; EF mount\u003c\/p\u003e\u003ch3\u003eInnovative Design, Inspiring Visuals\u003c\/h3\u003e\u003cp\u003eThe Vespid Cine Prime Lenses offer superior image quality with a perfect balance of modern and vintage aesthetics. Its APO design produces sharp and accurate images with minimal chromatic aberration.\u003c\/p\u003e\u003ch3\u003eGorgeous Bokeh, Aesthetic Appeal\u003c\/h3\u003e\u003cp\u003eDesigned for professional cinematography, Vespid primes excel in optical precision, effectively controlling aberrations for remarkable resolution and true-to-life colors. They create soft and natural bokeh for organic and emotional images with smooth focus transitions, while their internal design minimizes focus breathing. This makes them ideal for everything from subtle focus transitions in dialogue scenes to dynamic documentary work.\u003c\/p\u003e\u003ch3\u003ePrecise Mechanism, Smooth Operation\u003c\/h3\u003e\u003cp\u003eAs professional cine prime lenses, the lenses are fully manual with 270 degrees of focus rotation, giving you smooth and accurate focus control. The shared position of the focus and iris gears across the lens set allows for fast lens changes with minimal adjustment of lens accessories. The focus and iris rings are smooth to operate, allowing for precise adjustments to focus and exposure.\u003c\/p\u003e\u003ch3\u003eBroad Perspectives, Infinite Creativity\u003c\/h3\u003e\u003cp\u003eVespid 12mm offers a diagonal field of view of 126 degrees on Vista Vision format, with a horizontal view of 119 degrees and a vertical view of 81 degrees. While the ultra-wide-angle composition boosts cinematic and dramatic effects, the extremely expansive visual field offers stunningly rich details. This opens up more opportunities for visual storytelling.\u003c\/p\u003e\u003ch3\u003eCine-standard Design for Versatile Applications\u003c\/h3\u003e\u003cp\u003eComprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style. Compatible with Vista Vision large-format sensors, these primes meet the varied demands of independent filmmaking and large-scale productions.\u003c\/p\u003e\u003ch3\u003eCompact and Solid Build\u003c\/h3\u003e\u003cp\u003eThese lenses housing are crafted from a durable aluminum alloy, making them robust and reliable in various environments. Their compact, lightweight design makes them ideal for handheld, gimbal, and drone work.\u003c\/p\u003e\u003ch3\u003eInclusive Compatibility, Unlocking Potential\u003c\/h3\u003e\u003cp\u003eVespid Prime lenses come with a versatile interchangeable PL and EF mounting system, compatible with Octopus adapters. Additionally, with a 77mm filter thread, they accommodate various filtration options. Including a prime or two in any camera bag ensures you are ready for any shooting scenario. Compatible with KOOP Rear Filter (Standard Set \/ Artistic Set) and Octopus Adapter (PL or EF Mount).\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Vespid Prime series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 12 \/ 16 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 90 \/ 100 \/ 125 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22 (12mm), T2.1-T22 (21\/25\/35\/40\/50\/75\/100\/125mm), T2.8-T22 (16\/90mm Macro)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: varies by focal length (9-15 elements in 7-11 groups)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.2m\/8in to 0.79m\/2ft7in depending on focal length\u003c\/li\u003e\n\u003cli\u003eMax. Magnification Ratio: 1.5X (90mm Macro)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (50-84 degrees depending on focal length)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (270 degrees; 300 degrees on 16mm)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 80mm \/ 3.15in\u003c\/li\u003e\n\u003cli\u003eLength (lens front to flange plane): 72mm\/2.83in to 112mm\/4.41in depending on focal length\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10 (16 on some)\u003c\/li\u003e\n\u003cli\u003eFilter Size: M77\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy\u003c\/li\u003e\n\u003cli\u003eWeight (Product): 725g (12mm), 930g (16mm), 880g (21mm), 1021g (25mm), 962g (35mm), 905g (40mm), 857g (50mm), 887g (75mm), 839g (90mm), 945g (100mm), 981g (125mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656216854819,"sku":"DZO-V04021PL","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/40mm_PL_1.png?v=1790366852"},{"product_id":"dzofilm-dzo-v03521pl","title":"DZOFILM Vespid FF 35mm T2.1 PL \u0026 EF mount, Vista Vision Full-Frame Coverage, Interchangeable PL and EF Mount, 46.5mm Image Circle, Manual Focus and Iris, M77 Front Filter","description":"\u003cp\u003eVespid FF 35mm T2.1 PL \u0026amp; EF mount\u003c\/p\u003e\u003ch3\u003eInnovative Design, Inspiring Visuals\u003c\/h3\u003e\u003cp\u003eThe Vespid Cine Prime Lenses offer superior image quality with a perfect balance of modern and vintage aesthetics. Its APO design produces sharp and accurate images with minimal chromatic aberration.\u003c\/p\u003e\u003ch3\u003eGorgeous Bokeh, Aesthetic Appeal\u003c\/h3\u003e\u003cp\u003eDesigned for professional cinematography, Vespid primes excel in optical precision, effectively controlling aberrations for remarkable resolution and true-to-life colors. They create soft and natural bokeh for organic and emotional images with smooth focus transitions, while their internal design minimizes focus breathing. This makes them ideal for everything from subtle focus transitions in dialogue scenes to dynamic documentary work.\u003c\/p\u003e\u003ch3\u003ePrecise Mechanism, Smooth Operation\u003c\/h3\u003e\u003cp\u003eAs professional cine prime lenses, the lenses are fully manual with 270 degrees of focus rotation, giving you smooth and accurate focus control. The shared position of the focus and iris gears across the lens set allows for fast lens changes with minimal adjustment of lens accessories. The focus and iris rings are smooth to operate, allowing for precise adjustments to focus and exposure.\u003c\/p\u003e\u003ch3\u003eBroad Perspectives, Infinite Creativity\u003c\/h3\u003e\u003cp\u003eVespid 12mm offers a diagonal field of view of 126 degrees on Vista Vision format, with a horizontal view of 119 degrees and a vertical view of 81 degrees. While the ultra-wide-angle composition boosts cinematic and dramatic effects, the extremely expansive visual field offers stunningly rich details. This opens up more opportunities for visual storytelling.\u003c\/p\u003e\u003ch3\u003eCine-standard Design for Versatile Applications\u003c\/h3\u003e\u003cp\u003eComprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style. Compatible with Vista Vision large-format sensors, these primes meet the varied demands of independent filmmaking and large-scale productions.\u003c\/p\u003e\u003ch3\u003eCompact and Solid Build\u003c\/h3\u003e\u003cp\u003eThese lenses housing are crafted from a durable aluminum alloy, making them robust and reliable in various environments. Their compact, lightweight design makes them ideal for handheld, gimbal, and drone work.\u003c\/p\u003e\u003ch3\u003eInclusive Compatibility, Unlocking Potential\u003c\/h3\u003e\u003cp\u003eVespid Prime lenses come with a versatile interchangeable PL and EF mounting system, compatible with Octopus adapters. Additionally, with a 77mm filter thread, they accommodate various filtration options. Including a prime or two in any camera bag ensures you are ready for any shooting scenario. Compatible with KOOP Rear Filter (Standard Set \/ Artistic Set) and Octopus Adapter (PL or EF Mount).\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Vespid Prime series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 12 \/ 16 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 90 \/ 100 \/ 125 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22 (12mm), T2.1-T22 (21\/25\/35\/40\/50\/75\/100\/125mm), T2.8-T22 (16\/90mm Macro)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: varies by focal length (9-15 elements in 7-11 groups)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.2m\/8in to 0.79m\/2ft7in depending on focal length\u003c\/li\u003e\n\u003cli\u003eMax. Magnification Ratio: 1.5X (90mm Macro)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (50-84 degrees depending on focal length)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (270 degrees; 300 degrees on 16mm)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 80mm \/ 3.15in\u003c\/li\u003e\n\u003cli\u003eLength (lens front to flange plane): 72mm\/2.83in to 112mm\/4.41in depending on focal length\u003c\/li\u003e\n\u003cli\u003eIris Blade: 10 (16 on some)\u003c\/li\u003e\n\u003cli\u003eFilter Size: M77\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy\u003c\/li\u003e\n\u003cli\u003eWeight (Product): 725g (12mm), 930g (16mm), 880g (21mm), 1021g (25mm), 962g (35mm), 905g (40mm), 857g (50mm), 887g (75mm), 839g (90mm), 945g (100mm), 981g (125mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656216887587,"sku":"DZO-V03521PL","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/35MM.png?v=1790366854"},{"product_id":"dzofilm-dzo-v02521pl","title":"DZOFILM Vespid FF 25mm T2.1 PL \u0026 EF mount, Vista Vision Full-Frame Coverage, Interchangeable PL and EF Mount, 46.5mm Image Circle, Manual Focus and Iris, M77 Front Filter","description":"\u003cp\u003eVespid FF 25mm T2.1 PL \u0026amp; EF mount\u003c\/p\u003e\u003ch3\u003eInnovative Design, Inspiring Visuals\u003c\/h3\u003e\u003cp\u003eThe Vespid Cine Prime Lenses offer superior image quality with a perfect balance of modern and vintage aesthetics. Its APO design produces sharp and accurate images with minimal chromatic aberration.\u003c\/p\u003e\u003ch3\u003eGorgeous Bokeh, Aesthetic Appeal\u003c\/h3\u003e\u003cp\u003eDesigned for professional cinematography, Vespid primes excel in optical precision, effectively controlling aberrations for remarkable resolution and true-to-life colors. They create soft and natural bokeh for organic and emotional images with smooth focus transitions, while their internal design minimizes focus breathing. This makes them ideal for everything from subtle focus transitions in dialogue scenes to dynamic documentary work.\u003c\/p\u003e\u003ch3\u003ePrecise Mechanism, Smooth Operation\u003c\/h3\u003e\u003cp\u003eAs professional cine prime lenses, the lenses are fully manual with 270 degrees of focus rotation, giving you smooth and accurate focus control. The shared position of the focus and iris gears across the lens set allows for fast lens changes with minimal adjustment of lens accessories. The focus and iris rings are smooth to operate, allowing for precise adjustments to focus and exposure.\u003c\/p\u003e\u003ch3\u003eBroad Perspectives, Infinite Creativity\u003c\/h3\u003e\u003cp\u003eVespid 12mm offers a diagonal field of view of 126 degrees on Vista Vision format, with a horizontal view of 119 degrees and a vertical view of 81 degrees. While the ultra-wide-angle composition boosts cinematic and dramatic effects, the extremely expansive visual field offers stunningly rich details. This opens up more opportunities for visual storytelling.\u003c\/p\u003e\u003ch3\u003eCine-standard Design for Versatile Applications\u003c\/h3\u003e\u003cp\u003eComprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style. Compatible with Vista Vision large-format sensors, these primes meet the varied demands of independent filmmaking and large-scale productions.\u003c\/p\u003e\u003ch3\u003eCompact and Solid Build\u003c\/h3\u003e\u003cp\u003eThese lenses housing are crafted from a durable aluminum alloy, making them robust and reliable in various environments. Their compact, lightweight design makes them ideal for handheld, gimbal, and drone work.\u003c\/p\u003e\u003ch3\u003eInclusive Compatibility, Unlocking Potential\u003c\/h3\u003e\u003cp\u003eVespid Prime lenses come with a versatile interchangeable PL and EF mounting system, compatible with Octopus adapters. Additionally, with a 77mm filter thread, they accommodate various filtration options. Including a prime or two in any camera bag ensures you are ready for any shooting scenario. Compatible with KOOP Rear Filter (Standard Set \/ Artistic Set) and Octopus Adapter (PL or EF Mount).\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Vespid Prime series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 12 \/ 16 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 90 \/ 100 \/ 125 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22 (12mm), T2.1-T22 (21\/25\/35\/40\/50\/75\/100\/125mm), T2.8-T22 (16\/90mm Macro)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: varies by focal length (9-15 elements in 7-11 groups)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.2m\/8in to 0.79m\/2ft7in depending on focal length\u003c\/li\u003e\n\u003cli\u003eMax. 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Its APO design produces sharp and accurate images with minimal chromatic aberration.\u003c\/p\u003e\u003ch3\u003eGorgeous Bokeh, Aesthetic Appeal\u003c\/h3\u003e\u003cp\u003eDesigned for professional cinematography, Vespid primes excel in optical precision, effectively controlling aberrations for remarkable resolution and true-to-life colors. They create soft and natural bokeh for organic and emotional images with smooth focus transitions, while their internal design minimizes focus breathing. This makes them ideal for everything from subtle focus transitions in dialogue scenes to dynamic documentary work.\u003c\/p\u003e\u003ch3\u003ePrecise Mechanism, Smooth Operation\u003c\/h3\u003e\u003cp\u003eAs professional cine prime lenses, the lenses are fully manual with 270 degrees of focus rotation, giving you smooth and accurate focus control. The shared position of the focus and iris gears across the lens set allows for fast lens changes with minimal adjustment of lens accessories. The focus and iris rings are smooth to operate, allowing for precise adjustments to focus and exposure.\u003c\/p\u003e\u003ch3\u003eBroad Perspectives, Infinite Creativity\u003c\/h3\u003e\u003cp\u003eVespid 12mm offers a diagonal field of view of 126 degrees on Vista Vision format, with a horizontal view of 119 degrees and a vertical view of 81 degrees. While the ultra-wide-angle composition boosts cinematic and dramatic effects, the extremely expansive visual field offers stunningly rich details. This opens up more opportunities for visual storytelling.\u003c\/p\u003e\u003ch3\u003eCine-standard Design for Versatile Applications\u003c\/h3\u003e\u003cp\u003eComprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style. Compatible with Vista Vision large-format sensors, these primes meet the varied demands of independent filmmaking and large-scale productions.\u003c\/p\u003e\u003ch3\u003eCompact and Solid Build\u003c\/h3\u003e\u003cp\u003eThese lenses housing are crafted from a durable aluminum alloy, making them robust and reliable in various environments. Their compact, lightweight design makes them ideal for handheld, gimbal, and drone work.\u003c\/p\u003e\u003ch3\u003eInclusive Compatibility, Unlocking Potential\u003c\/h3\u003e\u003cp\u003eVespid Prime lenses come with a versatile interchangeable PL and EF mounting system, compatible with Octopus adapters. Additionally, with a 77mm filter thread, they accommodate various filtration options. Including a prime or two in any camera bag ensures you are ready for any shooting scenario. Compatible with KOOP Rear Filter (Standard Set \/ Artistic Set) and Octopus Adapter (PL or EF Mount).\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Vespid Prime series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 12 \/ 16 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 90 \/ 100 \/ 125 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003cli\u003eAperture: T2.8-T22 (12mm), T2.1-T22 (21\/25\/35\/40\/50\/75\/100\/125mm), T2.8-T22 (16\/90mm Macro)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: varies by focal length (9-15 elements in 7-11 groups)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.2m\/8in to 0.79m\/2ft7in depending on focal length\u003c\/li\u003e\n\u003cli\u003eMax. 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Its APO design produces sharp and accurate images with minimal chromatic aberration.\u003c\/p\u003e\u003ch3\u003eGorgeous Bokeh, Aesthetic Appeal\u003c\/h3\u003e\u003cp\u003eDesigned for professional cinematography, Vespid primes excel in optical precision, effectively controlling aberrations for remarkable resolution and true-to-life colors. They create soft and natural bokeh for organic and emotional images with smooth focus transitions, while their internal design minimizes focus breathing. This makes them ideal for everything from subtle focus transitions in dialogue scenes to dynamic documentary work.\u003c\/p\u003e\u003ch3\u003ePrecise Mechanism, Smooth Operation\u003c\/h3\u003e\u003cp\u003eAs professional cine prime lenses, the lenses are fully manual with 270 degrees of focus rotation, giving you smooth and accurate focus control. The shared position of the focus and iris gears across the lens set allows for fast lens changes with minimal adjustment of lens accessories. The focus and iris rings are smooth to operate, allowing for precise adjustments to focus and exposure.\u003c\/p\u003e\u003ch3\u003eBroad Perspectives, Infinite Creativity\u003c\/h3\u003e\u003cp\u003eVespid 12mm offers a diagonal field of view of 126 degrees on Vista Vision format, with a horizontal view of 119 degrees and a vertical view of 81 degrees. While the ultra-wide-angle composition boosts cinematic and dramatic effects, the extremely expansive visual field offers stunningly rich details. This opens up more opportunities for visual storytelling.\u003c\/p\u003e\u003ch3\u003eCine-standard Design for Versatile Applications\u003c\/h3\u003e\u003cp\u003eComprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style. Compatible with Vista Vision large-format sensors, these primes meet the varied demands of independent filmmaking and large-scale productions.\u003c\/p\u003e\u003ch3\u003eCompact and Solid Build\u003c\/h3\u003e\u003cp\u003eThese lenses housing are crafted from a durable aluminum alloy, making them robust and reliable in various environments. Their compact, lightweight design makes them ideal for handheld, gimbal, and drone work.\u003c\/p\u003e\u003ch3\u003eInclusive Compatibility, Unlocking Potential\u003c\/h3\u003e\u003cp\u003eVespid Prime lenses come with a versatile interchangeable PL and EF mounting system, compatible with Octopus adapters. Additionally, with a 77mm filter thread, they accommodate various filtration options. Including a prime or two in any camera bag ensures you are ready for any shooting scenario. 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Its APO design produces sharp and accurate images with minimal chromatic aberration.\u003c\/p\u003e\u003ch3\u003eGorgeous Bokeh, Aesthetic Appeal\u003c\/h3\u003e\u003cp\u003eDesigned for professional cinematography, Vespid primes excel in optical precision, effectively controlling aberrations for remarkable resolution and true-to-life colors. They create soft and natural bokeh for organic and emotional images with smooth focus transitions, while their internal design minimizes focus breathing. This makes them ideal for everything from subtle focus transitions in dialogue scenes to dynamic documentary work.\u003c\/p\u003e\u003ch3\u003ePrecise Mechanism, Smooth Operation\u003c\/h3\u003e\u003cp\u003eAs professional cine prime lenses, the lenses are fully manual with 270 degrees of focus rotation, giving you smooth and accurate focus control. The shared position of the focus and iris gears across the lens set allows for fast lens changes with minimal adjustment of lens accessories. The focus and iris rings are smooth to operate, allowing for precise adjustments to focus and exposure.\u003c\/p\u003e\u003ch3\u003eBroad Perspectives, Infinite Creativity\u003c\/h3\u003e\u003cp\u003eVespid 12mm offers a diagonal field of view of 126 degrees on Vista Vision format, with a horizontal view of 119 degrees and a vertical view of 81 degrees. While the ultra-wide-angle composition boosts cinematic and dramatic effects, the extremely expansive visual field offers stunningly rich details. This opens up more opportunities for visual storytelling.\u003c\/p\u003e\u003ch3\u003eCine-standard Design for Versatile Applications\u003c\/h3\u003e\u003cp\u003eComprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style. Compatible with Vista Vision large-format sensors, these primes meet the varied demands of independent filmmaking and large-scale productions.\u003c\/p\u003e\u003ch3\u003eCompact and Solid Build\u003c\/h3\u003e\u003cp\u003eThese lenses housing are crafted from a durable aluminum alloy, making them robust and reliable in various environments. Their compact, lightweight design makes them ideal for handheld, gimbal, and drone work.\u003c\/p\u003e\u003ch3\u003eInclusive Compatibility, Unlocking Potential\u003c\/h3\u003e\u003cp\u003eVespid Prime lenses come with a versatile interchangeable PL and EF mounting system, compatible with Octopus adapters. Additionally, with a 77mm filter thread, they accommodate various filtration options. Including a prime or two in any camera bag ensures you are ready for any shooting scenario. 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The wide-to-standard 18-90mm T2.9 and the telephoto 65-280mm T2.9-4 combine to cover virtually any shooting scenario, from expansive landscapes to detailed, intimate close-ups. The 18-90mm maintains a constant T2.9 aperture across its entire 5x zoom range, while the 65-280mm offers a modest T2.9 to T4 through its 4.3x zoom ratio. Together they offer uninterrupted coverage from 18mm to 280mm.\u003c\/p\u003e\u003ch3\u003eAesthetic Bokeh, Captivating Visual\u003c\/h3\u003e\u003cp\u003eFeaturing a 16-blade aperture diaphragm, the Tango Zoom series creates smooth, circular bokeh at any aperture setting, delivering pleasing background blur while eliminating distracting polygonal shapes in out-of-focus areas. Designed for Super35 format, these zoom lenses benefit from the format 1.5x crop factor which provides greater depth of field. With a constant T2.9 aperture and exceptional color rendition that delivers lifelike skin tones, they perform exceptionally well from fashion and documentaries to sports shows.\u003c\/p\u003e\u003ch3\u003eCinematic Immersion with Artistic Colors\u003c\/h3\u003e\u003cp\u003eThe advanced optical design helps this S35 parfocal lens series correct chromatic aberrations for optimal image quality and color accuracy, ensuring consistent colors, controlled distortion, and minimal focus breathing. Its parfocal design maintains sharp focus throughout zoom transitions, delivering an immersive visual experience.\u003c\/p\u003e\u003ch3\u003eIntuitive Ergonomics, Unparalleled Precision\u003c\/h3\u003e\u003cp\u003eThe Tango Zoom lenses feature a precision flange-back adjustment mechanism that enhances versatility across different S35 camera systems. It can be securely locked using the provided screwdriver, preventing unintended adjustments during shoots. Combined with uniform width and positioning of the focus, iris, and zoom rings across the lens series, these features simplify lens swaps and maximize shooting efficiency.\u003c\/p\u003e\u003ch3\u003eSeamless Integration with MOVCAM Servo Unit (Optional)\u003c\/h3\u003e\u003cp\u003eThe Tango Zoom series covers S35 sensors and can be equipped with an optional servo unit. Combining cinema-grade optics with ENG-style functionality, these lenses meet the demands of broadcasting, events, and versatile shooting scenarios. Tango lenses integrate seamlessly with ENG cameras for remote control of focus, iris, and zoom.\u003c\/p\u003e\u003ch3\u003eFluorescent Markings for Practical Operation\u003c\/h3\u003e\u003cp\u003eThoughtfully designed to accommodate the demands of low-light shooting, all focus ring, zoom ring, and aperture ring markings are coated with luminous paint. This integration enhances clarity, empowering focus pullers and camera operators to effortlessly discern crucial details, elevating on-set efficiency.\u003c\/p\u003e\u003ch3\u003eDual-side Imperial or Metric Scales\u003c\/h3\u003e\u003cp\u003eDual focus scales help ensure focusing accuracy and accommodate the preferences of more filmmakers.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Tango Zoom series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 18-90 mm \/ 65-280 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003cli\u003eAperture: T2.9-T22 (18-90), T2.9\/4-T22 (65-280)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 31.5mm (S35)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 24 Elements in 17 Groups (18-90), 21 Elements in 17 Groups (65-280)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.7m\/2ft3in (18-90), 1.1m\/3ft7in (65-280)\u003c\/li\u003e\n\u003cli\u003eZoom Ratio: 5X (18-90), 4.31X (65-280)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (74.1 deg 18-90, 73.5 deg 65-280)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (270 degrees)\u003c\/li\u003e\n\u003cli\u003eZoom Control: Manual (100 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 114mm \/ 4.48in\u003c\/li\u003e\n\u003cli\u003eLength: 249.1mm\/9.8in PL, 256.4mm\/10.1in EF (18-90); 267.1mm\/10.5in PL, 274.4mm\/10.8in EF (65-280)\u003c\/li\u003e\n\u003cli\u003eIris Blade: 16\u003c\/li\u003e\n\u003cli\u003eFilter Size: M105\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy\u003c\/li\u003e\n\u003cli\u003eWeight: 3539g (18-90), 3962g (65-280)\u003c\/li\u003e\n\u003cli\u003eServo unit: Optional MOVCAM servo (Canon and Fuji versions)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656217641251,"sku":"DZO-T6528029I","price":9799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/65-280mm_PL_1_15d2bb22-af3f-49ba-ac84-5094333117cf.png?v=1790366869"},{"product_id":"dzofilm-dzo-t189029i-dzo-t6528029i","title":"DZOFILM Tango Bundle 18-90mm T2.9\/65-280mm T2.9-4 S35 Zoom Lens PL\u0026EF mount - Imperial, Super35 Parfocal Cine Zoom, Interchangeable PL and EF Mount, 16-Blade Iris, M105 Front Filter","description":"\u003cp\u003eTango Bundle 18-90mm T2.9\/65-280mm T2.9-4 S35 Zoom Lens PL\u0026amp;EF mount - Imperial\u003c\/p\u003e\u003ch3\u003eVersatile Coverage, Unlimited Perspective\u003c\/h3\u003e\u003cp\u003eThe Tango S35 cine zoom lens duo delivers exceptional versatility across an extensive focal range. The wide-to-standard 18-90mm T2.9 and the telephoto 65-280mm T2.9-4 combine to cover virtually any shooting scenario, from expansive landscapes to detailed, intimate close-ups. The 18-90mm maintains a constant T2.9 aperture across its entire 5x zoom range, while the 65-280mm offers a modest T2.9 to T4 through its 4.3x zoom ratio. Together they offer uninterrupted coverage from 18mm to 280mm.\u003c\/p\u003e\u003ch3\u003eAesthetic Bokeh, Captivating Visual\u003c\/h3\u003e\u003cp\u003eFeaturing a 16-blade aperture diaphragm, the Tango Zoom series creates smooth, circular bokeh at any aperture setting, delivering pleasing background blur while eliminating distracting polygonal shapes in out-of-focus areas. Designed for Super35 format, these zoom lenses benefit from the format 1.5x crop factor which provides greater depth of field. With a constant T2.9 aperture and exceptional color rendition that delivers lifelike skin tones, they perform exceptionally well from fashion and documentaries to sports shows.\u003c\/p\u003e\u003ch3\u003eCinematic Immersion with Artistic Colors\u003c\/h3\u003e\u003cp\u003eThe advanced optical design helps this S35 parfocal lens series correct chromatic aberrations for optimal image quality and color accuracy, ensuring consistent colors, controlled distortion, and minimal focus breathing. Its parfocal design maintains sharp focus throughout zoom transitions, delivering an immersive visual experience.\u003c\/p\u003e\u003ch3\u003eIntuitive Ergonomics, Unparalleled Precision\u003c\/h3\u003e\u003cp\u003eThe Tango Zoom lenses feature a precision flange-back adjustment mechanism that enhances versatility across different S35 camera systems. It can be securely locked using the provided screwdriver, preventing unintended adjustments during shoots. Combined with uniform width and positioning of the focus, iris, and zoom rings across the lens series, these features simplify lens swaps and maximize shooting efficiency.\u003c\/p\u003e\u003ch3\u003eSeamless Integration with MOVCAM Servo Unit (Optional)\u003c\/h3\u003e\u003cp\u003eThe Tango Zoom series covers S35 sensors and can be equipped with an optional servo unit. Combining cinema-grade optics with ENG-style functionality, these lenses meet the demands of broadcasting, events, and versatile shooting scenarios. Tango lenses integrate seamlessly with ENG cameras for remote control of focus, iris, and zoom.\u003c\/p\u003e\u003ch3\u003eFluorescent Markings for Practical Operation\u003c\/h3\u003e\u003cp\u003eThoughtfully designed to accommodate the demands of low-light shooting, all focus ring, zoom ring, and aperture ring markings are coated with luminous paint. This integration enhances clarity, empowering focus pullers and camera operators to effortlessly discern crucial details, elevating on-set efficiency.\u003c\/p\u003e\u003ch3\u003eDual-side Imperial or Metric Scales\u003c\/h3\u003e\u003cp\u003eDual focus scales help ensure focusing accuracy and accommodate the preferences of more filmmakers.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Tango Zoom series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 18-90 mm \/ 65-280 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003cli\u003eAperture: T2.9-T22 (18-90), T2.9\/4-T22 (65-280)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 31.5mm (S35)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 24 Elements in 17 Groups (18-90), 21 Elements in 17 Groups (65-280)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.7m\/2ft3in (18-90), 1.1m\/3ft7in (65-280)\u003c\/li\u003e\n\u003cli\u003eZoom Ratio: 5X (18-90), 4.31X (65-280)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (74.1 deg 18-90, 73.5 deg 65-280)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (270 degrees)\u003c\/li\u003e\n\u003cli\u003eZoom Control: Manual (100 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 114mm \/ 4.48in\u003c\/li\u003e\n\u003cli\u003eLength: 249.1mm\/9.8in PL, 256.4mm\/10.1in EF (18-90); 267.1mm\/10.5in PL, 274.4mm\/10.8in EF (65-280)\u003c\/li\u003e\n\u003cli\u003eIris Blade: 16\u003c\/li\u003e\n\u003cli\u003eFilter Size: M105\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy\u003c\/li\u003e\n\u003cli\u003eWeight: 3539g (18-90), 3962g (65-280)\u003c\/li\u003e\n\u003cli\u003eServo unit: Optional MOVCAM servo (Canon and Fuji versions)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656217674019,"sku":"DZO-T189029I\/ \nDZO-T6528029I","price":14499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/18-90mm_PL_1_37436a1f-acdc-4a5f-ba44-7d731fc37486.png?v=1790366871"},{"product_id":"dzofilm-dzo-t189029i","title":"DZOFILM Tango 18-90mm T2.9 S35 Zoom Lens PL\u0026EF mount - Imperial, Super35 Parfocal Cine Zoom, Interchangeable PL and EF Mount, 16-Blade Iris, M105 Front Filter","description":"\u003cp\u003eTango 18-90mm T2.9 S35 Zoom Lens PL\u0026amp;EF mount - Imperial\u003c\/p\u003e\u003ch3\u003eVersatile Coverage, Unlimited Perspective\u003c\/h3\u003e\u003cp\u003eThe Tango S35 cine zoom lens duo delivers exceptional versatility across an extensive focal range. The wide-to-standard 18-90mm T2.9 and the telephoto 65-280mm T2.9-4 combine to cover virtually any shooting scenario, from expansive landscapes to detailed, intimate close-ups. The 18-90mm maintains a constant T2.9 aperture across its entire 5x zoom range, while the 65-280mm offers a modest T2.9 to T4 through its 4.3x zoom ratio. Together they offer uninterrupted coverage from 18mm to 280mm.\u003c\/p\u003e\u003ch3\u003eAesthetic Bokeh, Captivating Visual\u003c\/h3\u003e\u003cp\u003eFeaturing a 16-blade aperture diaphragm, the Tango Zoom series creates smooth, circular bokeh at any aperture setting, delivering pleasing background blur while eliminating distracting polygonal shapes in out-of-focus areas. Designed for Super35 format, these zoom lenses benefit from the format 1.5x crop factor which provides greater depth of field. With a constant T2.9 aperture and exceptional color rendition that delivers lifelike skin tones, they perform exceptionally well from fashion and documentaries to sports shows.\u003c\/p\u003e\u003ch3\u003eCinematic Immersion with Artistic Colors\u003c\/h3\u003e\u003cp\u003eThe advanced optical design helps this S35 parfocal lens series correct chromatic aberrations for optimal image quality and color accuracy, ensuring consistent colors, controlled distortion, and minimal focus breathing. Its parfocal design maintains sharp focus throughout zoom transitions, delivering an immersive visual experience.\u003c\/p\u003e\u003ch3\u003eIntuitive Ergonomics, Unparalleled Precision\u003c\/h3\u003e\u003cp\u003eThe Tango Zoom lenses feature a precision flange-back adjustment mechanism that enhances versatility across different S35 camera systems. It can be securely locked using the provided screwdriver, preventing unintended adjustments during shoots. Combined with uniform width and positioning of the focus, iris, and zoom rings across the lens series, these features simplify lens swaps and maximize shooting efficiency.\u003c\/p\u003e\u003ch3\u003eSeamless Integration with MOVCAM Servo Unit (Optional)\u003c\/h3\u003e\u003cp\u003eThe Tango Zoom series covers S35 sensors and can be equipped with an optional servo unit. Combining cinema-grade optics with ENG-style functionality, these lenses meet the demands of broadcasting, events, and versatile shooting scenarios. Tango lenses integrate seamlessly with ENG cameras for remote control of focus, iris, and zoom.\u003c\/p\u003e\u003ch3\u003eFluorescent Markings for Practical Operation\u003c\/h3\u003e\u003cp\u003eThoughtfully designed to accommodate the demands of low-light shooting, all focus ring, zoom ring, and aperture ring markings are coated with luminous paint. This integration enhances clarity, empowering focus pullers and camera operators to effortlessly discern crucial details, elevating on-set efficiency.\u003c\/p\u003e\u003ch3\u003eDual-side Imperial or Metric Scales\u003c\/h3\u003e\u003cp\u003eDual focus scales help ensure focusing accuracy and accommodate the preferences of more filmmakers.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Tango Zoom series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 18-90 mm \/ 65-280 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003cli\u003eAperture: T2.9-T22 (18-90), T2.9\/4-T22 (65-280)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 31.5mm (S35)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 24 Elements in 17 Groups (18-90), 21 Elements in 17 Groups (65-280)\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.7m\/2ft3in (18-90), 1.1m\/3ft7in (65-280)\u003c\/li\u003e\n\u003cli\u003eZoom Ratio: 5X (18-90), 4.31X (65-280)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (74.1 deg 18-90, 73.5 deg 65-280)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (270 degrees)\u003c\/li\u003e\n\u003cli\u003eZoom Control: Manual (100 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 114mm \/ 4.48in\u003c\/li\u003e\n\u003cli\u003eLength: 249.1mm\/9.8in PL, 256.4mm\/10.1in EF (18-90); 267.1mm\/10.5in PL, 274.4mm\/10.8in EF (65-280)\u003c\/li\u003e\n\u003cli\u003eIris Blade: 16\u003c\/li\u003e\n\u003cli\u003eFilter Size: M105\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy\u003c\/li\u003e\n\u003cli\u003eWeight: 3539g (18-90), 3962g (65-280)\u003c\/li\u003e\n\u003cli\u003eServo unit: Optional MOVCAM servo (Canon and Fuji versions)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656217706787,"sku":"DZO-T189029I","price":7799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/18-90mm_PL_1.png?v=1790366873"},{"product_id":"dzofilm-dzo-sap8ipl","title":"DZOFILM Arles 14\/21\/25\/35\/50\/75\/100\/135mm FF\/VV Prime Cine Lens (PL mount,feet), Vista Vision Full-Frame High-Speed Prime, PL and EF Mount, T1.4 Fast Aperture, 16-Blade Iris, M86 Front Filter","description":"\u003cp\u003eDZOFILM Arles 14\/21\/25\/35\/50\/75\/100\/135mm FF\/VV Prime Cine Lens (PL mount,feet)\u003c\/p\u003e\u003ch3\u003eSpeeding Towards Cinematic Visual Brilliance\u003c\/h3\u003e\u003cp\u003eThe Arles Prime lens series draws its name from the picturesque town of Arles in southern France, a cherished source of inspiration for the artist Vincent van Gogh. Renowned for its abundant sunlight and vibrant colors throughout the seasons, Arles catalyzed van Gogh departure from conventional artistic styles. DZOFILM Arles Prime series, with its T1.4 fast apertures, captures the dynamic interplay of light and shadow, igniting fresh possibilities for artistic expression and cinematic creativity.\u003c\/p\u003e\u003ch3\u003eUnparalleled Spatial Visual Impact\u003c\/h3\u003e\u003cp\u003eThis High Speed Prime Cine Lens - Arles Series - covers Vista Vision sensors with a 46.5mm image circle, providing greater light transmission for enhanced depth and dimension in your visuals. This results in broader, more immersive images with rich detail. T1.4 aperture and unique field curvature design offer exceptional focus control, creating a three-dimensional visual experience with smooth transitions between in-focus and out-of-focus areas. Compatible with large-format cinema cameras such as the RED V-Raptor VV and ARRI Alexa LF, it provides a sharp, neutral look that meets the demands of high-end post-production workflow.\u003c\/p\u003e\u003ch3\u003eHigh-Speed Prime for Ultimate Visual Quality\u003c\/h3\u003e\u003cp\u003eWith its T1.4 ultra-wide aperture, the Arles Prime provides ample light intake, excelling in low-light and complex shooting conditions. This high-speed lens creates stunningly dreamy shallow depth of field, precisely highlighting every narrative detail, especially under low light. At wide-open aperture, the lens ensures even brightness transitions and clear rendering of intricate light and shadow details, and supports high frame rate shooting without compromising image quality.\u003c\/p\u003e\u003ch3\u003eCrafted Precision for Immaculate Clarity\u003c\/h3\u003e\u003cp\u003eUsing advanced multi-layer nano-coating technology, the Arles series features a specially calibrated blue coating that ensures precise flare control with minimal stray light and ghosting, plus exceptional color accuracy across the spectrum. This entire T1.4 cine lens series incorporates a protective coating on the front lens element to resist dust and dirt accumulation. The internal lens structure utilizes sandblasting and anodizing techniques to create a micro-level anti-reflective coating with ultra-low reflectivity. Across the entire focal range, these high-speed lenses maintain consistent color temperatures of around 5000K.\u003c\/p\u003e\u003ch3\u003eCinematic Depth with Painterly Rendering\u003c\/h3\u003e\u003cp\u003eThe Arles Prime boasts 16 aperture blades, delivering delightful circular bokeh and ensuring smooth transitions between in-focus and out-of-focus areas. At maximum aperture, it presents a soft low-contrast look, while slight swirling bokeh on the periphery adds a distinctive characteristic to the image. The built-in floating lens elements substantially minimize aberrations during focusing transitions from infinity to close-up, and minimal breathing immerses viewers in each frame.\u003c\/p\u003e\u003ch3\u003eExquisite Optics, Superlative Performance\u003c\/h3\u003e\u003cp\u003eThe Arles Primes achieve remarkable image quality through rigorous optical design, ensuring consistent high resolution while meeting the demands of high-end cinematography. The 14mm, 18mm, 21mm, and 25mm lenses each incorporate two aspherical elements (including one 50mm large-diameter aspherical element). The entire series uses low-dispersion optical materials to precisely suppress chromatic aberration.\u003c\/p\u003e\u003ch3\u003eComprehensive Focal Range for Diverse Creation\u003c\/h3\u003e\u003cp\u003eWith a comprehensive set of eleven lenses covering ultra-wide, standard, and telephoto focal lengths (14 to 180mm), the Arles series caters to a wide range of shooting scenarios while maintaining consistent visual aesthetics. Compatible with larger format sensors, it offers coverage for medium format cameras such as the Fujifilm GFX 50S and large format cameras like the ALEXA 65.\u003c\/p\u003e\u003ch3\u003eRobust Mechanical, Smooth Workflow\u003c\/h3\u003e\u003cp\u003eThe Arles undergoes thorough testing to ensure structural integrity, including 100000 times fatigue testing and 1000hz high-frequency vibration. With micron-level precision, this wide-aperture prime lens guarantees smooth operation of the focus and aperture rings. The dual interchangeable imperial\/metric focus scale design facilitates quick switching.\u003c\/p\u003e\u003ch3\u003eCompact Design for Seamless Integration\u003c\/h3\u003e\u003cp\u003eDesigned to work seamlessly with industry-standard cine accessories, it includes a uniform front diameter of 95mm and an 86mm filter size over the whole range. With a standard 0.8 MOD gear pitch design and consistent positioning of focus and aperture rings across the series, lens and accessory swaps require no readjustment. Except for the 135mm and 180mm, all lenses maintain the same body length.\u003c\/p\u003e\u003ch3\u003eFlexible and Inclusive for Unlimited Innovation\u003c\/h3\u003e\u003cp\u003eThe 1.5cm short rear part design allows Arles lenses to adapt flexibly to PL, EF, and LPL mounts such as ARRI Alexa Mini LF, RED V-Raptor, Canon C400, and Sony VENICE 2. Its compatibility with KOOP magnetic rear filters and various optical adapters opens up a wide range of creative possibilities. The lightweight, compact design (weighing between 1.4 and 1.9 kg) allows for easy integration with gimbals, stabilizers, drones, and Steadicams.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Arles Prime series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 14 \/ 18 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 100 \/ 135 \/ 180 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF (LPL compatible via short rear design)\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9-T22 (14mm), T1.4-T22 (18\/21\/25\/35\/40\/50\/75\/100mm), T1.8-T22, T2.4-T22 (135\/180mm)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 12-15 elements in 8-13 groups depending on focal length\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eAngle of View (diagonal): 109 deg (14mm) down to 13 deg (180mm)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.28m\/11in (14mm) to 1.07m\/3ft6in (180mm)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (65 to 90 degrees depending on focal length)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (270 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 95mm \/ 3.74in\u003c\/li\u003e\n\u003cli\u003eLength: 121mm\/4.76in (PL) \/ 129mm\/5.08in (EF) for most; 130mm\/138mm for 135 and 180mm\u003c\/li\u003e\n\u003cli\u003eIris Blade: 16\u003c\/li\u003e\n\u003cli\u003eFilter Size: M86\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy\u003c\/li\u003e\n\u003cli\u003eWeight: 1646g (14mm), 1663g (18mm), 1500g (21mm), 1490g (25mm), 1650g (35mm), 1633g (40mm), 1688g (50mm), 1662g (75mm), 1830g (100mm), 1846g (135mm), 1675g (180mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656217739555,"sku":"DZO-SAP8IPL","price":14499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/2_bf23bef7-872e-4678-84c1-8b6cf5ef303a.png?v=1790366876"},{"product_id":"dzofilm-dzo-sap75ipl","title":"DZOFILM Arles 75mm FF\/VV Prime Cine Lens(PL mount feet) - Imperial, Vista Vision Full-Frame High-Speed Prime, PL and EF Mount, T1.4 Fast Aperture, 16-Blade Iris, M86 Front Filter","description":"\u003cp\u003eDZOFilm Arles 75mm FF\/VV Prime Cine Lens(PL mount feet) - Imperial\u003c\/p\u003e\u003ch3\u003eSpeeding Towards Cinematic Visual Brilliance\u003c\/h3\u003e\u003cp\u003eThe Arles Prime lens series draws its name from the picturesque town of Arles in southern France, a cherished source of inspiration for the artist Vincent van Gogh. Renowned for its abundant sunlight and vibrant colors throughout the seasons, Arles catalyzed van Gogh departure from conventional artistic styles. DZOFILM Arles Prime series, with its T1.4 fast apertures, captures the dynamic interplay of light and shadow, igniting fresh possibilities for artistic expression and cinematic creativity.\u003c\/p\u003e\u003ch3\u003eUnparalleled Spatial Visual Impact\u003c\/h3\u003e\u003cp\u003eThis High Speed Prime Cine Lens - Arles Series - covers Vista Vision sensors with a 46.5mm image circle, providing greater light transmission for enhanced depth and dimension in your visuals. This results in broader, more immersive images with rich detail. T1.4 aperture and unique field curvature design offer exceptional focus control, creating a three-dimensional visual experience with smooth transitions between in-focus and out-of-focus areas. Compatible with large-format cinema cameras such as the RED V-Raptor VV and ARRI Alexa LF, it provides a sharp, neutral look that meets the demands of high-end post-production workflow.\u003c\/p\u003e\u003ch3\u003eHigh-Speed Prime for Ultimate Visual Quality\u003c\/h3\u003e\u003cp\u003eWith its T1.4 ultra-wide aperture, the Arles Prime provides ample light intake, excelling in low-light and complex shooting conditions. This high-speed lens creates stunningly dreamy shallow depth of field, precisely highlighting every narrative detail, especially under low light. At wide-open aperture, the lens ensures even brightness transitions and clear rendering of intricate light and shadow details, and supports high frame rate shooting without compromising image quality.\u003c\/p\u003e\u003ch3\u003eCrafted Precision for Immaculate Clarity\u003c\/h3\u003e\u003cp\u003eUsing advanced multi-layer nano-coating technology, the Arles series features a specially calibrated blue coating that ensures precise flare control with minimal stray light and ghosting, plus exceptional color accuracy across the spectrum. This entire T1.4 cine lens series incorporates a protective coating on the front lens element to resist dust and dirt accumulation. The internal lens structure utilizes sandblasting and anodizing techniques to create a micro-level anti-reflective coating with ultra-low reflectivity. Across the entire focal range, these high-speed lenses maintain consistent color temperatures of around 5000K.\u003c\/p\u003e\u003ch3\u003eCinematic Depth with Painterly Rendering\u003c\/h3\u003e\u003cp\u003eThe Arles Prime boasts 16 aperture blades, delivering delightful circular bokeh and ensuring smooth transitions between in-focus and out-of-focus areas. At maximum aperture, it presents a soft low-contrast look, while slight swirling bokeh on the periphery adds a distinctive characteristic to the image. The built-in floating lens elements substantially minimize aberrations during focusing transitions from infinity to close-up, and minimal breathing immerses viewers in each frame.\u003c\/p\u003e\u003ch3\u003eExquisite Optics, Superlative Performance\u003c\/h3\u003e\u003cp\u003eThe Arles Primes achieve remarkable image quality through rigorous optical design, ensuring consistent high resolution while meeting the demands of high-end cinematography. The 14mm, 18mm, 21mm, and 25mm lenses each incorporate two aspherical elements (including one 50mm large-diameter aspherical element). The entire series uses low-dispersion optical materials to precisely suppress chromatic aberration.\u003c\/p\u003e\u003ch3\u003eComprehensive Focal Range for Diverse Creation\u003c\/h3\u003e\u003cp\u003eWith a comprehensive set of eleven lenses covering ultra-wide, standard, and telephoto focal lengths (14 to 180mm), the Arles series caters to a wide range of shooting scenarios while maintaining consistent visual aesthetics. Compatible with larger format sensors, it offers coverage for medium format cameras such as the Fujifilm GFX 50S and large format cameras like the ALEXA 65.\u003c\/p\u003e\u003ch3\u003eRobust Mechanical, Smooth Workflow\u003c\/h3\u003e\u003cp\u003eThe Arles undergoes thorough testing to ensure structural integrity, including 100000 times fatigue testing and 1000hz high-frequency vibration. With micron-level precision, this wide-aperture prime lens guarantees smooth operation of the focus and aperture rings. The dual interchangeable imperial\/metric focus scale design facilitates quick switching.\u003c\/p\u003e\u003ch3\u003eCompact Design for Seamless Integration\u003c\/h3\u003e\u003cp\u003eDesigned to work seamlessly with industry-standard cine accessories, it includes a uniform front diameter of 95mm and an 86mm filter size over the whole range. With a standard 0.8 MOD gear pitch design and consistent positioning of focus and aperture rings across the series, lens and accessory swaps require no readjustment. Except for the 135mm and 180mm, all lenses maintain the same body length.\u003c\/p\u003e\u003ch3\u003eFlexible and Inclusive for Unlimited Innovation\u003c\/h3\u003e\u003cp\u003eThe 1.5cm short rear part design allows Arles lenses to adapt flexibly to PL, EF, and LPL mounts such as ARRI Alexa Mini LF, RED V-Raptor, Canon C400, and Sony VENICE 2. Its compatibility with KOOP magnetic rear filters and various optical adapters opens up a wide range of creative possibilities. The lightweight, compact design (weighing between 1.4 and 1.9 kg) allows for easy integration with gimbals, stabilizers, drones, and Steadicams.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpecification (Arles Prime series)\u003c\/li\u003e\n\u003cli\u003eFocal Length: 14 \/ 18 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 100 \/ 135 \/ 180 mm\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003cli\u003eMount: PL \/ EF (LPL compatible via short rear design)\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9-T22 (14mm), T1.4-T22 (18\/21\/25\/35\/40\/50\/75\/100mm), T1.8-T22, T2.4-T22 (135\/180mm)\u003c\/li\u003e\n\u003cli\u003eImage Circle: 46.5mm (VV\/FF)\u003c\/li\u003e\n\u003cli\u003eOptical Construction: 12-15 elements in 8-13 groups depending on focal length\u003c\/li\u003e\n\u003cli\u003eFlange Distance: 52mm (PL) \/ 44mm (EF)\u003c\/li\u003e\n\u003cli\u003eAngle of View (diagonal): 109 deg (14mm) down to 13 deg (180mm)\u003c\/li\u003e\n\u003cli\u003eClose Focus (from sensor plane): 0.28m\/11in (14mm) to 1.07m\/3ft6in (180mm)\u003c\/li\u003e\n\u003cli\u003eIris Control: Manual (65 to 90 degrees depending on focal length)\u003c\/li\u003e\n\u003cli\u003eFocus Control: Manual (270 degrees)\u003c\/li\u003e\n\u003cli\u003eFront Diameter: 95mm \/ 3.74in\u003c\/li\u003e\n\u003cli\u003eLength: 121mm\/4.76in (PL) \/ 129mm\/5.08in (EF) for most; 130mm\/138mm for 135 and 180mm\u003c\/li\u003e\n\u003cli\u003eIris Blade: 16\u003c\/li\u003e\n\u003cli\u003eFilter Size: M86\u003c\/li\u003e\n\u003cli\u003eGear Pitch: 0.8 Mod\u003c\/li\u003e\n\u003cli\u003eMaterial: Aluminum Alloy\u003c\/li\u003e\n\u003cli\u003eWeight: 1646g (14mm), 1663g (18mm), 1500g (21mm), 1490g (25mm), 1650g (35mm), 1633g (40mm), 1688g (50mm), 1662g (75mm), 1830g (100mm), 1846g (135mm), 1675g (180mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":55656218001699,"sku":"DZO-SAP75IPL","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/75mm_PL_1.png?v=1790366877"}],"url":"https:\/\/sixstardj.com\/collections\/photo-cameras-lenses.oembed","provider":"SixStarDJ","version":"1.0","type":"link"}