{"title":"MIDAS","description":"\u003cp\u003eShop Midas analog and digital mixing consoles trusted by touring front-of-house engineers.\u003c\/p\u003e","products":[{"product_id":"midas-parametric-equaliser-512-v2","title":"Midas PARAMETRIC EQUALISER 512 V2 500 Series 4-Band Fully Parametric Equaliser Based on Midas HERITAGE 3000","description":"\u003cp\u003e\u003cstrong\u003e500 Series 4-Band Fully Parametric Equaliser Based on Midas HERITAGE 3000\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003e500 SERIES PARAMETRIC EQUALISER 512\u003c\/h4\u003e\n\u003cp\u003eThe PARAMETRIC EQUALISER 512 is a compact 500 Series 4 band fully parametric equaliser based on channel strip originally provided in the legendary Midas HERITAGE 3000 mixing console. When used in conjunction with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 512 provides the ideal EQ solution for users seeking Midas performance in a modular format that boasts upgraded, premium-quality performance.\u003c\/p\u003e\n\u003ch4\u003eClass Leading EQ\u003c\/h4\u003e\n\u003cp\u003eA parametric equaliser allows the operator to address multiple parameters with high precision when applying filters to an audio signal, i.e., a specific frequency can be cut or boosted by an exact amount across an adjustable bandwidth or “Q”. Such surgical-level equalisation enables fine tuning the filter to reduce the gain at frequencies that are prone to feedback, or remove undesirable tonal qualities and their overtones. Conversely, the ability to increase (boost) the gain at certain frequencies provides the ideal way to add punch to bass and kick drum signals, or to add presence to vocal or solo instrument tonalities. The PARAMETRIC EQUALISER 512 utilises 4 overlapping frequency bands to easily and expertly craft professional-grade output signals - both in the studio and during live performance. And when it comes to sound quality, Midas products are recognized by engineers the world over as the class leader for their warm and responsive delivery.\u003c\/p\u003e\n\u003ch4\u003ePrecision Dual Concentric Controls\u003c\/h4\u003e\n\u003cp\u003eBuilt from the bottom up, the 512 EQ strip operates across 4 overlapping frequency bands: Bass (20 Hz to 400 Hz); Lo Mid (100 Hz to 2 kHz); Hi Mid (400 Hz to 8 kHz); and Treble (1 kHz to 20 kHz). The Frequency and Gain (-15 dB to +15 dB) adjustments are provided in the form of stacked dual concentric controls, with Gain on the knob and Frequency on the outer ring. All give instant access to fully variable gain and frequency settings in their respective operating bands.\u003c\/p\u003e\n\u003ch4\u003eBass and Treble Bell Switches\u003c\/h4\u003e\n\u003cp\u003e512’s Bass and Treble Width controls (Q) are non-functional while in traditional Midas shelving mode, which is the default (Bell switches disengaged). When the Bell switches are pressed and illuminated, the Bass and Treble Width controls provide parametric operation. The Lo Mid and Hi Mid frequency bands are always in parametric operating mode - so when both Bell switches are engaged, all 4 Width controls provide fully variable parametric equalisation.\u003c\/p\u003e\n\u003ch4\u003eHigh Performance Balanced Input Stage\u003c\/h4\u003e\n\u003cp\u003eDecades of experience, paired with the premium-grade components that make up every input stage we build, ensures the ultimate in signal integrity that is the very foundation of our design process. That warm and organic Midas sound has been heard by millions of concert goers - and recorded for posterity on countless live albums. The input stage of the 512 is second to none with its low noise performance, which boasts an enviable Common Mode Rejection Ratio (CMRR) of -70 dB @ 1 kHz.\u003c\/p\u003e\n\u003ch4\u003eUltra Low Noise Design\u003c\/h4\u003e\n\u003cp\u003eAs with all Midas consoles and processors, we use only premium quality components throughout our design and manufacturing process, including the ultra low noise op-amps to ensure -97 dBu performance at unity gain from 22 Hz to 22 kHz.\u003c\/p\u003e\n\u003ch4\u003eTrue Hardware Bypass \u0026amp;amp; Power Up Mute\u003c\/h4\u003e\n\u003cp\u003eFor those occasions when equalisation is not needed, 512’s IN switch can be disengaged to remove all circuitry from the signal path via true hardware relay bypass. Additionally, true bypass mode engages should the chassis become accidentally powered down.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653081399\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656983757091,"sku":"PARAMETRIC EQUALISER 512 V2","price":189.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0821-ACG_500-SERIES-PARAMETRIC-EQUALISER-512-V2_Catalog_B.png?v=1790377387"},{"product_id":"midas-mr18","title":"Midas MR18 18-Input Digital Mixer for iPad\/Android Tablets with 16 Midas PRO Preamps, Integrated WiFi Module","description":"\u003cp\u003e\u003cstrong\u003e18-Input Digital Mixer for iPad\/Android Tablets with 16 Midas PRO Preamps, Integrated WiFi Module and Multi-Channel USB Audio Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Midas M32 completely redefined what is possible from a digital mixer - and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR18 rack-mountable mixer, which will forever change the way you record and the way you play live music.\u003c\/p\u003e\n\u003ch4\u003eA Mixer Whose Time has Come\u003c\/h4\u003e\n\u003cp\u003eOver the past few years, the world of recording and performance audio has experienced a major paradigm shift, one that requires musicians and performers alike to take advantage of emerging technologies that offer flexibility and ease of use. The MR18 is an 18-input\/8-bus portable mixer housed in a sturdy stage box design for use with iPad and Android tablets. It is ideally suited for both live and studio applications thanks to 16 award-winning Midas Pro mic preamps, integrated WiFi module for wireless control, MIDI I\/O - and a multi-channel, bidirectional USB Audio Interface. Free iOS, Android and PC apps enable you to move about the venue or the tracking room and manipulate all the parameters of your mix, and the performers have the same freedom to dial-in their personal monitor mixes. Advanced engineering and meticulous design combine to deliver professional-grade performance and impressive affordability - the MR18.\u003c\/p\u003e\n\u003ch4\u003e16 Midas Pro Mic Preamps\u003c\/h4\u003e\n\u003cp\u003eThe Midas Pro mic amp was developed for the PRO Series mixing consoles and is also found in the M32 - and has been recognised by leading live sound and recording engineers as the very essence of the famous Midas sound. It is here in the MR18 that more than 40 years of design excellence has come together with premium grade components to provide unparalleled warmth and depth, subtle ambience, and immaculate spatial positioning - for more precise imaging than competing models. The award-winning Midas microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic landscapes that have captivated audiences worldwide. MR18 comes equipped with 16 Midas Pro preamps, all of which are literally ready for your input via the industry-standard combo connectors with locking latches.\u003c\/p\u003e\n\u003ch4\u003eBuilt-In Tri-Mode WiFi Router\u003c\/h4\u003e\n\u003cp\u003eDesigned for the ultimate in mobility, the MR18 comes with an integrated WiFi module for direct control of your mixer’s functions - without the need to setup and configure an external router. The MR18 gives you the freedom to focus on your mix, while allowing you to move about the venue to experience what every part of the audience is hearing. Plus you can adjust live monitor wedges from the artist’s perspective - or better yet, let them mix their own IEMs and floor monitors via their own tablets. Access Point is the easiest way to connect up to 4 clients directly and concurrently (i.e., iPad, Android smartphone\/tablet or laptop). This mode should have your remote control up and running in less than a minute. WiFi Client allows you to add your mixer to the existing wireless network where the controlling apps and devices are connected. Alternately, wired connections can be made directly to your PC, to a local area network (LAN), or when connecting to a dedicated WiFi router, e.g., for extended range or 5 GHz applications.\u003c\/p\u003e\n\u003ch4\u003eRecording Simplified\u003c\/h4\u003e\n\u003cp\u003eThe incredibly fast and comprehensive 18 x 18 channel, bi-directional USB interface makes the MR18 an amazingly powerful digital mixing solution for recording directly to your iPad or PC. Dial in the perfect monitoring mix with effects and zero-latency, while sending up to 16 source signals - and the keyboard player's MIDI notes to your DAW for recording and editing. Whether you are making rock history in the studio, or you want to capture intimate live performances - it has never been easier to record stunning tracks with exceptional clarity.\u003c\/p\u003e\n\u003ch4\u003eRevolutionary Auto-Mixing\u003c\/h4\u003e\n\u003cp\u003eWhen your application calls for a multiple-microphone setup, such as an onstage panel discussion, press conference or courtroom proceeding, etc., it can become a challenge to maintain so many open mics - and preserve maximum gain and priority for the moderator. A major first for compact audio mixers, our revolutionary M AIR Gain Sharing technology can easily manage fully automated mixes with up to 16 live microphones. Based on the legendary Dan Dugan automix system, the MR18’s gain sharing paradigm automatically controls the levels of all selected microphones in real time, without any gating artifacts or noise modulation. This function dramatically reduces the typical feedback, studio noise and comb filtering challenges that can occur when two, or more mics are in close proximity of each another. M AIR Gain Sharing technology provides a consistent system gain structure, even when multiple speakers are talking at the same time.\u003c\/p\u003e\n\u003ch4\u003e4 Onboard M32 Effects Engines\u003c\/h4\u003e\n\u003cp\u003eEquipped with the very same FX engines as the now legendary M32 Digital Mixing Console, the onboard virtual FX Rack provides access to four true-stereo (8 mono), multi-effects processors including delay, chorus, dynamics - plus the MR18 can run production-quality, true-stereo reverbs concurrently with 31-band EQ on the main and aux buses, all without the need for any additional hardware. You can select any combination of high-end simulations of legendary studio effects, such as the Lexicon 480L and PCM70, as well as the EMT250 and Quantec QRS reverbs. Onboard processing means your computer no longer has to do the heavy lifting during a mixing session with DAW plugins, as the MR18 has a whole studio of FX under its bonnet. Custom-designed, and physically modeled after some of the most iconic and sought-after processors, all effects run inside the low-latency environment of the M32 mix engine, ensuring flawless performance, flexible routing and the end of cable faults.\u003c\/p\u003e\n\u003ch4\u003eHigh-End FX Racks at Your Finger Tips\u003c\/h4\u003e\n\u003cp\u003eThe immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades.\u003c\/p\u003e\n\u003cp\u003eThe ultra-smooth optical attenuator is closely modeled in our LEISURE COMPRESSOR. It provides breezy, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A *) When Urei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented, and the 1176 was one of the first audio processors to benefit from this new technology.\u003c\/p\u003e\n\u003cp\u003eOur digital reincarnation, ULTIMO COMPRESSOR, is based on the early Rev. E model, and authentically captures the smooth character of the original Class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN *) The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VRs preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels.\u003c\/p\u003e\n\u003cp\u003eOur FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or M\/S operation. (Inspired by Fairchild 670 *)\u003c\/p\u003e\n\u003cp\u003eThe COMBINATOR is an amazing 5-band compressor that emulates famous broadcasting and mastering compressors. A highly complex processor, the COMBINATOR utilizes automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.\u003c\/p\u003e\n\u003cp\u003eThe XTEC EQ1 emulates one of the undisputedly best passive studio equalizers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement. We analyzed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a *)\u003c\/p\u003e\n\u003cp\u003ePut simply, Pultec literally wrote the book on passive equalization. By digitally “rebuilding” every aspect of this original classic, we captured the very essence in our mid-range focused parametric equalizer XTEC EQ5. Our digital re-incarnation authentically emulates the smooth character of its rather unique components. (Inspired by Pultec MEQ5 *)\u003c\/p\u003e\n\u003cp\u003eThe new SUB OCTAVER provides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the effect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing...\u003c\/p\u003e\n\u003cp\u003eThe EDISON EX1 is the reincarnation of one of our own analog classics. This remarkably effective tool allows manipulation of the stereo field. Selectable Mono or Stereo I\/O modes allow the processing, or creation, of Mono\/Stereo recorded sound sources. (Inspired by BEHRINGER EDISON)\u003c\/p\u003e\n\u003cp\u003eThe SOUND MAXER restores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalizers. (Inspired by Sonic Maximizer 482i *)\u003c\/p\u003e\n\u003cp\u003eThe DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog Chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus *)\u003c\/p\u003e\n\u003cp\u003eMODULATION DELAY combines three of the most-used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with your choice of three very unique reverb models, Ambience, Club and Hall.\u003c\/p\u003e\n\u003cp\u003eENHANCERS let you emphasize the Bass, Midrange and Hi output at selectable frequencies, allowing you to generate maximum punch, clarity and detail - without turning up the overall volume. (Inspired by SPL Vitalizer *)\u003c\/p\u003e\n\u003cp\u003eEXCITERS increase presence and intelligibility in live sound applications, and are indispensable for adding clarity, air and harmonic overtones in the studio. (Inspired by Aphex Aural Exciter *)\u003c\/p\u003e\n\u003cp\u003eUnlike typical graphic EQs, our STEREO TruEQ delivers the exact frequency response for the new fader setting, taking neighboring fader settings into account - for surgical and responsive filtering or general room equalization (Modeled after BEHRINGER UltraCurve DEQ2496). The MR18 can provide up to 16 mono graphic EQs - one in each of the 6 Aux Buses and Main LR, plus 8 additional mono GEQ effects (4 stereo) that may be inserted into channels.\u003c\/p\u003e\n\u003cp\u003eVINTAGE ROOM stands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in the air and room resonances. Invented in the early ‘80s, the role model delivered authentic room character from an algorithmic reverb long before convolution-based processing was available. It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals - highly valued in classical music and broadcasting environments. (Inspired by Quantec QRS *)\u003c\/p\u003e\n\u003cp\u003ePLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. This classic effect will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70 *)\u003c\/p\u003e\n\u003cp\u003eThe 3-TAP DELAY in the M32 records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.\u003c\/p\u003e\n\u003cp\u003eThe HALL REVERB effect provides a broad spectrum of reverberation possibilities, from small room to large, or even cavernous proportions. When softly mixed with the original signal, Hall Reverb can be used to create a warm, more natural sound. (Inspired by Lexicon 480L *) The Lexicon 480L * has been recognized as the gold standard of digital reverb. In addition to the Hall Reverb program, we have included four more of the finest reverb models: Ambience, Rich Plate, Room and Rich Chamber. These models precisely capture all nuances based on our “True Physical Modeling”, and our algorithms even incorporate the unit’s AD\/DA gain stepping converters - nailing the entire analog and digital circuit paths right down to the last detail. (Inspired by Lexicon 480L *)\u003c\/p\u003e\n\u003cp\u003eThis handy dynamic FLANGER \u0026amp; DELAY duo blends the “whoosh” of soaring jet planes with classic Delay, and can be adjusted from mild to wild. This combination effect only takes up one FX slot. (Inspired by Lexicon PCM70 *)\u003c\/p\u003e\n\u003cp\u003eWAVE DESIGNER is a powerful tool for adjusting signal transients and dynamics such as attack and sustain. Use it to make a snare drum really “crack” in the mix or level out volume inconsistencies of slap bass tracks. (Inspired by SPL Transient Designer *)\u003c\/p\u003e\n\u003cp\u003eThe STEREO PRECISION LIMITER is perfect for setting a precise volume limits, ensuring distortion-free and optimal signal integrity. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of ”hot” signals to prevent clipping. (Inspired by Sony Oxford Dynamics *)\u003c\/p\u003e\n\u003cp\u003eThe DE-ESSER is a “must-have” tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Use it to enhance the smoothness of the upper mid to high frequencies in vocals as well as drum overheads and strings, etc. (Inspired by SPL 1219 *)\u003c\/p\u003e\n\u003cp\u003eBased on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that will not drown out or overpower your live\/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb *)\u003c\/p\u003e\n\u003cp\u003eTaking up only one FX slot, the CHORUS \u0026amp; CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade Chorus with the sweet sound of a traditional Chamber reverb. (Inspired by Lexicon PCM70 *)\u003c\/p\u003e\n\u003ch4\u003e100-Band RTA for all Channel\/ Bus EQs\u003c\/h4\u003e\n\u003cp\u003eThe MR18 includes a high-resolution 100-band Real Time Analyzer (RTA), with full Bar and Spectrograph views. This high-resolution RTA displays the audio energy distribution in 100 frequency bands over time - capturing a sonogram window of a full 10 seconds. Switch between the Large RTA view, displaying any available signal in full screen resolution, or the Combined RTA view shown above each of the channel and bus EQ curves - and see the results of your filtering choices. Additionally, the RTA can be displayed on top of the 31-band graphic EQs in the Main LR or Aux buses. Monitoring and controlling frequencies has never been easier!\u003c\/p\u003e\n\u003ch4\u003e16 Channels of Personal Monitoring\u003c\/h4\u003e\n\u003cp\u003eThe easy way to send sound, Behringer's propriatary ULTRANET connectivity allows you to send 16 digital sources over a lightweight and easyto- deploy Cat 5e cable to P16-D Digital ULTRANET Distributors, or directly to P16-M Personal Monitor Mixers. This powerful and advanced technology makes it easy for individual performers to create their own “more me” mix - and frees you to put on your best show. ULTRANET also provides the perfect conduit for sending your mix to the new TURBOSOUND iQ Series loudspeakers, which can tap into the 16-channel digital bus directly.\u003c\/p\u003e\n\u003ch4\u003eUncompromised Channel Processing\u003c\/h4\u003e\n\u003cp\u003eThe MR18 allows you to achieve the same incredible level of EQ finesse as the award-winning M32 thanks to its 100-band Real Time Analyzer, which is built into every input channel and bus EQ. Visual feedback built into the control app allows you to see and make fast, surgical adjustments to frequencies in need of a boost or a cut. You will wonder how you ever EQ’d without it! Every input channel also features Low-Cut, 4-band fully parametric EQ and the same Gate and Compressor dynamics suite found in the M32 - with one very special addition; you can choose either Expert or Simple functionality. In Expert mode, you can drill down and take total control over every nuance of your dynamics. Or, if you are more of the ‘plug and play’ type, Simple mode lets you either select from one of 4 carefullyoptimized presets - or load your own channel templates. Add to this 40-Bit, floating-point DSP and you will experience virtually \"unlimited\" dynamic range with no internal overload and near-zero overall latency. In addition to the Main L\/R bus for Front of House, 6 Aux buses are provided for dialing in the perfect monitor mixes, or creating a dedicated mix for your USB stereo recording - complete with inserts, dynamics, and either a 6-band parametric EQ or 31-band graphic EQ. And if you want even more precise control over your EQ, 100-band RTAs are available for all of these buses, too.\u003c\/p\u003e\n\u003ch4\u003eMIDI In\/Out for Live Performance Controllers\u003c\/h4\u003e\n\u003cp\u003eThe physical MIDI I\/O port on the MR18 mixer can also be used for connecting external MIDI controllers, such as BEHRINGER's X-TOUCH or B-CONTROL products, for dynamically controlling channel level, muting and panorama adjustments during your performance. The installed firmware also supports the Mackie Control protocol, allowing you to easily apply comprehensive remote editing and parameter adjustments via any compatible MIDI device.\u003c\/p\u003e\n\u003ch4\u003eDedicated Apps and Software ֠All Platforms Covered\u003c\/h4\u003e\n\u003cp\u003eSince we wanted the MR18 to benefit from the best remote apps, we engaged dedicated development teams for the iOS *, Android *, and PC\/Linux\/Mac * based remote control applications. When you download an M AIR app for your operating system, you can rest assured that you will get the fully optimized experience we intended. Future firmware updates will be available free of charge and add even more professional-grade features, FX \"Plug-Ins\", and functionality.\u003c\/p\u003e\n\u003ch4\u003eM AIR EDIT (PC\/Mac\/Linux)\u003c\/h4\u003e\n\u003cp\u003eIf your application requires a computer for Midas M Air mixer remote control, then M AIR EDIT was made just for you. Simply copy and launch the free software with your computer, connect to the mixer via its built-in Ethernet (LAN) connector using a Cat 5e cable (max. 100 m length) - and all M AIR mixer functions are instantly mirrored on your computer screen. Since a PC screen is larger than the one on your telephone, M AIR EDIT allows the opening and scaling of more app windows, such as routing or FX editing - letting you decide how much information you need at a glance. All touch screens are supported, or you can use a mouse to adjust your physical mixer’s settings. You can even control multiple mixers remotely from a single computer, or create several strategically placed computer stations to control the same mixer. With M AIR EDIT, your PC, Linux or Mac computer becomes your virtual mixer - both live and in the studio. Download the free M AIR EDIT software from Midas.\u003c\/p\u003e\n\u003ch4\u003eM AIR MIX for iPad\u003c\/h4\u003e\n\u003cp\u003eFront of House is wherever you and your iPad are - thanks to the new M AIR MIX app for iPad. Simply download the free app to your iPad, set the Midas M Air mixer to Access Point mode and connect your iPad to the MR18 network that will show up. After launching the M AIR MIX app, select the mixer image, and all of your M AIR mixer’s settings can now be adjusted directly from your iPad. You can save your favorite scenes, and load previously stored scenes and presets to\/from your iPad or customize your channel layout - all with the support of innovative drag 'n' drop functionality. Download the free M AIR MIX App for iPad from the Apple App Store.\u003c\/p\u003e\n\u003ch4\u003eM AIR MIX for Android\u003c\/h4\u003e\n\u003cp\u003eDesigned specifically for all Android mobile devices (2.2 or higher), which includes tablets and smartphones, the app can be used in one of two modes: full access mixing mode; or bound to a specific aux bus for creating personal monitor mixes remotely on Midas M Air mixers. Using this free and easy to learn app, each performer can use their Android device to dial-in the perfect personal IEM or wedge monitor mix, without having to consult the audio engineer for assistance. With the M AIR MIX App for Android, personal monitor mixing just got a whole lot more personal - both live and in the studio! But M AIR MIX offers even more; in full access mixing mode, the app provides control over all channel processing including the RTA overlay, effects editing, storing\/loading scenes or presets, and much more - whether you are running a 12\" tablet or a 5\" smartphone. Download the free M AIR CUE for Android App from the androidapps.com.\u003c\/p\u003e\n\u003ch4\u003eSuperb Value\u003c\/h4\u003e\n\u003cp\u003eThe feature-packed MR18 is the result of the engineering, manufacturing and application expertise of legendary console manufacturer Midas, the iconic signal processing genius of Klark Teknik- and MUSIC’s unique ability to deliver a superior value proposition. MR18's sound quality far surpasses that of competing models, both on paper and in performance. With 18 inputs, 16 Midas Pro mic preamps, 6 aux buses, a built-in WiFi router, MIDI I\/O, a multi-channel bidirectional USB audio interface, and free downloadable apps for iOS, Android and PC, and a host of other high-end professional features, the M AIR MR18 is equipped to handle your most demanding audio application. Visit your local dealer and take a closer look at the M AIR MR18 Digital Mixer, or get yours online - today!\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653071093\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656983789859,"sku":"MR18","price":929.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0605-AAF_MR18_Catalog_B.png?v=1790377389"},{"product_id":"midas-mr12","title":"Midas MR12 12-Input Digital Mixer for iPad\/Android Tablets with 4 Midas PRO Preamps, 8 Line Inputs","description":"\u003cp\u003e\u003cstrong\u003e12-Input Digital Mixer for iPad\/Android Tablets with 4 Midas PRO Preamps, 8 Line Inputs, Integrated WiFi Module and USB Stereo Recorder\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe  MIDAS M32  completely redefined what is possible from a digital mixer - and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR12 rack-mountable mixer, which will forever change the way you record and the way you play live music.\u003c\/p\u003e\n\u003ch4\u003eA Mixer Whose Time has Come\u003c\/h4\u003e\n\u003cp\u003eOver the past few years, the world of recording and performance audio has experienced a major paradigm shift, one that requires musicians and performers alike to take advantage of emerging technologies that offer flexibility and ease of use. The MR12 is an 12-input portable mixer housed in a sturdy stage box design for use with iPad and Android tablets. It is ideally suited for both live and studio applications thanks to 4 award-winning  Midas  PRO mic preamps, integrated WiFi module for wireless control, MIDI I\/O - and a USB connector for storing files or the recording and playback of uncompressed stereo WAV files. Free iOS, Android and PC apps enable you to move about the venue or the tracking room and manipulate all the parameters of your mix, and the performers have the freedom to dial-in a shared monitor mix. Advanced engineering and meticulous design combine to deliver professional-grade performance and impressive affordability - the MR12.\u003c\/p\u003e\n\u003ch4\u003e4 MIDAS PRO Mic Preamps\u003c\/h4\u003e\n\u003cp\u003eThe Midas PRO mic amp was developed for the PRO Series mixing consoles and is also found in the M32 - and has been recognised by leading live sound and recording engineers as the very essence of the famous Midas sound. It is here in the MR12 that more than 40 years of design excellence has come together with premium grade components to provide unparalleled warmth and depth, subtle ambience, and immaculate spatial positioning - for more precise imaging than competing models. The award-winning Midas microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic landscapes that have captivated audiences worldwide. MR12 comes equipped with 4 Midas PRO preamps, all of which are literally ready for your input via the industry-standard combo connectors with locking latches.\u003c\/p\u003e\n\u003ch4\u003eBuilt-In Tri-Mode WiFi Router\u003c\/h4\u003e\n\u003cp\u003eDesigned for the ultimate in mobility, the MR12 comes with an integrated WiFi module for direct control of your mixer’s functions - without the need to setup and configure an external router. The MR12 gives you the freedom to focus on your mix, while allowing you to move about the venue to experience what every part of the audience is hearing. Plus you can adjust live monitor wedges from the artist’s perspective - or better yet, let them mix their own IEMs and floor monitors via their own tablets. Access Point is the easiest way to connect up to 4 clients directly and concurrently (i.e., iPad, Android smartphone\/tablet or laptop). This mode should have your remote control up and running in less than a minute. WiFi Client allows you to add your mixer to the existing wireless network where the controlling apps and devices are connected. Alternately, wired connections can be made directly to your PC, to a local area network (LAN), or when connecting to a dedicated WiFi router, e.g., for extended range or 5 GHz applications.\u003c\/p\u003e\n\u003ch4\u003eRecording Simplified\u003c\/h4\u003e\n\u003cp\u003eMR12 features a convenient USB connector that makes it easy to store files or record and playback uncompressed stereo WAV files of your mix. Dial in the perfect monitoring mix with effects and zero-latency performance using one of the Aux buses, while recording up to 12 source signals - and send the keyboard player's MIDI notes to your DAW for recording and editing.Whether you are making rock history in the studio, or you want to capture intimate live performances - it has never been easier to record stunning tracks with exceptional clarity.\u003c\/p\u003e\n\u003ch4\u003eRevolutionary Auto-Mixing\u003c\/h4\u003e\n\u003cp\u003eWhen your application calls for a multiple-microphone setup, such as an onstage panel discussion, press conference or courtroom proceeding, etc., it can become a challenge to maintain so many open mics - and preserve maximum gain and priority for the moderator.A major first for compact audio mixers, our revolutionary M AIR Gain Sharing technology can easily manage fully automated mixes with up to 4 live microphones. Based on the legendary Dan Dugan automix system, the MR12’s gain sharing paradigm automatically controls the levels of all selected microphones in real time, without any gating artifacts or noise modulation.This function dramatically reduces the typical feedback, studio noise and comb filtering challenges that can occur when two, or more mics are in close proximity of each another. M AIR Gain Sharing technology provides a consistent system gain structure, even when multiple speakers are talking at the same time.\u003c\/p\u003e\n\u003ch4\u003e4 Onboard M32 Effects Engines\u003c\/h4\u003e\n\u003cp\u003eEquipped with the very same FX engines as the now legendary M32 Digital Mixing Console, the onboard virtual FX Rack provides access to four true-stereo (8 mono), multi-effects processors including delay, chorus, dynamics - plus the MR12 can run production-quality, true-stereo reverbs concurrently with 31-band EQ on the main and aux buses, all without the need for any additional hardware.You can select any combination of high-end simulations of legendary studio effects, such as the Lexicon 480L and PCM70, as well as the EMT250 and Quantec QRS reverbs. Onboard processing means your computer no longer has to do the heavy lifting during a mixing session with DAW plugins, as the MR12 has a whole studio of FX under its bonnet.Custom-designed, and physically modeled after some of the most iconic and sought-after processors, all effects run inside the low-latency environment of the M32 mix engine, ensuring flawless performance, flexible routing and the end of cable faults.\u003c\/p\u003e\n\u003ch4\u003eHigh-End FX Racks at Your Finger Tips\u003c\/h4\u003e\n\u003cp\u003eThe immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades.\u003c\/p\u003e\n\u003cp\u003eThe ultra-smooth optical attenuator is closely modeled in our LEISURE COMPRESSOR. It provides breezy, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A *) When Urei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented, and the 1176 was one of the first audio processors to benefit from this new technology.\u003c\/p\u003e\n\u003cp\u003eOur digital reincarnation, ULTIMO COMPRESSOR, is based on the early Rev. E model, and authentically captures the smooth character of the original Class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN *)\u003c\/p\u003e\n\u003cp\u003eThe Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VRs preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels.\u003c\/p\u003e\n\u003cp\u003eOur FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or M\/S operation. (Inspired by Fairchild 670 *)\u003c\/p\u003e\n\u003cp\u003eThe COMBINATOR is an amazing 5-band compressor that emulates famous broadcasting and mastering compressors. A highly complex processor, the COMBINATOR utilizes automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.\u003c\/p\u003e\n\u003cp\u003eThe XTEC EQ1 emulates one of the undisputedly best passive studio equalizers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement. We analyzed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a *)\u003c\/p\u003e\n\u003cp\u003ePut simply, Pultec literally wrote the book on passive equalization. By digitally “rebuilding” every aspect of this original classic, we captured the very essence in our mid-range focused parametric equalizer XTEC EQ5. Our digital re-incarnation authentically emulates the smooth character of its rather unique components. (Inspired by Pultec MEQ5 *)\u003c\/p\u003e\n\u003cp\u003eThe new SUB OCTAVER provides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the effect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing...\u003c\/p\u003e\n\u003cp\u003eThe EDISON EX1 is the reincarnation of one of our own analog classics. This remarkably effective tool allows manipulation of the stereo field. Selectable Mono or Stereo I\/O modes allow the processing, or creation, of Mono\/Stereo recorded sound sources. (Inspired by BEHRINGER EDISON)\u003c\/p\u003e\n\u003cp\u003eThe SOUND MAXER restores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalizers. (Inspired by Sonic Maximizer 482i *)\u003c\/p\u003e\n\u003cp\u003eThe DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog Chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus *)\u003c\/p\u003e\n\u003cp\u003eMODULATION DELAY combines three of the most-used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with your choice of three very unique reverb models, Ambience, Club and Hall.\u003c\/p\u003e\n\u003cp\u003eENHANCERS let you emphasize the Bass, Midrange and Hi output at selectable frequencies, allowing you to generate maximum punch, clarity and detail - without turning up the overall volume. (Inspired by SPL Vitalizer *)\u003c\/p\u003e\n\u003cp\u003eEXCITERS increase presence and intelligibility in live sound applications, and are indispensable for adding clarity, air and harmonic overtones in the studio. (Inspired by Aphex Aural Exciter *)\u003c\/p\u003e\n\u003cp\u003eUnlike typical graphic EQs, our STEREO TruEQ delivers the exact frequency response for the new fader setting, taking neighboring fader settings into account - for surgical and responsive filtering or general room equalization (Modeled after BEHRINGER UltraCurve DEQ2496). The MR12 can provide up to 16 mono graphic EQs - one in each of the 6 Aux Buses and Main LR, plus 8 additional mono GEQ effects (4 stereo) that may be inserted into channels.\u003c\/p\u003e\n\u003cp\u003eVINTAGE ROOM stands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in the air and room resonances. Invented in the early ‘80s, the role model delivered authentic room character from an algorithmic reverb long before convolution-based processing was available. It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals - highly valued in classical music and broadcasting environments. (Inspired by Quantec QRS *)\u003c\/p\u003e\n\u003cp\u003ePLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. This classic effect will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70 *)\u003c\/p\u003e\n\u003cp\u003eThe 3-TAP DELAY in the M32 records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.\u003c\/p\u003e\n\u003cp\u003eThe HALL REVERB effect provides a broad spectrum of reverberation possibilities, from small room to large, or even cavernous proportions. When softly mixed with the original signal, Hall Reverb can be used to create a warm, more natural sound. (Inspired by Lexicon 480L *) The Lexicon 480L * has been recognized as the gold standard of digital reverb. In addition to the Hall Reverb program, we have included four more of the finest reverb models: Ambience, Rich Plate, Room and Rich Chamber. These models precisely capture all nuances based on our “True Physical Modeling”, and our algorithms even incorporate the unit’s AD\/DA gain stepping converters - nailing the entire analog and digital circuit paths right down to the last detail. (Inspired by Lexicon 480L *)\u003c\/p\u003e\n\u003cp\u003eThis handy dynamic FLANGER \u0026amp; DELAY duo blends the “whoosh” of soaring jet planes with classic Delay, and can be adjusted from mild to wild. This combination effect only takes up one FX slot. (Inspired by Lexicon PCM70 *)\u003c\/p\u003e\n\u003cp\u003eWAVE DESIGNER is a powerful tool for adjusting signal transients and dynamics such as attack and sustain. Use it to make a snare drum really “crack” in the mix or level out volume inconsistencies of slap bass tracks. (Inspired by SPL Transient Designer *)\u003c\/p\u003e\n\u003cp\u003eThe STEREO PRECISION LIMITER is perfect for setting a precise volume limits, ensuring distortion-free and optimal signal integrity. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of ”hot” signals to prevent clipping. (Inspired by Sony Oxford Dynamics *)\u003c\/p\u003e\n\u003cp\u003eThe DE-ESSER is a “must-have” tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Use it to enhance the smoothness of the upper mid to high frequencies in vocals as well as drum overheads and strings, etc. (Inspired by SPL 1219 *)\u003c\/p\u003e\n\u003cp\u003eBased on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that will not drown out or overpower your live\/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb *)\u003c\/p\u003e\n\u003cp\u003eTaking up only one FX slot, the CHORUS \u0026amp; CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade Chorus with the sweet sound of a traditional Chamber reverb. (Inspired by Lexicon PCM70 *)\u003c\/p\u003e\n\u003ch4\u003e100-Band RTA for all Channel\/ Bus Eqs\u003c\/h4\u003e\n\u003cp\u003eThe MR12 includes a high-resolution 100-band Real Time Analyzer (RTA), with full Bar and Spectrograph views. This high-resolution RTA displays the audio energy distribution in 100 frequency bands over time - capturing a sonogram window of a full 10 seconds.Switch between the Large RTA view, displaying any available signal in full screen resolution, or the Combined RTA view shown above each of the channel and bus EQ curves - and see the results of your filtering choices. Additionally, the RTA can be displayed on top of the 31-band graphic EQs in the Main LR or Aux buses. Monitoring and controlling frequencies has never been easier!\u003c\/p\u003e\n\u003ch4\u003eUncompromised Channel Processing\u003c\/h4\u003e\n\u003cp\u003eThe MR12 allows you to achieve the same incredible level of EQ finesse as the award-winning M32 thanks to its 100-band Real Time Analyzer, which is built into every input channel and bus EQ. Visual feedback built into the control app allows you to see and make fast, surgical adjustments to frequencies in need of a boost or a cut. You will wonder how you ever EQ’d without it!Every input channel also features Low-Cut, 4-band fully parametric EQ and the same Gate and Compressor dynamics suite found in the M32 - with one very special addition; you can choose either Expert or Simple functionality. In Expert mode, you can drill down and take total control over every nuance of your dynamics. Or, if you are more of the ‘plug and play’ type, Simple mode lets you either select from one of 4 carefullyoptimized presets - or load your own channel templates. Add to this 40-Bit, floating-point DSP and you will experience virtually \"unlimited\" dynamic range with no internal overload and near-zero overall latency.In addition to the Main L\/R bus for Front of House, 2 Aux buses are provided for dialing in the perfect monitor mixes, or creating a dedicated mix for your USB stereo recording - complete with inserts, dynamics, and either a 6-band parametric EQ or 31-band graphic EQ. And if you want even more precise control over your EQ, 100-band RTAs are available for all of these buses, too.\u003c\/p\u003e\n\u003ch4\u003eMIDI In\/Out for Live Performance Controllers\u003c\/h4\u003e\n\u003cp\u003eThe physical MIDI I\/O port on the MR12 mixer can also be used for connecting external MIDI controllers, such as X-TOUCH or B-CONTROL products, for dynamically controlling channel level, muting and panorama adjustments during your performance. The installed firmware also supports the Mackie Control protocol, allowing you to easily apply comprehensive remote editing and parameter adjustments via any compatible MIDI device.\u003c\/p\u003e\n\u003ch4\u003eDedicated Apps and Software ? All Platforms Covered\u003c\/h4\u003e\n\u003cp\u003eSince we wanted the MR12 to benefit from the best remote apps, we engaged dedicated development teams for the iOS *, Android *, and PC\/Linux\/ Mac * based remote control applications. When you download an M AIR app for your operating system, you can rest assured that you will get the fully optimized experience we intended. Future firmware updates will be available free of charge and add even more professional-grade features, FX \"Plug-Ins\", and functionality.\u003c\/p\u003e\n\u003ch4\u003eM AIR EDIT (PC\/Mac\/Linux)\u003c\/h4\u003e\n\u003cp\u003eIf your application requires a computer for  Midas  M AIR mixer remote control, then M AIR EDIT was made just for you. Simply copy and launch the free software with your computer, connect to the mixer via its built-in Ethernet (LAN) connector using a Cat 5e cable (max. 100 m length) - and all M AIR mixer functions are instantly mirrored on your computer screen. Since a PC screen is larger than the one on your telephone, M AIR EDIT allows the opening and scaling of more app windows, such as routing or FX editing - letting you decide how much information you need at a glance. All touch screens are supported, or you can use a mouse to adjust your physical mixer’s settings. You can even control multiple mixers remotely from a single computer, or create several strategically placed computer stations to control the same mixer. With M AIR EDIT, your PC, Linux or Mac computer becomes your virtual mixer - both live and in the studio.Download the free M AIR EDIT software from  midasconsoles.com.\u003c\/p\u003e\n\u003ch4\u003eM AIR MIX for iPad\u003c\/h4\u003e\n\u003cp\u003eFront of House is wherever you and your iPad are - thanks to the new M AIR MIX app for iPad. Simply download the free app to your iPad, set the  Midas  M AIR mixer to Access Point mode and connect your iPad to the MR12 network that will show up. After launching the M AIR MIX app, select the mixer image, and all of your M AIR mixer’s settings can now be adjusted directly from your iPad. You can save your favorite scenes, and load previously stored scenes and presets to\/from your iPad or customize your channel layout - all with the support of innovative drag 'n' drop functionality.Download the free M AIR MIX App for iPad from the Apple App Store.\u003c\/p\u003e\n\u003ch4\u003eM AIR MIX for Android\u003c\/h4\u003e\n\u003cp\u003eDesigned specifically for all Android mobile devices (2.2 or higher), which includes tablets and smartphones, the app can be used in one of two modes: full access mixing mode; or bound to a specific aux bus for creating personal monitor mixes remotely on  Midas  M AIR mixers. Using this free and easy to learn app, each performer can use their Android device to dial-in the perfect personal IEM or wedge monitor mix, without having to consult the audio engineer for assistance. With the M AIR MIX App for Android, personal monitor mixing just got a whole lot more personal - both live and in the studio! But M AIR MIX offers even more; in full access mixing mode, the app provides control over all channel processing including the RTA overlay, effects editing, storing\/loading scenes or presets, and much more - whether you are running a 12\" tablet or a 5\" smartphone.Download the free M AIR CUE for Android App from the androidapps.com.\u003c\/p\u003e\n\u003ch4\u003eSuperb Value\u003c\/h4\u003e\n\u003cp\u003eThe feature-packed MR12 is the result of the engineering, manufacturing and application expertise of legendary console manufacturer MIDAS, the iconic signal processing genius of KLARK TEKNIK - and MUSIC’s unique ability to deliver a superior value proposition. MR12's sound quality far surpasses that of competing models, both on paper and in performance. With 12 inputs, 4 MIDAS PRO mic preamps, 2 Aux buses, a built-in WiFi router, a USB connector for simple recording and playback of uncompressed stereo WAV files, MIDI I\/O, and free downloadable apps for iOS, Android and PC, and a host of other high-end professional features, the M AIR MR12 is equipped to handle your most demanding audio application. Visit your local dealer and take a closer look at the M AIR MR12 Digital Mixer, or get yours online - today!\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653071109\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656983855395,"sku":"MR12","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0605-AAE_MR12_Catalog_B.png?v=1790377391"},{"product_id":"midas-microphone-preamplifier-502-v2","title":"Midas MICROPHONE PREAMPLIFIER 502 V2 500 Series Modular Midas Microphone Preamplifier with Classic XL4 Filters","description":"\u003cp\u003e\u003cstrong\u003e500 Series Modular Midas Microphone Preamplifier with Classic XL4 Filters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn response to the many customer requests received over the years, the award-winning Midas Microphone Preamp is now available as an add-on to any mobile or recording system. When used in conjunction with the LEGEND L10 or L6 500 Series Rackmount Chassis, the MICROPHONE PREAMPLIFIER 502 provides the ideal solution for users seeking the legendary Midas sound in a modular format that boasts upgraded, premium-quality performance. Additionally, the 502 module utilises the same swept low and high pass filters found in the iconic XL4 Live Performance Mixing Console.\u003c\/p\u003e\n\u003ch4\u003eAward-Winning Mic Preamp\u003c\/h4\u003e\n\u003cp\u003eThe Midas Microphone Preamplifier is considered by leading live sound and recording engineers as the very essence of the famous Midas sound. Decades of design experience paired with premium-grade components is the foundation of that acclaimed warmth and depth, which brings out subtle ambience, maintains spatial positioning, and more effectively captures a precise sound image. That warm and organic Midas sound has been heard by millions of concert goers - and recorded for posterity on countless live albums. The award-winning mic preamplifier in the 502 module has even been upgraded via the implementation of four discrete ultra low noise input transistors for even more transparent and ultra low noise performance.\u003c\/p\u003e\n\u003ch4\u003eSweet Forgiveness\u003c\/h4\u003e\n\u003cp\u003eOver the years, many mix engineers have found this robust and overload-tolerant preamp design takes on a whole new dimension when driven hard. The 502 module’s input stage allows up to +24 dBu signal levels with no pad requirement, while featuring the much loved soft clipping characteristic that provides crystal-clear audiophile reproduction with just the right amount of harmonics.\u003c\/p\u003e\n\u003ch4\u003eClassic Midas XL4 Filters\u003c\/h4\u003e\n\u003cp\u003eOur XL4 mixers are legendary for their uncompromising sonic characteristics, impressive versatility, and ease of use. The 502 mic preamp honours that legacy by bringing back the low and high pass filters that helped make the XL4 so popular. The low pass filter control adjusts the filter frequency from 1 kHz to 40 kHz, while the high pass filter control adjusts from 10 Hz to 400 Hz (both -3 dB points).\u003c\/p\u003e\n\u003ch4\u003eTwin Balanced Outputs\u003c\/h4\u003e\n\u003cp\u003eThe main output of the 502 module is the same electronically balanced output you will find on most Midas mixing consoles. This configuration provides an extremely clean signal even when operating at very high signal levels. The TX switch enables the twin aux output when fitted in a Midas L6 or L10 rack, this is a second independently driven balanced output which is identical to the main output. This gives the 502 active mic\/line splitter capability for ultimate flexibility, these high current outputs can drive longer audio cables with ease.\u003c\/p\u003e\n\u003ch4\u003ePrecision LED I\/O Metering\u003c\/h4\u003e\n\u003cp\u003eA mic preamp of this calibre requires equally accurate I\/O metering - and the 502 delivers in a big way. The high precision 11-segment rotary LED meter reads the signal post amplifier\/pre filter, providing input metering from -20 dBu to + 20 dBu in 4 dB steps. A similar meter is provided for output trim adjustment from -20 dBu to + 20 dBu in 4 dB steps.\u003c\/p\u003e\n\u003ch4\u003eHigh Accuracy I\/O Rotary Controls\u003c\/h4\u003e\n\u003cp\u003eGain control is provided by a large precision 12-position rotary switch with gain settings from 0 (unity gain) to +60 dB in 5 dB increments, while a fully variable potentiometer is provided for the output trim across a ±20 dB range. When used in combination, total maximum gain is an impressive + 80 dB, more than enough to accommodate even low level ribbon microphones. Additionally, the output trim control can be used to control colouration; the input gain can be increased to take advantage of the overload tolerant mic amplifier and the output trim can used to control the output level.\u003c\/p\u003e\n\u003ch4\u003eIlluminated Switches\u003c\/h4\u003e\n\u003cp\u003eAll of the 502 modules push-button switches feature LED illumination when activated for fast and easy status verification. Switches include the low pass filter IN switch, which inserts the low pass filter into the signal path; the high pass filter IN switch, which inserts the high pass filter (both post input gain\/pre output-trim); the phase reverse switch, which inverts signal phase 180°; the 48V switch, which supplies +48 Volts phantom power via the 500 Series Rackmount Chassis; and the twin aux output (TX) selector. Add this to the 502’s brilliant metering and you have instant at-a-glance confirmation of all preamp parameters.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653081382\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656983888163,"sku":"MICROPHONE PREAMPLIFIER 502 V2","price":209.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0838-ABA_MICROPHONE-PREAMPLIFIER-502_V2_Catalog_B.png?v=1790377393"},{"product_id":"midas-m32r-live","title":"Midas M32R LIVE Digital Console for Live and Studio with 40 Input Channels, 16 Midas PRO Microphone Preamplifiers","description":"\u003cp\u003e\u003cstrong\u003eDigital Console for Live and Studio with 40 Input Channels, 16 Midas PRO Microphone Preamplifiers and 25 Mix Buses and Live Multitrack Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eDesigning A Future Classic\u003c\/h4\u003e\n\u003cp\u003eOur goal for M32R LIVE was to combine the best of classic British console designs with advanced modern technology to completely redefine what a rack mountable digital desktop mixing console can offer.We began the industrial design process by drawing inspiration from a somewhat unexpected source - the luxury and high-performance car industry.\u003c\/p\u003e\n\u003ch4\u003eWhy High-Performance Cars?\u003c\/h4\u003e\n\u003cp\u003eSimply because the design teams at Aston Martin *, Bentley *, Rolls Royce *, and other leading manufacturers are skilled at introducing innovative technological advancements while simultaneously maintaining the feel, essence, and intangible qualities of their cherished brands. And in essence, that’s the challenge we too faced when creating the M32R LIVE console. So in order to create a future-forward design that took the Midas legacy even further, we enlisted the help of Rajesh Kutty, a leading industrial designer known for his work with celebrated luxury auto manufacturers such as Bentley, etc. Kutty started by examining the design elements that have made Midas consoles so highly sought after - from the straightforward, logical layout to the unparalleled usability and ergonomics. These are characteristics that live sound engineers around the world have come to rely on, and are key aspects of the Midas legacy. With these design elements in mind, Kutty set forth to create a styling that would be modern, innovative, futuristic, and stunningly elegant. Many different construction materials were tested. Countless design variations were explored. And in the end, a styling was chosen that represented the perfect marriage between aerodynamic artistry and uncompromising performance. The design is both ultramodern and distinctly classic at the same time.\u003c\/p\u003e\n\u003ch4\u003eThe Landmark in Console History\u003c\/h4\u003e\n\u003cp\u003eA close look at M32R LIVE reveals that the styling is completely new in every sense of the word. Rajesh Kutty’s automotive-inspired design elements mesh perfectly with a recognisable Midas signature, setting the M32R LIVE apart from any other console. Its beautifully streamlined and elegant form factor completely revolutionises the experience of live mixing.The Midas M32R LIVE construction is equally impressive, and is designed to offer you years of reliable performance while withstanding the demanding environment of live performance venues. M32R LIVE employs a predominantly space-frame construction, with parts of the sub-frame consisting of high-performance aluminium. Multiple alloys have been employed throughout to guarantee maximum component efficiency and an improved performance-to-weight ratio.The M32R LIVE is an innovative, evolved design that brings together modern construction principles and high-tech materials into a styling destined to go down as a landmark in console history.\u003c\/p\u003e\n\u003ch4\u003eMidas is the Epitome of Excellence\u003c\/h4\u003e\n\u003cp\u003eIn 2013, Midas approached me to create a new design language for Midas and with it a new mixing console. Having designed for Bentley, I am intimately familiar with the challenge of transforming a brand while retaining the precious heritage - in this case the 40 year old iconic British mixing console brand Midas. Representing the pinnacle of its industry, Midas is the Epitome of Excellence. When it comes to ergonomics, performance and style, the aspects of a high-performance luxury car equally apply to a high-end mixing console. I was given a blank sheet of paper for my choice of materials. This meant considering lightweight materials such as top-grade aluminium, while using a sophisticated steel construction, for high-impact structural areas.   High attention was paid to the tactile elements such as fader knobs and the illumination to work under all background conditions.   From the onset the idea was to break the mould! Hence the form study deliberately tried to break away from the static, bulky feel of today's mixing consoles. Instead making it more dynamic, ergonomic, yet luxurious. Colours, size, mobility and hardware were given equal importance to arrive at the M32R LIVE - a true projection of the brand, today.     Rajesh Kutty\u003c\/p\u003e\n\u003ch4\u003eIndustry-Leading 192 kHz Precision\u003c\/h4\u003e\n\u003cp\u003eThe groundbreaking M32R LIVE console combines legendary Midas sound quality with advanced digital technology, future-proof floating point audio engine, extremely low-latency design and industry-leading 192 kHz ADC and DAC converters, creating a revolutionary mid-format live console. M32R LIVE features ultra-sleek styling, offering you a truly luxurious mixing experience. High-end construction materials include carbon fibre provide unparalleled durability and strength, plus substantially lower weight than comparable consoles.The M32R LIVE utilises award-winning Midas PRO Series microphone preamplifiers and the custom-designed Midas PRO motorised faders that are rated for 1 million life cycles-three times more than other leading consoles. The Midas M32R LIVE is a future-forward console that completely raises the bar for live mixing.\u003c\/p\u003e\n\u003ch4\u003eLegendary Midas Sound Quality\u003c\/h4\u003e\n\u003cp\u003eWhile the Midas M32R LIVE design, styling, and construction will surely turn a lot of heads, it’s the sound that matters most to engineers and performing artists. And that’s where M32R LIVE shines even brighter - as the latest in a long line of pristine-sounding Midas consoles, it descends from a celebrated lineage that literally set the standard in electrical design and sound quality. Ever since Midas consoles first found fame 40 years ago with acts like Billy Joel, Yes, The Beach Boys, Pink Floyd and others, the Midas legacy has always been about uncompromising quality and the ultimate in sound reproduction.Backing the analogue input section are audiophile Cirrus Logic multi-channel 192 kHz capable A\/D converters, which boast a 114 dB dynamic range, ensuring impressively low distortion and low noise performance.\u003c\/p\u003e\n\u003ch4\u003eBuilt for Tomorrow\u003c\/h4\u003e\n\u003cp\u003eThe M32R LIVE is a console built for today, and tomorrow - its rock-solid proprietary operating system and the 0.8 ms audio engine provide outstanding state-of-the-art audio performance for years to come.\u003c\/p\u003e\n\u003ch4\u003eAward-Winning Midas Mic Preamplifier\u003c\/h4\u003e\n\u003cp\u003eThe Midas mic preamp is considered by leading live sound and recording engineers to be the very essence of the famous Midas sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth, bring out subtle ambience, maintain spatial positioning, and more effectively capture a precise image. The acclaimed sound of the award-winning Midas microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic landscapes that have captivated audiences worldwide.\u003c\/p\u003e\n\u003ch4\u003eCreating Sonic Landscape\u003c\/h4\u003e\n\u003cp\u003eThe Midas preamplifier design eliminates typical imbalances of gain-setting stages, thereby improving the common-mode rejection ratio (CMRR) and harmonic distortion to an almost immeasurable level. The constant high-frequency bandwidth topology assures excellent stability, RF rejection and noise performance at all gain levels, contributing to its transparent, open and dynamic sound. But it doesn’t end there, over the years many mix engineers have found that this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the pristine audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concertgoers and recorded for posterity on countless live albums over the years. Since pristine sound always begins with the microphone preamplifier, the first point where your signal enters the console, M32R LIVE features genuine Midas microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design.   The microphone preamplifiers are the very same ones used in the industry standard Midas XL4 and HERITAGE 3000 consoles, which many consider to be the greatest analogue live consoles ever built. Over the past decade, the XL4 and HERITAGE 3000 have been utilised by countless top artists including Bon Jovi, Alanis Morrisette, AC\/DC, Coldplay, Kid Rock, Metallica, Alicia Keys, Foo Fighters, Christina Aguilera, Sir Paul McCartney, Pearl Jam, and many more.   The M32R LIVE draws from this same legacy to bring you an elite professional level of audio quality and performance.\u003c\/p\u003e\n\u003ch4\u003eWhat Makes the M32R LIVE Possible is - Everything\u003c\/h4\u003e\n\u003cp\u003eWhether you come from an analogue mixing background, or are accustomed to using other digital consoles, your first experience with M32R LIVE has been engineered to be intuitive, fluid and straightforward.The brilliance of the M32R LIVE is its simplicity and workflow. Tactile controls allow smooth adjustments to critical elements as the mix progresses while the TFT screen keeps you informed every step of the way. This integration of tactile controls, motorised faders and the array of LCD and TFT displays makes the M32R LIVE experience the premiere solution for Live Sound, Broadcast, Studio Recording and Post Production applications.M32R LIVE changes the game by completely rethinking what is possible in a digital mixer. An intuitive workflow coupled with a fully interactive user interface ensures immediate familiarity and instills confidence. Advanced engineering and meticulous design deliver stellar sonic performance at an extremely affordable price - changing the game entirely.\u003c\/p\u003e\n\u003ch4\u003eIndustry-Leading Technology for More than 40 years\u003c\/h4\u003e\n\u003cp\u003eMidas’ experience spans over 40 years at the very top end of the live audio industry on countless world tours by the greatest artists and the most prestigious events. 40 years of relentless research, development with 300 of the world’s best engineers plus complete control over the manufacturing process. This is what powers the M32R LIVE.Above all, M32R LIVE is designed to put the power of digital in your hands, without compromise. Midas’ singular focus on a matchless value proposition means M32R LIVE integrates advanced features such as motorised faders, LCD scribble strips, integrated personal monitor mixing and true high-speed digital audio networking as standard features.\u003c\/p\u003e\n\u003ch4\u003eKlark Teknik DN32-LIVE\u003c\/h4\u003e\n\u003cp\u003eThe DN32-LIVE SD\/SDHC and USB 2.0 Expansion Module for Midas M32 and Behringer X32 mixers provides 32-channel bidirectional audio I\/O via USB 2.0 for both live performance and studio recording, plus comprehensive remote operation of your DAW via HUI\/Mackie Control emulation. Dual SD\/SDHC slots allow fully independent recording\/playback of up to 32 channels of uncompressed WAV files in consistent sessions - to capacity of the SD cards. Now even without a computer, you can capture multichannel live or session tracks, perform virtual sound checks, add backing tracks, set and manipulate markers, and enjoy full remote operation via PC, Android * or iPad * apps, and X-TOUCH control surfaces.\u003c\/p\u003e\n\u003ch4\u003eYour “Mind-to-Sound” Interface\u003c\/h4\u003e\n\u003cp\u003eM32R LIVE is your “mind-to-sound” interface - the intersection of creativity and production.Whether you’re accustomed to digital mixers or not, the M32R LIVE’s intuitive user interface offers a fluid mixing experience that instantly feels like home.From the first moments of use, the workflow unfolds in a way that strips away obstacles, distractions, and hesitation.\u003c\/p\u003e\n\u003ch4\u003eChannel Strip\u003c\/h4\u003e\n\u003cp\u003eThe M32R LIVE Channel Strip puts the most important channel processing parameters into one section so that no matter which channel you are working on, the controls are always the same. This highly-efficient layout stems from Midas decades of console design and input from our users. Optimized control illumination ensures a clear indication of levels or status from any viewing angle.   Illuminated rotary encoders and switches give you control of preamp settings, frequency shelving, dual dynamics sections, as well as multi-mode fully parametric EQ, bus sends, main, mono and stereo panning.\u003c\/p\u003e\n\u003ch4\u003e5\u0026amp;quot; Main Display\u003c\/h4\u003e\n\u003cp\u003eM32R LIVE’s 5\" day-viewable color TFT (Thin-Film Transistor) display shows the setting parameters you need when you need them.Selected for its high-contrast performance and outdoor visibility, TFT is ideal for concert and open air festival venues. Flanked by high-precision, context-sensitive tactile encoders, the screen comes to life and immediately reports in high definition all adjustments applied to a wide range of parameters.Intelligent design puts control of vital functions such as Effects, Metering, Routing and much more 1 or 2 button presses away.\u003c\/p\u003e\n\u003ch4\u003eSends On Fader\u003c\/h4\u003e\n\u003cp\u003eM32R LIVE brings the convenience of digital mixing to your Aux and output bus mixes too, thanks to its integrated Sends on Fader feature. This incredible function allows you to build powerful, dedicated sub-mixes for monitor, secondary zone feeds, and much more - all without affecting the front of house mix or levels.The M32R LIVE allows you to send your choice of signals to any Aux or output bus and then dial in the perfect mix via the channel faders.The console remembers where you set the faders and instantly recalls them when you select a bus for quick adjustments.\u003c\/p\u003e\n\u003ch4\u003eDCA Groups\u003c\/h4\u003e\n\u003cp\u003eAcross the M32R LIVE you’ll find 11 strategically placed View buttons associated with various functions. These buttons enable immediate access to information about that specific function.For instance, if you press the View button in the Equaliser section, information for that channel’s EQ is instantly shown on the main display, providing in-depth editing of all related parameters.This direct access to visual fine-tuning gives the engineer a level of control previously available only on consoles costing exponentially more.\u003c\/p\u003e\n\u003ch4\u003eView Function\u003c\/h4\u003e\n\u003cp\u003eAcross the M32R LIVE you’ll find 11 strategically placed View buttons associated with various functions. These buttons enable immediate access to information about that specific function.For instance, if you press the View button in the Equaliser section, information for that channel’s EQ is instantly shown on the main display, providing in-depth editing of all related parameters.This direct access to visual fine-tuning gives the engineer a level of control previously available only on consoles costing exponentially more.\u003c\/p\u003e\n\u003ch4\u003e“Acoustic Integration” - the Live Sound Revolution\u003c\/h4\u003e\n\u003cp\u003eLegendary 40-year old British company Turbosound, famous for producing some of the world’s best speaker systems, have teamed up with Midas to seamlessly integrate mixer and speaker systems. We call it “Acoustic Integration”. The M32R LIVE’s ULTRANET bus allows streaming up to 16 channels of pristine digital audio to an array of Turbosound iQ speakers - all on a single CAT5 cable, along with control data to set sound presets remotely.   Furthermore, iQ Series loudspeakers feature “True Physical Modelling” of some of the most popular speakers, which can be easily remote controlled via the M32R LIVE, allowing the sound engineer to apply different speaker models in real time from the comfort of the mixing desk.   “Acoustic Integration” is the next live sound revolution.\u003c\/p\u003e\n\u003ch4\u003e100-Band RTA for all Channel\/Bus EQs\u003c\/h4\u003e\n\u003cp\u003eThe M32R LIVE includes a 100-band Real Time Analyser (RTA) with full bar and spectrograph views on the M32-EDIT control application. This high-resolution RTA displays the audio energy distribution in 100 frequency bands over time - capturing a sonogram window of a full 10 seconds. You can switch between the large RTA view to display any available signal at full screen resolution, or the combined view, which displays the RTA view above each of the channel and bus EQ curves.   This feature lets you see the results of your filtering choices in the audio spectrum directly. Additionally, the RTA can be displayed on top of the 31-band graphic EQs in the FX rack.   Monitoring and controlling frequencies has never been easier!\u003c\/p\u003e\n\u003ch4\u003e16 Breathtaking FX “Plug-Ins” Based on True Physical Modeling\u003c\/h4\u003e\n\u003cp\u003eWe’ve included 16 breathtaking FX “Plug-Ins” in the M32R LIVE, giving you access to a total of 50+ effects that would otherwise cost tens of thousands of dollars in hardware. This generation of high-end FX “Plug-Ins” is based on True Physical Modeling of classic audio hardware. We essentially “rebuilt” classic analogue gear in the digital domain and included models of legendary processors such as Urei’s 1176 * , Teletronix LA-2A * and Fairchild 670 * compressors as well as the legendary Pultec * EQP-1a and EQ5 equalisers etc. We also included a cutting-edge 5-band multiband compressor.\u003c\/p\u003e\n\u003ch4\u003eGain Splitting and Remote Control for FOH and Monitoring\u003c\/h4\u003e\n\u003cp\u003eGain Split mode separates channel gain (trim) from the head amp gain, allowing both the FOH and\/or the monitor engineer to adjust local trim digitally - and independently of the preamp gain. Additionally, the HA Gain Remote option allows console gains to be remotely controlled by an external console, such as when using the M32R LIVE as a stage box.\u003c\/p\u003e\n\u003ch4\u003eRouting and Processing Flexibility\u003c\/h4\u003e\n\u003cp\u003eThe M32R LIVE’s routing is extremely robust and flexible. Output signals and XLR outputs are now treated separately, allowing signals from AES50 sources or expansion cards to be routed directly to the M32R LIVE’s analogue outputs. For example, you can use the outputs from an M32R LIVE for directly routing back PA or monitoring signals from a main or FOH console. Plus, output tap points can be set as pre- or post-mute for greater usability with your P16 personal monitoring mixers. This is very useful in situations where you don’t want mute groups to interrupt your signal flow.\u003c\/p\u003e\n\u003ch4\u003eMighty Tools for Scene and Show Management\u003c\/h4\u003e\n\u003cp\u003eM32R LIVE’s Cue List provides an innovative way to automate the loading of scenes and “Snippets” at different points during a show. Each of the 500 Cue entries can load any of the 100 Scenes or Snippets separately or at the same time. This gives you an amazing total of 500 Cues x 100 Scenes x 100 Snippets! For example, store your favorite EQ settings for drums on channels 1 - 8 as a Snippet, recallable in an instant as its own preset, completely independent of the console’s overall scene. It’s like taking a snapshot of a parameter on an input, return, FX slot, bus, Matrix, Main, or DCA group - and saving it for quick access whenever you need it.\u003c\/p\u003e\n\u003ch4\u003eThe Midas PRO FADER- Rated for 1 Million Life Cycles\u003c\/h4\u003e\n\u003cp\u003eIn our pursuit to lead the industry in every possible aspect, we decided to design the world’s most reliable motor fader. We dove deep into materials science, employing semi-precious metals that offered the durability we desired. We took painstaking care to design a motorised fader that would provide continuous performance night after night, year after year.After spending a great deal of time working with metal vendors, we developed precision components that offer high linearity, robustness, and smooth feel during operation. We needed ultra-straight high-grade steel guide rods with smooth polished surfaces - and we got them. We worked closely with our manufacturing partners to maintain the tolerance of our parts, always choosing the most suitable materials and controlling the processes to ensure consistent moulding quality and eliminating the warping and deformation caused by shrinking as the parts cool.True, none of this was easy - we spent many long hours developing the Midas PRO FADER design. However the results speak for themselves.Midas PRO FADERS are rated for up to 1,000,000 cycles - three times that of other leading manufacturers.\u003c\/p\u003e\n\u003ch4\u003eLCD Scribble Strips\u003c\/h4\u003e\n\u003cp\u003eA total of 17 programmable LCD Scribble Strips offer channel\/bus identification that mirrors what is being controlled.Use them to enter input\/output tags, plus add icons you recognize at-a-glance. Then assign colors to create visual groups for immediate, on-the-fly recognition of similar inputs.Simple, elegant and effective - plus you’ll never need masking tape again.\u003c\/p\u003e\n\u003ch4\u003eVirtual Effects Racks\u003c\/h4\u003e\n\u003cp\u003eM32R LIVE includes an extensive array of onboard effects, rendering outboard processing racks a thing of the past. The Virtual FX rack features 8 true-stereo, studio-grade effects engines each assignable to any input, group or output mix bus. Choose from high-end FX modules including a range of reverbs, delays, EQs, dynamics and much more.Each FX algorithm has been completely re-imagined for stunning performance - typically costing several times the price of the M32R LIVE.Custom-designed, and physically modeled after some of the most iconic and sought-after processors, all effects run inside the low-latency environment of the M32R LIVE mix engine, ensuring flawless performance, flexible routing and the end of cable faults forever!\u003c\/p\u003e\n\u003cp\u003eThe immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades. The ultra-smooth optical attenuator is closely modeled in our LA COMPRESSOR. It provides breezing, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A *)\u003c\/p\u003e\n\u003cp\u003eWhen Urei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented and the 1176 was one of the first audio processors to benefit from this new technology. Our digital re-incarnation, ULTIMO COMPRESSOR, is based on the early Rev. E model and authentically captures the smooth character of the original class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN *)\u003c\/p\u003e\n\u003cp\u003eThe Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels. Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or M\/S operation. (Inspired by Fairchild 670 *)\u003c\/p\u003e\n\u003cp\u003eThe COMBINATOR is an amazing 5-band compressor that emulates famous broadcasting and mastering compressors. A highly complex processor, the COMBINATOR utilises automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.\u003c\/p\u003e\n\u003cp\u003eThe XTEC EQ1 is undisputedly one of the best passive studio equalisers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement. We analysed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a *)\u003c\/p\u003e\n\u003cp\u003ePultec simply wrote the book on passive equalisation. By digitally “rebuilding” every aspect of the original Pultec classic, we captured the very essence in our parametric equaliser XTEC EQ5. Our digital re-incarnation is based on the original model and authentically emulates the smooth character of the its rather unique components. (Inspired by Pultec MEQ5 *)\u003c\/p\u003e\n\u003cp\u003eThe new SUB OCTAVER provides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the effect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing...\u003c\/p\u003e\n\u003cp\u003eThe EDISON EX1 is the re-incarnation of our own analogue classics. This remarkably-effective tool allows manipulation of the stereo field. Selectable M\/S input\/output modes allow the processing or creation of M\/S recorded sound sources.\u003c\/p\u003e\n\u003cp\u003eThe SOUND MAXIMIZER restores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalisers. (Inspired by Sonic Maximizer 482i *)\u003c\/p\u003e\n\u003cp\u003eThe DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analogue Chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus *)\u003c\/p\u003e\n\u003cp\u003eMODULATION DELAY combines three of the most used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with three reverb models to choose from.\u003c\/p\u003e\n\u003cp\u003eThe Lexicon 480L * has been recognised as the gold standard of digital reverb. We have included three of the finest reverb models - Rich Plate, Room and Rich Chamber. The M32R LIVE’s models precisely capture all nuances based on our “True Physical Modeling” and our algorithms even incorporate the unit’s AD\/DA gain-stepping converters - nailing the entire analogue and digital circuit paths right down to the last detail. (Inspired by Lexicon 480L *)\u003c\/p\u003e\n\u003cp\u003eEXCITERS increase presence and intelligibility in live sound applications and are indispensable for adding clarity, air and harmonic overtones in the recording studio. ENHANCERS let you emphasise the Bass, Midrange and Hi output at selectable frequencies. You can generate maximum punch, clarity and detail, without turning up the overall volume. (Inspired by Aphex Aural Exciter * and SPL Vitalizer *)\u003c\/p\u003e\n\u003cp\u003eOur TruEQ STEREO GEQ delivers musical and responsive signal processing-perfect for general room equalisation, indispensable for monitoring. M32R provides up to 16 mono graphic EQs, in addition to the multi-band parametric EQs in all channels and buses, to cope with the most demanding stage monitoring situation. Plus, the M32’s motorised faders can be switched to control the filter bands of the graphic EQ, with the channel LCDs showing the corresponding filter frequencies-and you can even put this on a user defined hot-key for immediate access. (Modeled after Klark Teknik DN360)\u003c\/p\u003e\n\u003cp\u003eVINTAGE ROOM stands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in air and room resonances. Invented in the early ’80s, the role model delivered authentic room character from an algorithmic reverb long before convolution-based processing was available. It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals, which is highly desirable in classical music and broadcasting environments. (Inspired by Quantec QRS *)\u003c\/p\u003e\n\u003cp\u003ePLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. PLATE REVERB will give your tracks the sound heard on countless hit records since the late 1950’s. (Inspired by Lexicon PCM70 *)\u003c\/p\u003e\n\u003cp\u003eThe 3-TAP DELAY in the M32R LIVE records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.\u003c\/p\u003e\n\u003cp\u003eThe HALL REVERB effect provides a broad spectrum of reverberation possibilities, from small room to large, or even cavernous proportions. When softly mixed with the original signal, Hall Reverb can be used to create a warm, more natural sound. (Inspired by Lexicon 480L *)\u003c\/p\u003e\n\u003cp\u003eThis handy dynamic FLANGER \u0026amp; DELAY duo blends the “whoosh” of soaring jet planes with classic Delay, and can be adjusted from mild to wild. This combination effect only takes up one FX slot. (Inspired by Lexicon PCM70 *)\u003c\/p\u003e\n\u003cp\u003eWAVE DESIGNER is a powerful tool for adjusting signal transients and dynamics such as attack and sustain. Use it to make a snare drum really “crack” in the mix or level out volume inconsistencies of slap bass tracks. (Inspired by SPL Transient Designer *)\u003c\/p\u003e\n\u003cp\u003eThe STEREO PRECISION LIMITER is perfect for setting a precise volume limits, ensuring distortion-free and optimal signal integrity. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of “hot” signals to prevent clipping. (Inspired by Sony Oxford Dynamics *)\u003c\/p\u003e\n\u003cp\u003eThe DE-ESSER is a “must-have” tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Use it to enhance the smoothness of the upper mid to high frequencies in vocals as well as drum overheads and strings, etc. (Inspired by SPL 1239 *)\u003c\/p\u003e\n\u003cp\u003eBased on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t overpower your live or recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb *)\u003c\/p\u003e\n\u003cp\u003eOccupying only one FX slot, the CHORUS \u0026amp; CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade Chorus with the sweet sound of a traditional Chamber reverb. (Inspired by Lexicon PCM70 *)\u003c\/p\u003e\n\u003ch4\u003eYou Are Connected\u003c\/h4\u003e\n\u003cp\u003eEach M32R LIVE comes loaded with all of the connectivity, I\/O and functionality you need, right out of the box - but it doesn’t end there. Onboard USB 2.0 connectivity delivers a full 32 x 32 channels of audio and MIDI to your DAW. Integrated multi-channel digital audio interfaces connect to remote stage boxes and\/or the P16 Personal Monitor System. Native Ethernet control enables remote operation by computer, iPad or iPhone over a wired or wireless network, across the room - or across the planet! Dual AES50 network ports featuring Klark Teknik SuperMAC technology support up to 96 inputs and 96 outputs over shielded (STP) CAT5 cable, allowing remote stage boxes and sharing signals among several connected M32R LIVEs and other Midas, Klark Teknik and AES50-equipped products.   On-board ULTRANET provides a 16-channel digital mix direct to P16 Personal Monitor Mixers, without added hardware, cost or latency.   Ethernet, USB and MIDI are all standard features on M32R LIVE.\u003c\/p\u003e\n\u003cp\u003eAn additional expansion slot is also included, so that the M32R LIVE can connect to current and future digital audio networks and link protocols via a wide range of expansion cards including USB, ADAT *, MADI and Audinate Dante *.\u003c\/p\u003e\n\u003ch4\u003ePOWERPLAY P16\u003c\/h4\u003e\n\u003cp\u003eEasy as a handshake. Plug the P16-M personal monitor mixer into M32R LIVE’s ULTRANET port with a shielded (STP) CAT5 cable, and let the performer dial in the ideal 16-channel personal monitor mix. You can daisy-chain additional P16-M units, or use several P16-D ULTRANET distributors to easily set up a plug and play monitor system that can accommodate 64 individual P16-M units - and provide them with operating power over CAT5.\u003c\/p\u003e\n\u003ch4\u003eDL16\u003c\/h4\u003e\n\u003cp\u003eThe Midas DL16 digital stage box closes the gap between stage and FOH (Front of House) by placing 16 fully-programmable, remotely controllable high-end Midas mic preamps and 8 analogue, balanced XLR returns at the stage end. Connecting over a single shielded (STP) CAT5 cable, up to three DL16 or Midas DL150 stage boxes can be daisy-chained to deliver 48 channels in and 24 out to the stage. Dual AES50 ports on the M32R LIVE allow up to 96 input channels to be connected and routed in the same system. AES50 network ports featuring Klark Teknik SuperMAC technology for ultra-low latency (in-ear compatible) Dual AES50 ports, each for cascading up to three DL16 units - no merger or router required Precise LED metering plus 7-segment displays for signal control on stage Phones output assignable to any of the inputs\/outputs for on-stage monitoring Connectivity for P16-M Personal Monitoring System for in-ear applications (not included) Dual ADAT outputs for use in splitter mode and stand-alone digital multi-core applications MIDI in\/out for bidirectional communication between FOH console and on-stage MIDI devices\u003c\/p\u003e\n\u003ch4\u003eWhat are AES50 and SuperMAC?\u003c\/h4\u003e\n\u003cp\u003eAES50 simultaneously provides high channel counts, extremely low and deterministic latencies, accurate phase-aligned networked clock distribution, error detection, network redundancy, with simple deployment and ease of use to meet the needs of the live performance industry. This unique combination also benefits both live and studio recording applications, as well as post-production, broadcasting and audio routing infrastructure. SuperMAC is a proprietary implementation of AES50 owned by Klark Teknik. Originally developed by Sony Pro-Audio Labs in Oxford, UK, it forms the basis of the Audio Engineering Society’s AES50 open standard for digital audio networking - High Resolution Multi-channel Audio Interconnection (HRMAI), as published by the Audio Engineering Society, Inc.  48 bidirectional audio channels @ 48 kHz over industry-standard RJ45-terminated shielded (STP) CAT5 cable  Single cable duplex interconnection for audio and sample clocks  Ethernet physical layer audio data transmission  High channel count and ultra-low deterministic latency (2x3 samples = 1\/8 ms per node)  Accurate phase-aligned clock distribution  Comprehensive error detection and management  Provision for redundant networking  Minimal configuration - total ease of deployment and use  Ethernet TCP\/IP protocol-compatible auxiliary data channel\u003c\/p\u003e\n\u003ch4\u003eReal-Time Recording\u003c\/h4\u003e\n\u003cp\u003eA versatile powerhouse of a live console, the M32R LIVE also provides robust studio functionality. Record and play back up to 32 tracks which run on Windows XP, Windows Vista, Windows 7, and Windows 8 operating systems or Mac computers via integrated USB 2.0 connectivity. M32R LIVE supports both 44.1 and 48 kHz sample rates at 24-BIt, allowing you to record up to 32 tracks of live audio directly to your computer for mixing down later. Take advantage of M32R LIVE’s built-in FX engines to augment your DAW’s plug-in collection, or to free up valuable computer resources. M32R LIVE’s recall capability makes it easy for both project and professional studio engineers to stay organised by storing projects as scenes, either internally or externally on a USB stick.\u003c\/p\u003e\n\u003ch4\u003eOptional Expansion Cards\u003c\/h4\u003e\n\u003cp\u003eThe M32R LIVE’s expansion slot provides flexible and expandable connectivity for many different applications. A wide array of Klark Teknik expansion cards can easily be used in place of the pre-installed DN32-USB card to release the power of M32R LIVE into existing MADI *, Dante * and ADAT networks. Fully compatible with these widely available audio protocols, the M32R LIVE delivers a seamless integration in digital live sound, recording and broadcast environments.\u003c\/p\u003e\n\u003ch4\u003eDN32-USB\u003c\/h4\u003e\n\u003cp\u003eHi-Speed USB 2.0 Audio Interface for Professional Recordings The DN32-USB Expansion Card ensures a stable and fast solution for professional live and studio recordings with 32 x 32 channels of audio and 16 channels of MIDI I\/O. It provides 400 Mbit\/second throughput to transfer your high-track count session to popular Software DAWs on Mac and PC via USB 2.0. Additionally, the DN32-USB turns your M32R LIVE into a sophisticated control surface, and includes remote HUI * and Mackie Control * emulation.\u003c\/p\u003e\n\u003ch4\u003eDN32-ADAT\u003c\/h4\u003e\n\u003cp\u003eHigh-Performance 32-Channel ADAT Expansion Card for M32R LIVE The DN32-ADAT Expansion Card allows you to digitally integrate your M32R LIVE with any equipment featuring ADAT I\/O. This includes stand-alone recorders, digital audio workstations, and other digital mixers and signal processing gear. The DN32-ADAT card provides 32-channels of ADAT inputs and outputs on its 8 fiber-optic Toslink * connectors. The card features 24-bit signal transmission and operates at both 44.1 and 48 kHz sample rates, maintaining your signal integrity. The DN32-ADAT card also has a BNC word-clock in\/out capability allowing it to sync with an external clock, or provide the clock signal for other devices. External clock synchronisation is possible through the BNC connection, as well as any of the 4 Toslink inputs.\u003c\/p\u003e\n\u003ch4\u003eDN32-MADI\u003c\/h4\u003e\n\u003cp\u003eHigh-Performance 32-Channel MADI Expansion Card for M32R LIVE The DN32-MADI Expansion Card brings even more I\/O options to the M32R LIVE by instantly enabling it for MADI networking. The MADI, or AES10, protocol has become the industry standard for multichannel audio distribution in both installations and broadcast applications. DN32-MADI provides optical duplex SC-plugs (IEC874-19) to connect with other MADI devices via multimode fiber-optic cable, allowing to bridge distances of over 500 metres with galvanic isolation. Dual BNC terminals are also provided for transmission via standard 75-Ohm coaxial cable of up to 100 m in length. The BNC and fibre-optic connectivity can also be used simultaneously, providing reliable redundancy in mission-critical applications. DN32-MADI card is the perfect solution for integrating the M32R LIVE into current installations using the MADI protocol.\u003c\/p\u003e\n\u003ch4\u003eDN32-DANTE\u003c\/h4\u003e\n\u003cp\u003eHigh-Performance 32-Channel Audinate Dante Expansion Card for M32R LIVE By installing the DN32-DANTE card in place of the DN32-USB card, your M32R LIVE will interface with Dante networks using virtually any 100Mbit\/s or Gigabit Network infrastructure with DSCP-based QoS - providing dependable multi-channel audio that may coexist with other IP-based data traffic. The DN32-DANTE card utilises 24-bit signal transmission with sample-accurate synchronisation and low latency, ensuring the highest audio integrity. And a secondary input allows you to set up a seamless, redundant network. Full remote control of the M32R LIVE is possible using the integrated Ethernet switch. When the DN32-DANTE card is connected to a computer, Audinate’s Dante Controller application gives you full control over configuration and signal routing among your Dante-enabled devices.\u003c\/p\u003e\n\u003ch4\u003eDAW Ready-MIDI Plus Mackie Control* \u0026amp;amp; HUI* Protocols\u003c\/h4\u003e\n\u003cp\u003eThanks to its onboard MIDI ports, the M32R LIVE console can function as a high-level, large-format control surface, similar to Mackie Control and HUI, and integrates seamlessly with most popular DAW platforms. M32R LIVE’s motorised faders can be used to send position information to the onscreen DAW faders, while each bus’ mute and solo buttons control their onscreen counterparts. This powerful control surface relationship, which functions bidirectionally between the M32R LIVE and your DAW, allows you to work more quickly and attend to the finer nuances of the overall mix. After all, mixing with your hands puts you in “touch” with your project, providing a level of finesse that can mean the difference between a good recording session - and a work of art! Or, would you rather use a mouse?\u003c\/p\u003e\n\u003ch4\u003eM32-EDIT (PC, Mac, Linux)\u003c\/h4\u003e\n\u003cp\u003eJust as in life, you can never have too many connections - and this applies to controlling the console itself. Simply connect the M32R LIVE to a laptop or desktop computer via LAN, wireless network or Ethernet cable, and take total remote command of the M32R LIVE. Move a fader on the PC, it moves on the M32R LIVE; press a button on the computer, the button toggles on the M32R LIVE. The M32-EDIT app is designed for maximum flexibility, allowing you to use any MCU (Mackie Control Universal) compatible control surface to remotely control the M32R LIVE. This feature provides an extremely-powerful and useful solution for side of stage monitor control, individual control of multiple installed M32R LIVEs, as well as multiple remote control stations of the same M32R LIVE. The M32-EDIT also lets you create scenes on your PC beforehand to minimise the time required for sound checks. With the M32-EDIT software for PC, Mac and Linux, your computer becomes your virtual M32R LIVE.\u003c\/p\u003e\n\u003ch4\u003eM32-MIX (iPad)\u003c\/h4\u003e\n\u003cp\u003eFront of House is wherever you and your iPad are - thanks to the new M32 MIX App for iPad. Just plug in a wireless router via Ethernet cable to the M32R LIVE, and then wirelessly connect up to 10 iPad devices, which is especially handy for custom monitor mixes. The M32-MIX App lets you control all 32 mic inputs, 8 Aux inputs and 16 buses - plus the FX stereo returns and the Matrix, Main, and DCA levels. Select a fader bank on the iPad, slide the virtual faders and M32R LIVE’s motorised faders instantly mirror your action. Additionally, thanks to the Sends on Faders functionality, your iPad now controls 16 independent monitor mixes. The M32-MIX App gives you the flexibility and mobility to make running sound a breeze! Download the free M32-MIX App from the Apple App Store.\u003c\/p\u003e\n\u003ch4\u003eM32-Q (iPhone, iPod Touch)\u003c\/h4\u003e\n\u003cp\u003eM32-Q is the perfect tool for setting up your personal monitoring mix with the Midas M32R LIVE Digital Mixing Console. Compatible with iPhone models and iPod touch devices, each artist can run their own M32-Q App to adjust and tweak their personal wedge’s mix. M32-Q includes an assignable MCA (Mix Control Association) feature that makes monitor mixing simple enough to be adjusted during performance. Assign any input or combination of inputs to one of the 4 MCA controls inside M32-Q and instantly get “more me”, “less band”, “more click track”… with a single sweep of your finger. Download the free M32-Q App from the Apple App Store.\u003c\/p\u003e\n\u003ch4\u003eM32-Q (Android)\u003c\/h4\u003e\n\u003cp\u003eM32-Q is also available for Android devices, allowing you to set up your personal monitoring mix with the Midas M32R LIVE Digital Mixing Console. Compatible with Android (2.2 or higher) mobile devices, each artist can run their own M32-Q Android app to adjust and tweak their personal IEM or wedge monitor mix with an interface similar to the iPhone app. The app includes an assignable MCA (Mix Control Association) feature for monitor mixing simple enough to be adjusted during performance. Assign any input or combination of inputs to one of the 4 MCA controls inside M32-Q Android and instantly get “more me,” “less band,” “more click track…” with a single sweep of your finger.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (W x D x H)\u003c\/td\u003e\n\u003ctd\u003e18.82 x 24.29 x 8.19 in (478 x 617 x 208 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e31.46 lb (14.27 kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653071192\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656983953699,"sku":"M32R LIVE","price":3299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0603-AEP_M32R-LIVE_Catalog_B.png?v=1790377394"},{"product_id":"midas-m32c","title":"Midas M32C Digital Rack Mixer for Installed and Live Sound Applications with 40 Input-Channels and 25 Mix Buses","description":"\u003cp\u003e\u003cstrong\u003eDigital Rack Mixer for Installed and Live Sound Applications with 40 Input-Channels and 25 Mix Buses\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 40-input, 25-bus M32C takes the brain of the flagship M32 Digital Mixing Console and packs it all into a high-performance aluminium and steel 1U form factor. Combine the M32C with our  DL16  or  DL32  Stage Boxes to effortlessly run sound with high I\/O counts in multiple remote locations. Dual AES50 networking CAT5 connectors allow for up to 96 remote inputs and 48 output channels to be controlled from and processed by the M32C. All of this can be managed concurrently from various locations and instances via our free remote control software applications, M32-EDIT, M32-MIX, and M32-Q. Above all, M32C is designed to put the power of digital in your hands, without compromise.  Midas’ singular focus on a matchless value proposition means M32C integrates advanced features such as integrated personal monitor mixing and true high-speed digital audio networking as standard features.\u003c\/p\u003e\n\u003ch4\u003eBuilt for Tomorrow\u003c\/h4\u003e\n\u003cp\u003eThe M32C is a console built for today, and tomorrow - its rock-solid proprietary operating system and the 0.8 ms audio engine provide outstanding state-of-the-art audio performance for years to come.\u003c\/p\u003e\n\u003ch4\u003e“Acoustic Integration” - the Live Sound Revolution\u003c\/h4\u003e\n\u003cp\u003eLegendary 40-year old British company  Turbosound, famous for producing some of the world’s best speaker systems, have teamed up with  Midas  to seamlessly integrate mixer and speaker systems. We call it “Acoustic Integration”. The M32C’s ULTRANET bus allows streaming up to 16 channels of pristine digital audio to an array of  Turbosound iQ speakers  - all on a single CAT5 cable, along with control data to set sound presets remotely. Furthermore, iQ Series loudspeakers feature “True Physical Modelling” of some of the most popular speakers, which can be easily remote controlled via the M32C, allowing the sound engineer to apply different speaker models in real time from the comfort of the mixing desk. “Acoustic Integration” is the next live sound revolution.\u003c\/p\u003e\n\u003ch4\u003e100-Band RTA for all Channel\/Bus EQs\u003c\/h4\u003e\n\u003cp\u003eThe M32C includes a 100-band Real Time Analyzer (RTA) with full Bar and Spectrograph views on the M32-EDIT control application. This high-resolution RTA displays the audio energy distribution in 100 frequency bands over time - capturing a sonogram window of a full 10 seconds. Switch between the Large RTA view, displaying any available signal in full screen resolution, or the Combined view with the RTA view shown above each of the channel and bus EQ curves. See the results of your filtering choices in the audio spectrum directly. Additionally, the RTA can be displayed on top of the 31-band graphic EQs in the FX rack. Monitoring and controlling frequencies has never been easier!\u003c\/p\u003e\n\u003ch4\u003eWhat are AES50 and SuperMAC?\u003c\/h4\u003e\n\u003cp\u003eAES50 simultaneously provides high channel counts, extremely low and deterministic latencies, accurate phase-aligned networked clock distribution, error detection, network redundancy, with simple deployment and ease of use to meet the needs of the live performance industry.   This unique combination also benefits both live and studio recording applications, as well as post-production, broadcasting and audio routing infrastructure. SuperMAC is a proprietary implementation of AES50 owned by  Klark Teknik. Originally developed by Sony Pro-Audio Labs in Oxford, UK, it forms the basis of the Audio Engineering Society’s AES50 open standard for digital audio networking - High Resolution Multi-channel Audio Interconnection (HRMAI), as published by the Audio Engineering Society, Inc. 48 bidirectional audio channels @ 48 kHz over industry-standard RJ45-terminated shielded (STP) CAT5 cable Single cable duplex interconnection for audio and sample clocks Ethernet physical layer audio data transmission High channel count and ultra-low deterministic latency (2x3 samples = 1\/8 ms per node) Accurate phase-aligned clock distribution Comprehensive error detection and management Provision for redundant networking Minimal configuration - total ease of deployment and use Ethernet TCP\/IP protocol-compatible auxiliary data channel\u003c\/p\u003e\n\u003ch4\u003eVirtual Effects Racks\u003c\/h4\u003e\n\u003cp\u003eM32C includes an extensive array of onboard effects, rendering outboard processing racks a thing of the past. The Virtual FX rack features 8 true stereo, studio-grade effects engines each assignable to any input, group or output mix bus. Choose from high-end FX modules including a range of reverbs, delays, EQs, dynamics and much more. Each FX algorithm has been completely re-imagined for stunning performance - typically costing several times the price of the M32C. Custom-designed, and physically modeled after some of the most iconic and sought-after processors, all effects run inside the low-latency environment of the M32C mix engine, ensuring flawless performance, flexible routing and the end of cable faults forever!\u003c\/p\u003e\n\u003cp\u003eThe immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades. The ultra-smooth optical attenuator is closely modeled in our LA COMPRESSOR. It provides breezing, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A *)\u003c\/p\u003e\n\u003cp\u003eWhen Urei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented and the 1176 was one of the first audio processors to benefit from this new technology. Our digital re-incarnation, ULTIMO COMPRESSOR, is based on the early Rev. E model and authentically captures the smooth character of the original class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN *)\u003c\/p\u003e\n\u003cp\u003eThe Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels.   Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or M\/S operation. (Inspired by Fairchild 670 * )\u003c\/p\u003e\n\u003cp\u003eThe COMBINATOR is an amazing 5-band compressor that emulates famous broadcasting and mastering compressors. A highly complex processor, the COMBINATOR utilizes automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.\u003c\/p\u003e\n\u003cp\u003eThe XTEC EQ1 is undisputedly one of the best passive studio equalizers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement. We analyzed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a *)\u003c\/p\u003e\n\u003cp\u003ePultec simply wrote the book on passive equalization. By digitally “rebuilding” every aspect of the original Pultec classic, we captured the very essence in our parametric equalizer XTEC EQ5. Our digital re-incarnation is based on the original model and authentically emulates the smooth character of the its rather unique components. (Inspired by Pultec MEQ5 *)\u003c\/p\u003e\n\u003cp\u003eThe new SUB OCTAVER provides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the effect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing...\u003c\/p\u003e\n\u003cp\u003eThe EDISON EX1 is the re-incarnation of our own analog classics. This remarkably-effective tool allows manipulation of the stereo field. Selectable M\/S input\/output modes allow the processing or creation of M\/S recorded sound sources.\u003c\/p\u003e\n\u003cp\u003eThe SOUND MAXIMIZER restores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalizers. (Inspired by Sonic Maximizer 482i *)\u003c\/p\u003e\n\u003cp\u003eThe DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog Chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus *)\u003c\/p\u003e\n\u003cp\u003eMODULATION DELAY combines three of the most used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with three reverb models to choose from.\u003c\/p\u003e\n\u003cp\u003eThe Lexicon 480L * has been recognized as the gold standard of digital reverb. We have included three of the finest reverb models - Rich Plate, Room and Rich Chamber. The M32’s models precisely capture all nuances based on our “True Physical Modeling” and our algorithms even incorporate the unit’s AD\/DA gain-stepping converters - nailing the entire analog and digital circuit paths right down to the last detail. (Inspired by Lexicon 480L *)\u003c\/p\u003e\n\u003cp\u003eEXCITERS increase presence and intelligibility in live sound applications and are indispensable for adding clarity, air and harmonic overtones in the recording studio. ENHANCERS let you emphasize the Bass, Midrange and Hi output at selectable frequencies. You can generate maximum punch, clarity and detail, without turning up the overall volume. (Inspired by Aphex Aural Exciter * and SPL Vitalizer *)\u003c\/p\u003e\n\u003cp\u003eOur TruEQ STEREO GEQ delivers musical and responsive signal processing-perfect for general room equalization, indispensable for monitoring. M32 provides up to 16 mono graphic EQs, in addition to the multi-band parametric EQs in all channels and buses, to cope with the most demanding stage monitoring situation. Plus, the M32’s motorized faders can be switched to control the filter bands of the graphic EQ, with the channel LCDs showing the corresponding filter frequencies-and you can even put this on a user defined hot-key for immediate access. (Modeled after  Klark Teknik DN360)\u003c\/p\u003e\n\u003cp\u003eVINTAGE ROOM stands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in air and room resonances. Invented in the early ’80s, the role model delivered authentic room character from an algorithmic reverb long before convolution-based processing was available. It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals, which is highly desirable in classical music and broadcasting environments. (Inspired by Quantec QRS *)\u003c\/p\u003e\n\u003cp\u003ePLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. PLATE REVERB will give your tracks the sound heard on countless hit records since the late 1950’s. (Inspired by Lexicon PCM70 *)\u003c\/p\u003e\n\u003cp\u003eThe 3-TAP DELAY in the M32 records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.\u003c\/p\u003e\n\u003cp\u003eThe HALL REVERB effect provides a broad spectrum of reverberation possibilities, from small room to large, or even cavernous proportions. When softly mixed with the original signal, Hall Reverb can be used to create a warm, more natural sound. (Inspired by Lexicon 480L *)\u003c\/p\u003e\n\u003cp\u003eThis handy dynamic FLANGER \u0026amp; DELAY duo blends the “whoosh” of soaring jet planes with classic Delay, and can be adjusted from mild to wild. This combination effect only takes up one FX slot. (Inspired by Lexicon PCM70 *)\u003c\/p\u003e\n\u003cp\u003eWAVE DESIGNER is a powerful tool for adjusting signal transients and dynamics such as attack and sustain. Use it to make a snare drum really “crack” in the mix or level out volume inconsistencies of slap bass tracks. (Inspired by SPL Transient Designer *)\u003c\/p\u003e\n\u003cp\u003eThe STEREO PRECISION LIMITER is perfect for setting a precise volume limits, ensuring distortion-free and optimal signal integrity. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of “hot” signals to prevent clipping. (Inspired by Sony Oxford Dynamics *)\u003c\/p\u003e\n\u003cp\u003eThe DE-ESSER is a “must-have” tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Use it to enhance the smoothness of the upper mid to high frequencies in vocals as well as drum overheads and strings, etc. (Inspired by SPL 1239 *)\u003c\/p\u003e\n\u003cp\u003eBased on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t overpower your live or recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb *)\u003c\/p\u003e\n\u003cp\u003eOccupying only one FX slot, the CHORUS \u0026amp; CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade Chorus with the sweet sound of a traditional Chamber reverb. (Inspired by Lexicon PCM70 *)\u003c\/p\u003e\n\u003ch4\u003eDCA Groups\u003c\/h4\u003e\n\u003cp\u003eDCA (Digitally Controlled Amplifier) and Mute groups allow control over several signals at once without actually mixing them into a subgroup bus. M32C’s 8 DCA groups, and 6 Mute groups, let you control multiple signals via a single control, such as the entire drum mix, the horn section, or the backup vocalists, etc. DCA control affects the FOH mix, while allowing the individual buses to remain unchanged. The result is a customizable workflow that provides maximum flexibility, but still allows individual buses and subgroups to serve the purpose they were intended for, such as zone sends, broadcast feeds, etc.\u003c\/p\u003e\n\u003ch4\u003eYou Are Connected\u003c\/h4\u003e\n\u003cp\u003eEach M32C comes loaded with all of the digital connectivity and functionality you need, right out of the box. Onboard USB 2.0 connectivity delivers a full 32 x 32 channels of audio and MIDI to your DAW. Integrated multi-channel digital audio interfaces connect to remote stage boxes and the P16 Personal Monitor System. Native Ethernet control enables remote operation by computer, iPad or iPhone over a wired or wireless network, across the room - or across the planet! Dual AES50 network ports featuring KL Klark Teknik  SuperMAC technology support up to 96 inputs and 96 outputs over shielded (STP) CAT5 cable, allowing remote stage boxes and sharing signals among several connected  M32 series  mixers and other  Midas,  Klark Teknik  and AES50-equipped products. On-board ULTRANET provides a 16-channel digital mix direct to  P16  Personal Monitor Mixers, without added hardware, cost or latency. Ethernet, USB and MIDI are all standard features on M32C. An additional expansion slot is also included, so that the M32C can connect to current and future digital audio networks and link protocols via a wide range of expansion cards including USB, ADAT *, MADI and Audinate Dante *.\u003c\/p\u003e\n\u003ch4\u003ePOWERPLAY P16\u003c\/h4\u003e\n\u003cp\u003ePersonal Monitoring System Easy as a handshake. Plug the  P16-M  personal monitor mixer into M32C's ULTRANET port with a shielded (STP) CAT5 cable, and let the performer dial in the ideal 16-channel personal monitor mix. You can daisy-chain additional  P16-M  units, or use several  P16-D  ULTRANET distributors to easily set up a plug and play monitor system that can accommodate 64 individual  P16-M  units - and provide them with operating power over CAT5.\u003c\/p\u003e\n\u003ch4\u003eDL16\u003c\/h4\u003e\n\u003cp\u003eDigital Stage Box The  Midas DL16  digital stage box closes the gap between stage and FOH (Front of House) by placing 16 fully-programmable, remotely controllable high-end  Midas  mic preamps and 8 analogue, balanced XLR returns at the stage end. Connecting over a single shielded (STP) CAT5 cable, up to three  DL16  or  Midas DL150  stage boxes can be daisy-chained to deliver 48 channels in and 24 out to the stage. Dual AES50 ports on the  M32R  allow up to 96 input channels to be connected and routed in the same system. AES50 network ports featuring  KLARK TEKNIK  SuperMAC technology for ultra-low latency (in-ear compatible) Dual AES50 ports, each for cascading up to three  DL16  units - no merger or router required Precise LED metering plus 7-segment displays for signal control on stage Phones output assignable to any of the inputs\/outputs for on-stage monitoring Connectivity for  P16-M  Personal Monitoring System for in-ear applications (not included) Dual ADAT outputs for use in splitter mode and stand-alone digital multi-core applications MIDI in\/out for bidirectional communication between FOH console and on-stage MIDI devices\u003c\/p\u003e\n\u003ch4\u003eReal-Time Recording\u003c\/h4\u003e\n\u003cp\u003eAt the Heart of it All The M32C forms the nucleus of an ultra-flexible studio control room setup when paired with  DL16  I\/O and  POWERPLAY P16  Personal Monitoring Systems in each tracking room. The included 32 x 32  Klark Teknik DN32-USB  audio interface, 8 stereo effects engines, zero-latency monitoring (independent from DAW) and 100% total recall deliver the tools to handle any project you dare to tackle.\u003c\/p\u003e\n\u003ch4\u003eExpansion and Networking\u003c\/h4\u003e\n\u003cp\u003eOptional Expansion Cards The M32C’s expansion slot provides flexible and expandable connectivity for many different applications. A wide array of Klark Teknik expansion cards can easily be used in place of the pre-installed  DN32-USB  card to release the power of M32C into existing MADI *, Dante * and ADAT networks. Fully compatible with these widely available audio protocols, the M32C delivers a seamless integration in digital live sound, recording and broadcast environments.\u003c\/p\u003e\n\u003ch4\u003eDN32-USB\u003c\/h4\u003e\n\u003cp\u003eHi-Speed USB 2.0 Audio Interface for Professional Recordings The  DN32-USB  Expansion Card ensures a stable and fast solution for professional live and studio recordings with 32 x 32 channels of audio and 16 channels of MIDI I\/O. It provides 400 Mbit\/second throughput to transfer your high-track count session to popular Software DAWs on Mac and PC via USB 2.0.\u003c\/p\u003e\n\u003ch4\u003eDN32-ADAT\u003c\/h4\u003e\n\u003cp\u003eHigh-Performance 32-Channel ADAT Expansion Card for M32C The  DN32-ADAT  Expansion Card allows you to digitally integrate your M32C with any equipment featuring ADAT I\/O. This includes stand-alone recorders, digital audio workstations, and other digital mixers and signal processing gear. The  DN32-ADAT  card provides 32-channels of ADAT inputs and outputs on its 8 fi ber-optic Toslink * connectors. The card features 24-bit signal transmission and operates at both 44.1 and 48 kHz sample rates, maintaining your signal integrity. The  DN32-ADAT  card also has a BNC word-clock in\/out capability allowing it to sync with an external clock, or provide the clock signal for other devices. External clock synchronization is possible through the BNC connection, as well as any of the 4 Toslink inputs.\u003c\/p\u003e\n\u003ch4\u003eDN32-MADI\u003c\/h4\u003e\n\u003cp\u003eHigh-Performance 32-Channel MADI Expansion Card for M32C The  DN32-MADI  Expansion Card brings even more I\/O options to the M32C by instantly enabling it for MADI networking. The MADI, or AES10, protocol has become the industry standard for multichannel audio distribution in both installations and broadcast applications.  DN32-MADI  provides optical duplex SC-plugs (IEC874-19) to connect with other MADI devices via multimode fiber-optic cable, allowing to bridge distances of over 500 metres with galvanic isolation. Dual BNC terminals are also provided for transmission via standard 75-Ohm coaxial cable of up to 100 m in length. The BNC and fibre-optic connectivity can also be used simultaneously, providing reliable redundancy in mission-critical applications.  DN32-MADI  card is the perfect solution for integrating the M32C into current installations using the MADI protocol.\u003c\/p\u003e\n\u003ch4\u003eDN32-DANTE\u003c\/h4\u003e\n\u003cp\u003eHigh-Performance 32-Channel Audinate Dante Expansion Card for M32C By installing the  DN32-DANTE  card in place of the DN32-USB card, your M32C will interface with Dante networks using virtually any 100Mbit\/s or Gigabit Network infrastructure with DSCP-based QoS - providing dependable multi-channel audio that may coexist with other IP-based data traffic. The  DN32-DANTE  card utilizes 24-bit signal transmission with sample-accurate synchronization and low latency, ensuring the highest audio integrity. And a secondary input allows you to set up a seamless, redundant network. Full remote control of the M32C is possible using the integrated Ethernet switch. When the  DN32-DANTE  card is connected to a computer, Audinate’s Dante Controller application gives you full control over configuration and signal routing among your Dante-enabled devices.\u003c\/p\u003e\n\u003ch4\u003eRemote Control\u003c\/h4\u003e\n\u003cp\u003eM32-EDIT (PC, Mac, Linux) Just as in life, you can never have too many connections - and this applies to controlling the console itself. Simply connect the M32C to a laptop or desktop computer via LAN, wireless network or Ethernet cable, and take total remote command of the M32C. Move a fader on the PC, it moves a virtual fader on the M32C; press a button on the computer, the virtual button toggles on the M32C. The M32-EDIT app is designed for maximum flexibility, allowing you to use the physical group faders and buttons of an  M32  or  M32R  console (DAW Remote function engaged), or any MCU (Mackie Control Universal) compatible control surface to remotely control the M32C. This feature provides an extremely-powerful and useful solution for side of stage monitor control, individual control of multiple installed M32Cs, as well as multiple remote control stations of the same M32C. The M32-EDIT also lets you create scenes on your PC beforehand to minimise the time required for sound checks. With the M32-EDIT software for PC, Mac and Linux, your computer becomes your virtual M32C.\u003c\/p\u003e\n\u003cp\u003eM32-MIX (iPad) Front of House is wherever you and your iPad are - thanks to the new M32 MIX App for iPad. Just plug in a wireless router via Ethernet cable to the M32C, and then wirelessly connect up to 10 iPad devices, which is especially handy for custom monitor mixes. The M32-MIX App lets you control all 32 mic inputs, 8 Aux inputs and 16 buses - plus the FX stereo returns and the Matrix, Main, and DCA levels. Select a fader bank on the iPad, slide the virtual faders and M32C’s motorised faders instantly mirror your action. Additionally, thanks to the Sends on Faders functionality, your iPad now controls 16 independent monitor mixes. The M32-MIX App gives you the flexibility and mobility to make running sound a breeze! Download the free M32-MIX App from the Apple App Store.\u003c\/p\u003e\n\u003cp\u003eM32-Q (iPhone, iPod Touch) M32-Q is the perfect tool for setting up your personal monitoring mix with the MIDAS M32C Digital Mixing Console. Compatible with iPhone models and iPod touch devices, each artist can run their own M32-Q App to adjust and tweak their personal wedge’s mix. M32-Q includes an assignable MCA (Mix Control Association) feature that makes monitor mixing simple enough to be adjusted during performance. Assign any input or combination of inputs to one of the 4 MCA controls inside M32-Q and instantly get “more me”, “less band”, “more click track”… with a single sweep of your finger. Download the free M32-Q App from the Apple App Store.\u003c\/p\u003e\n\u003cp\u003eM32-Q (Android) M32-Q is also available for Android devices, allowing you to set up your personal monitoring mix with the  Midas  M32C Digital Mixing Console. Compatible with Android (2.2 or higher) mobile devices, each artist can run their own M32-Q Android app to adjust and tweak their personal IEM or wedge monitor mix with an interface similar to the iPhone app. The app includes an assignable MCA (Mix Control Association) feature for monitor mixing simple enough to be adjusted during performance. Assign any input or combination of inputs to one of the 4 MCA controls inside M32-Q Android and instantly get “more me,” “less band,” “more click track…” with a single sweep of your finger.\u003c\/p\u003e\n\u003cp\u003eWAVE DESIGNER is a powerful tool for adjusting signal transients and dynamics such as attack and sustain. Use it to make a snare drum really “crack” in the mix or level out volume inconsistencies of slap bass tracks. (Inspired by SPL Transient Designer *)\u003c\/p\u003e\n\u003cp\u003eThe STEREO PRECISION LIMITER is perfect for setting a precise volume limits, ensuring distortion-free and optimal signal integrity. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of “hot” signals to prevent clipping. (Inspired by Sony Oxford Dynamics *)\u003c\/p\u003e\n\u003cp\u003eThe DE-ESSER is a “must-have” tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Use it to enhance the smoothness of the upper mid to high frequencies in vocals as well as drum overheads and strings, etc. (Inspired by SPL 1239 *)\u003c\/p\u003e\n\u003cp\u003eBased on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t overpower your live or recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb *)\u003c\/p\u003e\n\u003cp\u003eOccupying only one FX slot, the CHORUS \u0026amp; CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade Chorus with the sweet sound of a traditional Chamber reverb. (Inspired by Lexicon PCM70 *)\u003c\/p\u003e\n\u003cp\u003eDCA GroupsDCA (Digitally Controlled Amplifier) and Mute groups allow control over several signals at once without actually mixing them into a subgroup bus. M32C’s 8 DCA groups, and 6 Mute groups, let you control multiple signals via a single control, such as the entire drum mix, the horn section, or the backup vocalists, etc. DCA control affects the FOH mix, while allowing the individual buses to remain unchanged. The result is a customizable workflow that provides maximum flexibility, but still allows individual buses and subgroups to serve the purpose they were intended for, such as zone sends, broadcast feeds, etc.\u003c\/p\u003e\n\u003cp\u003eYou Are Connected Each M32C comes loaded with all of the digital connectivity and functionality you need, right out of the box. Onboard USB 2.0 connectivity delivers a full 32 x 32 channels of audio and MIDI to your DAW. Integrated multi-channel digital audio interfaces connect to remote stage boxes and the P16 Personal Monitor System. Native Ethernet control enables remote operation by computer, iPad or iPhone over a wired or wireless network, across the room - or across the planet! Dual AES50 network ports featuring KLARK TEKNIK SuperMAC technology support up to 96 inputs and 96 outputs over shielded (STP) CAT5 cable, allowing remote stage boxes and sharing signals among several connected M32 series mixers and other MIDAS, KLARK TEKNIK and AES50-equipped products. On-board ULTRANET provides a 16-channel digital mix direct to P16 Personal Monitor Mixers, without added hardware, cost or latency. Ethernet, USB and MIDI are all standard features on M32C. An additional expansion slot is also included, so that the M32C can connect to current and future digital audio networks and link protocols via a wide range of expansion cards including USB, ADAT *, MADI and Audinate Dante *.\u003c\/p\u003e\n\u003cp\u003ePOWERPLAY P16Personal Monitoring SystemPOWERPLAY P16 Personal Monitoring System Easy as a handshake. Plug the P16-M personal monitor mixer into M32C's ULTRANET port with a shielded (STP) CAT5 cable, and let the performer dial in the ideal 16-channel personal monitor mix. You can daisy-chain additional P16-M units, or use several P16-D ULTRANET distributors to easily set up a plug and play monitor system that can accommodate 64 individual P16-M units - and provide them with operating power over CAT5.\u003c\/p\u003e\n\u003cp\u003eDL16Digital Stage BoxThe MIDAS DL16 digital stage box closes the gap between stage and FOH (Front of House) by placing 16 fully-programmable, remotely controllable high-end MIDAS mic preamps and 8 analogue, balanced XLR returns at the stage end. Connecting over a single shielded (STP) CAT5 cable, up to three DL16 or MIDAS DL150 stage boxes can be daisy-chained to deliver 48 channels in and 24 out to the stage. Dual AES50 ports on the M32R allow up to 96 input channels to be connected and routed in the same system.AES50 network ports featuring KLARK TEKNIK SuperMAC technology for ultra-low latency (in-ear compatible)Up to 100 m networking capability via CAT5 cable (not included) Dual AES50 ports, each for cascading up to three DL16 units - no merger or router required Precise LED metering plus 7-segment displays for signal control on stage Phones output assignable to any of the inputs\/outputs for on-stage monitoringConnectivity for P16-M Personal Monitoring System for in-ear applications (not included) Dual ADAT outputs for use in splitter mode and stand-alone digital multi-core applications MIDI in\/out for bidirectional communication between FOH console and on-stage MIDI devices\u003c\/p\u003e\n\u003cp\u003eReal-Time RecordingAt the Heart of it AllThe M32C forms the nucleus of an ultra-flexible studio control room setup when paired with DL16 I\/O and POWERPLAY P16 Personal Monitoring Systems in each tracking room. The included 32 x 32 KLARK TEKNIK DN32-USB audio interface, 8 stereo effects engines, zero-latency monitoring (independent from DAW) and 100% total recall deliver the tools to handle any project you dare to tackle.\u003c\/p\u003e\n\u003cp\u003eExpansion \u0026amp; Networking Optional Expansion Cards The M32C’s expansion slot provides flexible and expandable connectivity for many different applications. A wide array of KLARK TEKNIK expansion cards can easily be used in place of the pre-installed DN32-USB card to release the power of M32C into existing MADI *, Dante * and ADAT networks. Fully compatible with these widely available audio protocols, the M32C delivers a seamless integration in digital live sound, recording and broadcast environments.\u003c\/p\u003e\n\u003cp\u003eDN32-USBHi-Speed USB 2.0 Audio Interface for Professional RecordingsThe DN32-USB Expansion Card ensures a stable and fast solution for professional live and studio recordings with 32 x 32 channels of audio and 16 channels of MIDI I\/O. It provides 400 Mbit\/second throughput to transfer your high-track count session to popular Software DAWs on Mac and PC via USB 2.0.\u003c\/p\u003e\n\u003cp\u003eDN32-ADAT High-Performance 32-Channel ADAT Expansion Card for M32C The DN32-ADAT Expansion Card allows you to digitally integrate your M32C with any equipment featuring ADAT I\/O. This includes stand-alone recorders, digital audio workstations, and other digital mixers and signal processing gear. The DN32-ADAT card provides 32-channels of ADAT inputs and outputs on its 8 fiber-optic Toslink * connectors. The card features 24-bit signal transmission and operates at both 44.1 and 48 kHz sample rates, maintaining your signal integrity. The DN32-ADAT card also has a BNC word-clock in\/out capability allowing it to sync with an external clock, or provide the clock signal for other devices. External clock synchronization is possible through the BNC connection, as well as any of the 4 Toslink inputs.\u003c\/p\u003e\n\u003cp\u003eDN32-MADIHigh-Performance 32-Channel MADI Expansion Card for M32CThe DN32-MADI Expansion Card brings even more I\/O options to the M32C by instantly enabling it for MADI networking. The MADI, or AES10, protocol has become the industry standard for multichannel audio distribution in both installations and broadcast applications. DN32-MADI provides optical duplex SC-plugs (IEC874-19) to connect with other MADI devices via multimode fiber-optic cable, allowing to bridge distances of over 500 metres with galvanic isolation. Dual BNC terminals are also provided for transmission via standard 75-Ohm coaxial cable of up to 100 m in length. The BNC and fibre-optic connectivity can also be used simultaneously, providing reliable redundancy in mission critical applications. DN32-MADI card is the perfect solution for integrating the M32C into current installations using the MADI protocol.\u003c\/p\u003e\n\u003cp\u003eDN32-DANTEHigh-Performance 32-Channel Audinate Dante Expansion Card for M32CBy installing the DN32-DANTE card in place of the DN32-USB card, your M32C will interface with Dante networks using virtually any 100Mbit\/s or Gigabit Network infrastructure with DSCP-based QoS - providing dependable multi-channel audio that may coexist with other IP-based data traffic. The DN32-DANTE card utilizes 24-bit signal transmission with sample-accurate synchronization and low latency, ensuring the highest audio integrity. And a secondary input allows you to set up a seamless, redundant network. Full remote control of the M32C is possible using the integrated Ethernet switch. When the DN32-DANTE card is connected to a computer, Audinate’s Dante Controller application gives you full control over configuration and signal routing among your Dante-enabled devices.\u003c\/p\u003e\n\u003cp\u003eRemote ControlM32-EDIT (PC, Mac, Linux)Just as in life, you can never have too many connections - and this applies to controlling the console itself. Simply connect the M32C to a laptop or desktop computer via LAN, wireless network or Ethernet cable, and take total remote command of the M32C. Move a fader on the PC, it moves a virtual fader on the M32C; press a button on the computer, the virtual button toggles on the M32C. The M32-EDIT app is designed for maximum flexibility, allowing you to use the physical group faders and buttons of an M32 or M32R console (DAW Remote function engaged), or any MCU (Mackie Control Universal) compatible control surface to remotely control the M32C. This feature provides an extremely-powerful and useful solution for side of stage monitor control, individual control of multiple installed M32Cs, as well as multiple remote control stations of the same M32C. The M32-EDIT also lets you create scenes on your PC beforehand to minimise the time required for sound checks. With the M32-EDIT software for PC, Mac and Linux, your computer becomes your virtual M32C.\u003c\/p\u003e\n\u003cp\u003eM32-MIX (iPad)Front of House is wherever you and your iPad are - thanks to the new M32 MIX App for iPad. Just plug in a wireless router via Ethernet cable to the M32C, and then wirelessly connect up to 10 iPad devices, which is especially handy for custom monitor mixes. The M32-MIX App lets you control all 32 mic inputs, 8 Aux inputs and 16 buses - plus the FX stereo returns and the Matrix, Main, and DCA levels. Select a fader bank on the iPad, slide the virtual faders and M32C’s motorised faders instantly mirror your action. Additionally, thanks to the Sends on Faders functionality, your iPad now controls 16 independent monitor mixes. The M32-MIX App gives you the flexibility and mobility to make running sound a breeze! Download the free M32-MIX App from the Apple App Store.\u003c\/p\u003e\n\u003cp\u003eM32-Q (iPhone, iPod Touch)M32-Q is the perfect tool for setting up your personal monitoring mix with the MIDAS M32C Digital Mixing Console. Compatible with iPhone models and iPod touch devices, each artist can run their own M32-Q App to adjust and tweak their personal wedge’s mix. M32-Q includes an assignable MCA (Mix Control Association) feature that makes monitor mixing simple enough to be adjusted during performance. Assign any input or combination of inputs to one of the 4 MCA controls inside M32-Q and instantly get “more me”, “less band”, “more click track”… with a single sweep of your finger. Download the free M32-Q App from the Apple App Store.\u003c\/p\u003e\n\u003cp\u003eM32-Q (Android)M32-Q is also available for Android devices, allowing you to set up your personal monitoring mix with the MIDAS M32C Digital Mixing Console. Compatible with Android (2.2 or higher) mobile devices, each artist can run their own M32-Q Android app to adjust and tweak their personal IEM or wedge monitor mix with an interface similar to the iPhone app. The app includes an assignable MCA (Mix Control Association) feature for monitor mixing simple enough to be adjusted during performance. Assign any input or combination of inputs to one of the 4 MCA controls inside M32-Q Android and instantly get “more me,” “less band,” “more click track…” with a single sweep of your finger.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653070515\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656983986467,"sku":"M32C","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0604-AAC_M32C_Front_XL.png?v=1790377399"},{"product_id":"midas-m32-live","title":"Midas M32 LIVE Digital Console for Live and Studio with 40 Input Channels, 32 Midas PRO Microphone Preamplifiers","description":"\u003cp\u003e\u003cstrong\u003eDigital Console for Live and Studio with 40 Input Channels, 32 Midas PRO Microphone Preamplifiers and 25 Mix Buses and Live Multitrack Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe SOUND MAXIMIZER restores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalisers. (Inspired by Sonic Maximizer 482i *)\u003c\/p\u003e\n\u003cp\u003eThe DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analogue Chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus *)\u003c\/p\u003e\n\u003cp\u003eMODULATION DELAY combines three of the most used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with three reverb models to choose from.\u003c\/p\u003e\n\u003cp\u003eThe Lexicon 480L * has been recognised as the gold standard of digital reverb. We have included three of the finest reverb models - Rich Plate, Room and Rich Chamber. The M32 LIVE’s models precisely capture all nuances based on our “True Physical Modeling” and our algorithms even incorporate the unit’s AD\/DA gain-stepping converters - nailing the entire analogue and digital circuit paths right down to the last detail. (Inspired by Lexicon 480L *)\u003c\/p\u003e\n\u003cp\u003eEXCITERS increase presence and intelligibility in live sound applications and are indispensable for adding clarity, air and harmonic overtones in the recording studio. ENHANCERS let you emphasise the Bass, Midrange and Hi output at selectable frequencies. You can generate maximum punch, clarity and detail, without turning up the overall volume. (Inspired by Aphex Aural Exciter * and SPL Vitalizer *)\u003c\/p\u003e\n\u003cp\u003eOur TruEQ STEREO GEQ delivers musical and responsive signal processing-perfect for general room equalisation, indispensable for monitoring. M32 LIVE provides up to 16 mono graphic EQs, in addition to the multi-band parametric EQs in all channels and buses, to cope with the most demanding stage monitoring situation. Plus, the M32 LIVE’s motorised faders can be switched to control the filter bands of the graphic EQ, with the channel LCDs showing the corresponding filter frequencies-and you can even put this on a user defined hot-key for immediate access. (Modeled after Klark Teknik DN360)\u003c\/p\u003e\n\u003cp\u003eVINTAGE ROOM stands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in air and room resonances. Invented in the early ’80s, the role model delivered authentic room character from an algorithmic reverb long before convolution-based processing was available. It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals, which is highly desirable in classical music and broadcasting environments. (Inspired by Quantec QRS *)\u003c\/p\u003e\n\u003cp\u003ePLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. PLATE REVERB will give your tracks the sound heard on countless hit records since the late 1950’s. (Inspired by Lexicon PCM70 *)\u003c\/p\u003e\n\u003cp\u003eThe 3-TAP DELAY in the M32 LIVE records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.\u003c\/p\u003e\n\u003cp\u003eThe HALL REVERB effect provides a broad spectrum of reverberation possibilities, from small room to large, or even cavernous proportions. When softly mixed with the original signal, Hall Reverb can be used to create a warm, more natural sound. (Inspired by Lexicon 480L * )\u003c\/p\u003e\n\u003cp\u003eThis handy dynamic FLANGER \u0026amp; DELAY duo blends the “whoosh” of soaring jet planes with classic Delay, and can be adjusted from mild to wild. This combination effect only takes up one FX slot. (Inspired by Lexicon PCM70 *)\u003c\/p\u003e\n\u003cp\u003eWAVE DESIGNER is a powerful tool for adjusting signal transients and dynamics such as attack and sustain. Use it to make a snare drum really “crack” in the mix or level out volume inconsistencies of slap bass tracks. (Inspired by SPL Transient Designer *)\u003c\/p\u003e\n\u003cp\u003eThe STEREO PRECISION LIMITER is perfect for setting a precise volume limits, ensuring distortion-free and optimal signal integrity. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of “hot” signals to prevent clipping. (Inspired by Sony Oxford Dynamics *)\u003c\/p\u003e\n\u003cp\u003eThe DE-ESSER is a “must-have” tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Use it to enhance the smoothness of the upper mid to high frequencies in vocals as well as drum overheads and strings, etc. (Inspired by SPL 1239 *)\u003c\/p\u003e\n\u003cp\u003eBased on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t overpower your live or recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb *)\u003c\/p\u003e\n\u003cp\u003eOccupying only one FX slot, the CHORUS \u0026amp; CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade Chorus with the sweet sound of a traditional Chamber reverb. (Inspired by Lexicon PCM70 *)\u003c\/p\u003e\n\u003ch4\u003eYou Are Connected\u003c\/h4\u003e\n\u003cp\u003eEach M32 LIVE comes loaded with all of the connectivity, I\/O and functionality you need, right out of the box - but it doesn’t end there. Onboard USB 2.0 connectivity delivers a full 32 x 32 channels of audio and MIDI to your DAW. Integrated multi-channel digital audio interfaces connect to remote stage boxes and\/or the P16 Personal Monitor System. Native Ethernet control enables remote operation by computer, iPad or iPhone over a wired or wireless network, across the room - or across the planet! Dual AES50 network ports featuring Klark Teknik SuperMAC technology support up to 96 inputs and 96 outputs over shielded (STP) CAT5 cable, allowing remote stage boxes and sharing signals among several connected M32 LIVEs and other Midas, Klark Teknik and AES50-equipped products. On-board ULTRANET provides a 16-channel digital mix direct to P16 Personal Monitor Mixers, without added hardware, cost or latency. Ethernet, USB and MIDI are all standard features on M32 LIVE.\u003c\/p\u003e\n\u003cp\u003eAn additional expansion slot is also included, so that the M32 LIVE can connect to current and future digital audio networks and link protocols via a wide range of expansion cards including USB, FireWire * , ADAT * , MADI and Audinate Dante * .\u003c\/p\u003e\n\u003ch4\u003ePOWERPLAY P16\u003c\/h4\u003e\n\u003cp\u003eEasy as a handshake. Plug the P16-M personal monitor mixer into M32 LIVE’s ULTRANET port with a shielded (STP) CAT5 cable, and let the performer dial in the ideal 16-channel personal monitor mix. You can daisy-chain additional P16-M units, or use several P16-D ULTRANET distributors to easily set up a plug and play monitor system that can accommodate 64 individual P16-M units - and provide them with operating power over CAT5.\u003c\/p\u003e\n\u003ch4\u003eDL16\u003c\/h4\u003e\n\u003cp\u003eThe Midas DL16 digital stage box closes the gap between stage and FOH (Front of House) by placing 16 fully-programmable, remotely controllable high-end Midas mic preamps and 8 analogue, balanced XLR returns at the stage end. Connecting over a single shielded (STP) CAT5 cable, up to three DL16 or Midas DL150 stage boxes can be daisy-chained to deliver 48 channels in and 24 out to the stage. Dual AES50 ports on the M32 LIVE allow up to 96 input channels to be connected and routed in the same system. •   AES50 network ports featuring Klark Teknik SuperMAC technology for ultra-low latency (in-ear compatible) •   Dual AES50 ports, each for cascading up to three DL16 units - no merger or router required •   Precise LED metering plus 7-segment displays for signal control on stage •   Phones output assignable to any of the inputs\/outputs for on-stage monitoring •   Connectivity for P16-M Personal Monitoring System for in-ear applications (not included) •   Dual ADAT outputs for use in splitter mode and stand-alone digital multi-core applications •   MIDI in\/out for bidirectional communication between FOH console and on-stage MIDI devices\u003c\/p\u003e\n\u003ch4\u003eWhat are AES50 and SuperMAC?\u003c\/h4\u003e\n\u003cp\u003eAES50 simultaneously provides high channel counts, extremely low and deterministic latencies, accurate phase-aligned networked clock distribution, error detection, network redundancy, with simple deployment and ease of use to meet the needs of the live performance industry. This unique combination also benefits both live and studio recording applications, as well as post-production, broadcasting and audio routing infrastructure. SuperMAC is a proprietary implementation of AES50 owned by Klark Teknik. Originally developed by Sony Pro-Audio Labs in Oxford, UK, it forms the basis of the Audio Engineering Society’s AES50 open standard for digital audio networking - High Resolution Multi-channel Audio Interconnection (HRMAI), as published by the Audio Engineering Society, Inc.  •   48 bidirectional audio channels @ 48 kHz over industry-standard RJ45-terminated shielded (STP) CAT5 cable •   Single cable duplex interconnection for audio and sample clocks •   Ethernet physical layer audio data transmission •   High channel count and ultra-low deterministic latency (2x3 samples = 1\/8 ms per node) •   Accurate phase-aligned clock distribution •   Comprehensive error detection and management •   Provision for redundant networking •   Minimal configuration - total ease of deployment and use •   Ethernet TCP\/IP protocol-compatible auxiliary data channel\u003c\/p\u003e\n\u003ch4\u003eReal-Time Recording\u003c\/h4\u003e\n\u003cp\u003eA versatile powerhouse of a live console, the M32 LIVE also provides robust studio functionality. Record and play back up to 32 tracks which run on Windows XP, Windows Vista, Windows 7, and Windows 8 operating systems or Mac computers via integrated USB 2.0 connectivity. M32 LIVE supports a variety of sample rates, allowing you to record up to 32 tracks of live audio directly to your computer for mixing down later. Take advantage of M32 LIVE’s built-in FX engines to augment your DAW’s plug-in collection, or to free up valuable computer resources. M32 LIVE’s recall capability makes it easy for both project and professional studio engineers to stay organised by storing projects as scenes, either internally or externally on a USB stick.\u003c\/p\u003e\n\u003ch4\u003eOptional Expansion Cards\u003c\/h4\u003e\n\u003cp\u003eThe M32 LIVE’s expansion slot provides flexible and expandable connectivity for many different applications. A wide array of Klark Teknik expansion cards can easily be used in place of the pre-installed DN32-USB card to release the power of M32 LIVE into existing MADI * , Dante * and ADAT networks. Fully compatible with these widely available audio protocols, the M32 LIVE delivers a seamless integration in digital live sound, recording and broadcast environments.\u003c\/p\u003e\n\u003ch4\u003eDN32-USB\u003c\/h4\u003e\n\u003cp\u003eHi-Speed FireWire\/USB 2.0 Audio Interface for Professional Recordings The DN32-USB Expansion Card ensures a stable and fast solution for professional live and studio recordings. It provides 400 Mbit\/second throughput to transfer your high-track count session to popular Software DAWs on Mac and PC via FireWire or USB 2.0. Additionally, the DN32-USB turns your M32 LIVE into a sophisticated control surface, and includes remote HUI* and Mackie Control * emulation.\u003c\/p\u003e\n\u003ch4\u003eDN32-ADAT\u003c\/h4\u003e\n\u003cp\u003eHigh-Performance 32-Channel ADAT Expansion Card for M32 LIVE The DN32-ADAT Expansion Card allows you to digitally integrate your M32 LIVE with any equipment featuring ADAT I\/O. This includes stand-alone recorders, digital audio workstations, and other digital mixers and signal processing gear. The DN32-ADAT card provides 32-channels of ADAT inputs and outputs on its 8 fiber-optic Toslink * connectors. The card features 24-bit signal transmission and operates at both 44.1 and 48 kHz sample rates, maintaining your signal integrity. The DN32-ADAT card also has a BNC word-clock in\/out capability allowing it to sync with an external clock, or provide the clock signal for other devices. External clock synchronisation is possible through the BNC connection, as well as any of the 4 Toslink inputs.\u003c\/p\u003e\n\u003ch4\u003eDN32-MADI\u003c\/h4\u003e\n\u003cp\u003eHigh-Performance 32-Channel MADI Expansion Card for M32 LIVE The DN32-MADI Expansion Card brings even more I\/O options to the M32 LIVE by instantly enabling it for MADI networking. The MADI, or AES10, protocol has become the industry standard for multichannel audio distribution in both installations and broadcast applications. DN32-MADI provides optical duplex SC-plugs (IEC874-19) to connect with other MADI devices via multimode fiber-optic cable, allowing to bridge distances of over 500 metres with galvanic isolation. Dual BNC terminals are also provided for transmission via standard 75-Ohm coaxial cable of up to 100 m in length. The BNC and fibre-optic connectivity can also be used simultaneously, providing reliable redundancy in mission-critical applications. DN32-MADI card is the perfect solution for integrating the M32 LIVE into current installations using the MADI protocol.\u003c\/p\u003e\n\u003ch4\u003eDN32-DANTE\u003c\/h4\u003e\n\u003cp\u003eHigh-Performance 32-Channel Audinate Dante Expansion Card for M32 LIVE By installing the DN32-DANTE card in place of the DN32-USB card, your M32 LIVE will interface with Dante networks using virtually any 100Mbit\/s or Gigabit Network infrastructure with DSCP-based QoS - providing dependable multi-channel audio that coexist with other IP-based data traffic on the same network. The DN32-DANTE card utilises 24-bit signal transmission with sample-accurate synchronisation and low latency, ensuring the highest audio integrity. And a secondary input allows you to set up a seamless, redundant network. Full remote control of the M32 LIVE is possible using the integrated Ethernet switch. When the DN32-DANTE card is connected to a computer, Audinate’s Dante Controller application gives you full control over configuration and signal routing among your Dante-enabled devices.\u003c\/p\u003e\n\u003ch4\u003eDAW Ready-MIDI Plus Mackie Control* \u0026amp;amp; HUI* Protocols\u003c\/h4\u003e\n\u003cp\u003eThanks to its onboard MIDI ports, the M32 LIVE console can function as a high-level, large-format control surface, similar to Mackie Control and HUI, and integrates seamlessly with most popular DAW platforms. M32 LIVE’s motorised faders can be used to send position information to the onscreen DAW faders, while each bus’ mute and solo buttons control their onscreen counterparts. This powerful control surface relationship, which functions bidirectionally between the M32 LIVE and your DAW, allows you to work more quickly and attend to the finer nuances of the overall mix. After all, mixing with your hands puts you in “touch” with your project, providing a level of finesse that can mean the difference between a good recording session-and a work of art! Or, would you rather use a mouse?\u003c\/p\u003e\n\u003ch4\u003eM32-EDIT (PC, Mac, Linux)\u003c\/h4\u003e\n\u003cp\u003eJust as in life, you can never have too many connections - and this applies to controlling the console itself. Simply connect the M32 LIVE to a laptop or desktop computer via LAN, wireless network or Ethernet cable, and take total remote command of the M32 LIVE. Move a fader on the PC, it moves on the M32 LIVE; press a button on the computer, the button toggles on the M32 LIVE. The M32-EDIT app is designed for maximum flexibility, allowing you to use any MCU (Mackie Control Universal) compatible control surface to remotely control the M32 LIVE. This feature provides an extremely-powerful and useful solution for side of stage monitor control, individual control of multiple installed M32 LIVEs, as well as multiple remote control stations of the same M32 LIVE. The M32-EDIT also lets you create scenes on your PC beforehand to minimise the time required for sound checks. With the M32-EDIT software for PC, Mac and Linux, your computer becomes your virtual M32 LIVE.\u003c\/p\u003e\n\u003ch4\u003eM32 MIX (iPad)\u003c\/h4\u003e\n\u003cp\u003eFront of House is wherever you and your iPad are-thanks to the new M32 MIX App for iPad. Just plug in a wireless router via Ethernet cable to the M32 LIVE, and then wirelessly connect up to 10 iPad devices, which is especially handy for custom monitor mixes. The M32 MIX App lets you control all 32 mic inputs, 8 Aux inputs and 16 buses - plus the FX stereo returns and the Matrix, Main, and DCA levels. Select a fader bank on the iPad, slide the virtual faders and M32 LIVE’s motorised faders instantly mirror your action. Additionally, thanks to the Sends on Faders functionality, your iPad now controls 16 independent monitor mixes. The M32 MIX App gives you the flexibility and mobility to make running sound a breeze! Download the free M32 MIX App from the Apple App Store.\u003c\/p\u003e\n\u003ch4\u003eM32-Q (iPhone, iPod Touch)\u003c\/h4\u003e\n\u003cp\u003eM32-Q is the perfect tool for setting up your personal monitoring mix with the Midas M32 LIVE Digital Mixing Console. Compatible with iPhone models and iPod touch devices, each artist can run their own M32-Q App to adjust and tweak their personal wedge’s mix. M32-Q includes an assignable MCA (Mix Control Association) feature that makes monitor mixing simple enough to be adjusted during performance. Assign any input or combination of inputs to one of the 4 MCA controls inside M32-Q and instantly get “more me”, “less band”, “more click track”… with a single sweep of your finger. Download the free M32-Q App from the Apple App Store.\u003c\/p\u003e\n\u003ch4\u003eM32-Q (Android)\u003c\/h4\u003e\n\u003cp\u003eM32-Q is also available for Android devices, allowing you to set up your personal monitoring mix with the Midas M32 LIVE Digital Mixing Console. Compatible with Android (2.2 or higher) mobile devices, each artist can run their own M32-Q Android app to adjust and tweak their personal IEM or wedge monitor mix with an interface similar to the iPhone app. The app includes an assignable MCA (Mix Control Association) feature for monitor mixing simple enough to be adjusted during performance. Assign any input or combination of inputs to one of the 4 MCA controls inside M32-Q Android and instantly get “more me,” “less band,” “more click track…” with a single sweep of your finger.\u003c\/p\u003e\n\u003ch4\u003eDesigning A Future Classic\u003c\/h4\u003e\n\u003cp\u003eOur goal for M32 LIVE was to combine the best of classic British console designs with advanced modern technology to completely redefine what a medium-format live console can offer.We began the industrial design process by drawing inspiration from a somewhat unexpected source - the luxury and high-performance car industry.\u003c\/p\u003e\n\u003ch4\u003eWhy High-Performance Cars?\u003c\/h4\u003e\n\u003cp\u003eSimply because the design teams at Aston Martin *, Bentley *, Rolls Royce *, and other leading manufacturers are skilled at introducing innovative technological advancements while simultaneously maintaining the feel, essence, and intangible qualities of their cherished brands. And in essence, that’s the challenge we too faced when creating the M32 LIVE console. So in order to create a future-forward design that took the Midas legacy even further, we enlisted the help of Rajesh Kutty, a leading industrial designer known for his work with celebrated luxury auto manufacturers such as Bentley, etc. Kutty started by examining the design elements that have made Midas consoles so highly sought after - from the straightforward, logical layout to the unparalleled usability and ergonomics. These are characteristics that live sound engineers around the world have come to rely on, and are key aspects of the Midas legacy. With these design elements in mind, Kutty set forth to create a styling that would be modern, innovative, futuristic, and stunningly elegant. Many different construction materials were tested. Countless design variations were explored. And in the end, a styling was chosen that represented the perfect marriage between aerodynamic artistry and uncompromising performance. The design is both ultramodern and distinctly classic at the same time.\u003c\/p\u003e\n\u003ch4\u003eThe Landmark in Console History\u003c\/h4\u003e\n\u003cp\u003eA close look at M32 LIVE reveals that the styling is completely new in every sense of the word. Rajesh Kutty’s automotive-inspired design elements mesh perfectly with a recognisable Midas signature, setting the M32 LIVE apart from any other console. Its beautifully streamlined and elegant form factor completely revolutionises the experience of live mixing.The Midas M32 LIVE construction is equally impressive, and is designed to offer you years of reliable performance while withstanding the demanding environment of live performance venues. M32 LIVE employs a predominantly space-frame construction, with parts of the sub-frame consisting of durable and lightweight carbon fibre and aluminium. Multiple alloys have been employed throughout to guarantee maximum component efficiency and an improved performance-to-weight ratio.The M32 LIVE is an innovative, evolved design that brings together modern construction principles and high-tech materials into a styling destined to go down as a landmark in console history.\u003c\/p\u003e\n\u003ch4\u003eMidas is the Epitome of Excellence\u003c\/h4\u003e\n\u003cp\u003eIn 2013, Midas approached me to create a new design language for Midas and with it a new mixing console. Having designed for Bentley, I am intimately familiar with the challenge of transforming a brand while retaining the precious heritage - in this case the 40 year old iconic British mixing console brand Midas. Representing the pinnacle of its industry, Midas is the Epitome of Excellence. When it comes to ergonomics, performance and style, the aspects of a high-performance luxury car equally apply to a high-end mixing console. I was given a blank sheet of paper for my choice of materials. This meant considering lightweight materials such as carbon fibre and aluminum, while using a sophisticated steel construction, for high-impact structural areas. High attention was paid to the tactile elements such as fader knobs and the illumination to work under all background conditions. From the onset the idea was to break the would! Hence the form study deliberately tried to break away from the static, bulky feel of today's mixing consoles. Instead making it more dynamic, ergonomic, yet luxurious. Colours, size, mobility and hardware were given equal importance to arrive at the M32 LIVE - a true projection of the brand, today. I am very happy with the outcome of the M32 LIVE, and feel honoured to have my name associated with Midas. Rajesh Kutty\u003c\/p\u003e\n\u003ch4\u003eIndustry-Leading 192 kHz Precision\u003c\/h4\u003e\n\u003cp\u003eThe groundbreaking M32 LIVE console combines legendary Midas sound quality with advanced digital technology, future-proof floating point audio engine, extremely low-latency design and industry-leading 192 kHz ADC and DAC converters, creating a revolutionary mid-format live console. M32 LIVE features ultra-sleek styling, offering you a truly luxurious mixing experience. High-end construction materials include carbon fibre provide unparalleled durability and strength, plus substantially lower weight than comparable consoles.The M32 LIVE utilises award-winning Midas PRO Series microphone preamplifiers and the custom-designed Midas PRO motorised faders that are rated for 1 million life cycles-three times more than other leading consoles. The Midas M32 LIVE is a future-forward console that completely raises the bar for live mixing.\u003c\/p\u003e\n\u003ch4\u003eLegendary Midas Sound Quality\u003c\/h4\u003e\n\u003cp\u003eWhile the Midas M32 LIVE design, styling, and construction will surely turn a lot of heads, it’s the sound that matters most to engineers and performing artists. And that’s where M32 LIVE shines even brighter - as the latest in a long line of pristine-sounding Midas consoles, it descends from a celebrated lineage that literally set the standard in electrical design and sound quality. Ever since Midas consoles first found fame 40 years ago with acts like Billy Joel, Yes, The Beach Boys, Pink Floyd and others, the Midas legacy has always been about uncompromising quality and the ultimate in sound reproduction. Backing the analogue input section are audiophile Cirrus Logic multi-channel 192 kHz capable A\/D converters, which boast a 114 dB dynamic range, ensuring impressively low distortion and low noise performance.\u003c\/p\u003e\n\u003ch4\u003eBuilt for Tomorrow\u003c\/h4\u003e\n\u003cp\u003eThe M32 LIVE is a console built for today, and tomorrow - its rock-solid proprietary operating system and the 0.8 ms audio engine provide outstanding state-of-the-art audio performance for years to come.\u003c\/p\u003e\n\u003ch4\u003eAward-Winning Midas Mic Preamplifier\u003c\/h4\u003e\n\u003cp\u003eThe Midas mic preamp is considered by leading live sound and recording engineers to be the very essence of the famous Midas sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth, bring out subtle ambience, maintain spatial positioning, and more effectively capture a precise image. The acclaimed sound of the award-winning Midas microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic landscapes that have captivated audiences worldwide.\u003c\/p\u003e\n\u003ch4\u003eCreating Sonic Landscapes\u003c\/h4\u003e\n\u003cp\u003eThe Midas preamplifier design eliminates typical imbalances of gain-setting stages, thereby improving the common-mode rejection ratio (CMRR) and harmonic distortion to an almost immeasurable level. The constant high-frequency bandwidth topology assures excellent stability, RF rejection and noise performance at all gain levels, contributing to its transparent, open and dynamic sound. But it doesn’t end there, over the years many mix engineers have found that this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the pristine audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concertgoers and recorded for posterity on countless live albums over the years. Since pristine sound always begins with the microphone preamplifier, the first point where your signal enters the console, M32 LIVE features genuine Midas microphone preamplifiers which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design. The microphone preamplifiers are the very same ones used in the industry standard Midas XL4 and HERITAGE 3000 consoles, which many consider to be the greatest analogue live consoles ever built. Over the past decade, the XL4 and HERITAGE 3000 have been utilised by countless top artists including Bon Jovi, Alanis Morrisette, AC\/DC, Coldplay, Kid Rock, Metallica, Alicia Keys, Foo Fighters, Christina Aguilera, Sir Paul McCartney, Pearl Jam, and many more. The M32 LIVE draws from this same legacy to bring you an elite professional level of audio quality and performance.\u003c\/p\u003e\n\u003ch4\u003eWhat Makes the M32 LIVE Possible is - Everything\u003c\/h4\u003e\n\u003cp\u003eWhether you come from an analogue mixing background, or are accustomed to using other digital consoles, your first experience with M32 LIVE has been engineered to be intuitive, fluid and straightforward. The brilliance of the M32 LIVE is its simplicity and workflow. Tactile controls allow smooth adjustments to critical elements as the mix progresses while the TFT screen keeps you informed every step of the way. This integration of tactile controls, motorised faders and the array of LCD and TFT displays makes the M32 LIVE experience the premiere solution for Live Sound, Broadcast, Studio Recording and Post Production applications. M32 LIVE changes the game by completely rethinking what is possible in a digital mixer. An intuitive workflow coupled with a fully interactive user interface ensures immediate familiarity and instills confidence. Advanced engineering and meticulous design deliver stellar sonic performance at an extremely affordable price - changing the game entirely.\u003c\/p\u003e\n\u003ch4\u003eIndustry-Leading Technology for More than 40 years\u003c\/h4\u003e\n\u003cp\u003eMidas’ experience spans over 40 years at the very top end of the live audio industry on countless world tours by the greatest artists and the most prestigious events. 40 years of relentless research, development with 300 of the world’s best engineers plus complete control over the manufacturing process. This is what powers the M32 LIVE.Above all, M32 LIVE is designed to put the power of digital in your hands, without compromise. Midas’ singular focus on a matchless value proposition means M32 LIVE integrates advanced features such as motorised faders, LCD scribble strips, integrated personal monitor mixing and true high-speed digital audio networking as standard features.\u003c\/p\u003e\n\u003ch4\u003eKlark Teknik DN32-LIVE\u003c\/h4\u003e\n\u003cp\u003eThe DN32-LIVE SD\/SDHC and USB 2.0 Expansion Module for Midas M32 and Behringer X32 mixers provides 32-channel bidirectional audio I\/O via USB 2.0 for both live performance and studio recording, plus comprehensive remote operation of your DAW via HUI\/Mackie Control emulation. Dual SD\/SDHC slots allow fully independent recording\/playback of up to 32 channels of uncompressed WAV files in consistent sessions - to capacity of the SD cards. Now even without a computer, you can capture multichannel live or session tracks, perform virtual sound checks, add backing tracks, set and manipulate markers, and enjoy full remote operation via PC, Android * or iPad * apps, and X-TOUCH control surfaces.\u003c\/p\u003e\n\u003ch4\u003eYour “Mind-to-Sound” Interface\u003c\/h4\u003e\n\u003cp\u003eM32 LIVE is your “mind-to-sound” interface - the intersection of creativity and production. Whether you’re accustomed to digital mixers or not, the M32 LIVE’s intuitive user interface offers a fluid mixing experience that instantly feels like home. From the first moments of use, the workflow unfolds in a way that strips away obstacles, distractions, and hesitation.\u003c\/p\u003e\n\u003ch4\u003eChannel Strip\u003c\/h4\u003e\n\u003cp\u003eThe M32 LIVE Channel Strip puts the most important channel processing parameters into one section so that no matter which channel you are working on, the controls are always the same. This highly-efficient layout stems from Midas decades of console design and input from our users. Optimized control illumination ensures a clear indication of levels or status from any viewing angle. Illuminated rotary encoders and switches give you control of preamp settings, frequency shelving, dual dynamics sections, as well as multi-mode fully parametric EQ, bus sends, main, mono and stereo panning.\u003c\/p\u003e\n\u003ch4\u003e7\u0026amp;quot; Main Display\u003c\/h4\u003e\n\u003cp\u003eM32 LIVE’s 7\" day-viewable color TFT (Thin-Film Transistor) display shows the setting parameters you need when you need them. Selected for its high-contrast performance and outdoor visibility, TFT is ideal for concert and open air festival venues. Flanked by high-precision, context-sensitive tactile encoders, the screen comes to life and immediately reports in high definition all adjustments applied to a wide range of parameters. Intelligent design puts control of vital functions such as Effects, Metering, Routing and much more 1 or 2 button presses away.\u003c\/p\u003e\n\u003ch4\u003eSends On Fader\u003c\/h4\u003e\n\u003cp\u003eM32 LIVE brings the convenience of digital mixing to your Aux and output bus mixes too, thanks to its integrated Sends on Fader feature. This incredible function allows you to build powerful, dedicated sub-mixes for monitor, secondary zone feeds, and much more - all without affecting the front of house mix or levels. The M32 LIVE allows you to send your choice of signals to any Aux or output bus and then dial in the perfect mix via the channel faders. The console remembers where you set the faders and instantly recalls them when you select a bus for quick adjustments.\u003c\/p\u003e\n\u003ch4\u003eDCA Groups\u003c\/h4\u003e\n\u003cp\u003eDCA (Digitally Controlled Amplifier) groups allow control over several signals at once without actually mixing them into a subgroup bus. M32 LIVE’s 8 DCA groups let you control multiple signals via a single fader, such as the entire drum mix, the horn section, or the backup vocalists, etc. DCA control affects the FOH mix, while allowing the individual buses to remain unchanged. The result is a customizable workflow that provides maximum flexibility, but still allows individual buses and subgroups to serve the purpose they were intended for, such as zone sends, broadcast feeds, etc.\u003c\/p\u003e\n\u003ch4\u003eView Function\u003c\/h4\u003e\n\u003cp\u003eAcross the M32 LIVE you’ll find 11 strategically placed View buttons associated with various functions. These buttons enable immediate access to information about that specific function. For instance, if you press the View button in the Equaliser section, information for that channel’s EQ is instantly shown on the main display, providing in-depth editing of all related parameters. This direct access to visual fine-tuning gives the engineer a level of control previously available only on consoles costing exponentially more.\u003c\/p\u003e\n\u003ch4\u003eAssign Section\u003c\/h4\u003e\n\u003cp\u003eWhile some digital consoles offer a few user-definable controls, M32 LIVE’s Assign section sets a new standard by providing a total of 36 fully customizable controls on three separate layers. As with channels and buses, individual Scribble Strips are provided for immediate identification. Buttons can be defined to toggle parameters on\/off, adjust timing of effects by tapping, or jump to specific screen views. Rotary encoders with LED collars can be assigned to specific channel parameters, or to additional parameters in the Dynamics section relevant to the current channel selection.\u003c\/p\u003e\n\u003ch4\u003e“Acoustic Integration” - the Live Sound Revolution\u003c\/h4\u003e\n\u003cp\u003eLegendary 40-year old British company Turbosound, famous for producing some of the world’s best speaker systems, have teamed up with Midas to seamlessly integrate mixer and speaker systems. We call it “Acoustic Integration”. The M32 LIVE’s ULTRANET bus allows streaming up to 16 channels of pristine digital audio to an array of Turbosound iQ speakers - all on a single CAT5 cable, along with control data to set sound presets remotely. Furthermore, the iQ Series features “True Physical Modeling” of some of the most popular speakers which can be easily remote controlled via the M32 LIVE, allowing the sound engineer to apply different speaker models in real time from the comfort of the mixing desk. “Acoustic Integration” is the next live sound revolution.\u003c\/p\u003e\n\u003ch4\u003e100-Band RTA for all Channel\/Bus EQs\u003c\/h4\u003e\n\u003cp\u003eThe M32 LIVE includes a 100-band Real Time Analyser (RTA) with full bar and spectrograph views on the M32-EDIT control application. This high-resolution RTA displays the audio energy distribution in 100 frequency bands over time - capturing a sonogram window of a full 10 seconds. You can switch between the large RTA view to display any available signal at full screen resolution, or the combined view, which displays the RTA view above each of the channel and bus EQ curves. This feature lets you see the results of your filtering choices in the audio spectrum directly. Additionally, the RTA can be displayed on top of the 31-band graphic EQs in the FX rack. Monitoring and controlling frequencies has never been easier!\u003c\/p\u003e\n\u003ch4\u003e16 Breathtaking FX “Plug-Ins” Based on True Physical Modeling\u003c\/h4\u003e\n\u003cp\u003eWe’ve added 16 breathtaking FX “Plug-Ins” to the M32 LIVE, giving you access to a total of 50+ effects that would otherwise cost tens of thousands of dollars in hardware. This new generation of high-end FX “Plug-Ins” is based on True Physical Modeling of classic audio hardware. We essentially “rebuilt” classic analogue gear in the digital domain and included models of legendary processors such as Urei’s 1176 * , Teletronix LA-2A * and Fairchild 670 * compressors as well as the legendary Pultec * EQP-1a and EQ5 equalisers etc. We also added a cutting-edge 5-band multiband compressor. Last but not least, the M32 LIVE can now run 4 studio-quality stereo reverbs together with 8 channels of 31-band graphic EQ. This allows you to replace your old outboard gear with a fully recallable onboard solution.\u003c\/p\u003e\n\u003ch4\u003eGain Splitting and Remote Control for FOH and Monitoring\u003c\/h4\u003e\n\u003cp\u003eA new Gain Split mode separates channel gain (trim) from the head amp gain, allowing both the FOH and\/or the monitor engineer to adjust local trim digitally - and independently of the preamp gain. Additionally, the new HA Gain Remote option allows console gains to be remotely controlled by an external console, such as when using the M32 LIVE as a stage box.\u003c\/p\u003e\n\u003ch4\u003eMore Routing and Processing Flexibility\u003c\/h4\u003e\n\u003cp\u003eThe M32 LIVE’s routing becomes even more flexible with this recent firmware upgrade. Output signals and XLR outputs are now treated separately, allowing signals from AES50 sources or expansion cards to be routed directly to the M32 LIVE’s analogue outputs. For example, now you can use the outputs from an M32 LIVE for directly routing back PA or monitoring signals from a main or FOH console. New output tap points can be set as pre- or post-mute for greater usability with your P16 personal monitoring mixers. This is very useful in situations where you don’t want mute groups to interrupt your signal flow.\u003c\/p\u003e\n\u003ch4\u003eMighty New Tools for Scene and Show Management\u003c\/h4\u003e\n\u003cp\u003eIntroducing the Cue List, an innovative way to automate the loading of scenes and new “Snippets” at different points during a show. Each of the 500 Cue entries can load any of the 100 Scenes or Snippets separately or at the same time. This gives you an amazing total of 500 Cues x 100 Scenes x 100 Snippets! For example, store your favorite EQ settings for drums on channels 1 - 8 as a Snippet, recallable in an instant as its own preset, completely independent of the console’s overall scene. It’s like taking a snapshot of a parameter on an input, return, FX slot, bus, Matrix, Main or DCA group - and saving it for quick access whenever you need it.\u003c\/p\u003e\n\u003cp\u003eThe Midas PRO FADER - Rated for 1 Million Life Cycles\u003c\/p\u003e\n\u003cp\u003eIn our pursuit to lead the industry in every possible aspect, we decided to design the world’s most reliable motor fader. We dove deep into materials science, employing semi-precious metals that offered the durability we desired. We took painstaking care to design a motorised fader that would provide continuous performance night after night, year after year. After spending a great deal of time working with metal vendors, we developed precision components that offer high linearity, robustness, and smooth feel during operation. We needed ultra-straight high-grade steel guide rods with smooth polished surfaces - and we got them. We worked closely with our manufacturing partners to maintain the tolerance of our parts, always choosing the most suitable materials and controlling the processes to ensure consistent moulding quality and eliminating the warping and deformation caused by shrinking as the parts cool. True, none of this was easy - we spent many long hours developing the Midas PRO FADER design. However the results speak for themselves. Midas PRO FADERS are rated for up to 1,000,000 cycles - three times that of other leading manufacturers.\u003c\/p\u003e\n\u003ch4\u003eLCD Scribble Strips\u003c\/h4\u003e\n\u003cp\u003eA total of 29 programmable LCD Scribble Strips offer channel\/bus identification that mirrors what is being controlled. Use them to enter input\/output tags, plus add icons you recognize at-a-glance. Then assign colors to create visual groups for immediate, on-the-fly recognition of similar inputs. Simple, elegant and effective - plus you’ll never need masking tape again.\u003c\/p\u003e\n\u003ch4\u003eVirtual Effects Racks\u003c\/h4\u003e\n\u003cp\u003eM32 LIVE includes an extensive array of onboard effects, rendering outboard processing racks a thing of the past. The Virtual FX rack features 8 true-stereo, studio-grade effects engines each assignable to any input, group or output mix bus. Choose from high-end FX modules including a range of reverbs, delays, EQs, dynamics and much more. Each FX algorithm has been completely re-imagined for stunning performance - typically costing several times the price of the M32 LIVE. Custom-designed, and physically modeled after some of the most iconic and sought-after processors, all effects run inside the low-latency environment of the M32 LIVE mix engine, ensuring flawless performance, flexible routing and the end of cable faults forever!\u003c\/p\u003e\n\u003cp\u003eThe immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades. The ultra-smooth optical attenuator is closely modeled in our LA COMPRESSOR. It provides breezing, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A *)\u003c\/p\u003e\n\u003cp\u003eWhen Urei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented and the 1176 was one of the first audio processors to benefit from this new technology. Our digital re-incarnation, ULTIMO COMPRESSOR, is based on the early Rev. E model and authentically captures the smooth character of the original class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN *)\u003c\/p\u003e\n\u003cp\u003eThe Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels. Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or M\/S operation. (Inspired by Fairchild 670 *)\u003c\/p\u003e\n\u003cp\u003eThe COMBINATOR is an amazing 5-band compressor that emulates famous broadcasting and mastering compressors. A highly complex processor, the COMBINATOR utilises automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.\u003c\/p\u003e\n\u003cp\u003eThe XTEC EQ1 is undisputedly one of the best passive studio equalisers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement. We analysed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a *)\u003c\/p\u003e\n\u003cp\u003ePultec simply wrote the book on passive equalisation. By digitally “rebuilding” every aspect of the original Pultec classic, we captured the very essence in our parametric equaliser XTEC EQ5. Our digital re-incarnation is based on the original model and authentically emulates the smooth character of the its rather unique components. (Inspired by Pultec MEQ5 *)\u003c\/p\u003e\n\u003cp\u003eThe new SUB OCTAVER provides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the effect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing...\u003c\/p\u003e\n\u003cp\u003eThe EDISON EX1 is the re-incarnation of our own analogue classics. This remarkably-effective tool allows manipulation of the stereo field. Selectable M\/S input\/output modes allow the processing or creation of M\/S recorded sound sources.\u003c\/p\u003e\n\u003ch4\u003eBROCHURE MIDAS M32\u003c\/h4\u003e\n\u003cp\u003eThe official 40-page Midas M32 product brochure; complete specifications, channel diagrams and application notes for the M32 digital mixing console, the desk that brought Midas audio quality and Klark Teknik processing into a more compact, touring-friendly format.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (W x D x H)\u003c\/td\u003e\n\u003ctd\u003e35.08 x 24.17 x 10.08 in (891 x 614 x 256 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e55.0 lb (24.95 kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653071178\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656984052003,"sku":"M32 LIVE","price":4949.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0603-AEO_M32-LIVE_Catalog_B.png?v=1790377401"},{"product_id":"midas-l6","title":"Midas L6 500 Series Portable Chassis for 6 Modules with Advanced Audio Routing and Rackmount Kit","description":"\u003cp\u003e\u003cstrong\u003e500 Series Portable Chassis for 6 Modules with Advanced Audio Routing and Rackmount Kit\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe LEGEND L6 500 Series Portable Chassis lets you mix and match a wide range of audio processing modules to build the ideal signal chain for any application. With space for up to 6 single-width modules, advanced audio routing for simplified cabling, and a robust auto-ranging universal switch-mode power supply, you can take your favourite modules anywhere in the world with complete confidence. The included rackmount kit allows the L6 to be installed in standard 19\" studio and touring racks. Designed to accommodate all 500 series-compatible modules and plug-in cards, the L6 is the perfect companion for your MICROPHONE PREAMPLIFIER 502, COMPRESSOR LIMITER 522, PARAMETRIC EQUALISER 512, and the many other modules currently under development - as well as those from 3rd party vendors.\u003c\/p\u003e\n\u003ch4\u003e6 Modules - Just 3U\u003c\/h4\u003e\n\u003cp\u003eThe L6 chassis provides I\/O connectivity and +48 V phantom power for up to 6 processing modules in a rugged steel cabinet that occupies only three 19\" rackspaces (when fitted with the included rackmount kit).\u003c\/p\u003e\n\u003ch4\u003eAdvanced Audio Routing\u003c\/h4\u003e\n\u003cp\u003eWhether you are in the studio or on the road, signal chain cabling no longer need be an issue. L6's audio output link switches make it easy to rearrange and connect your modules without the need for complex cabling. Just install your modules in the order you wish and pass the signal along the chain free of any extraneous cables. This not only makes your rack much neater, it also helps you maintain the ultimate in signal integrity.\u003c\/p\u003e\n\u003ch4\u003eCompressor Bus Link\u003c\/h4\u003e\n\u003cp\u003eIf your compressor modules are designed for it, our Comp Bus Link switches enable you to link them together for stereo or multi-channel dynamics sidechain linking without the need for insert cables.\u003c\/p\u003e\n\u003ch4\u003eRoadworthy Build Quality\u003c\/h4\u003e\n\u003cp\u003eL6's rugged all steel chassis is over-engineered to withstand the rigours of constant touring and provide the utmost protection for your valuable processing gear. A convenient carry handle is provided for easy transport should your application call for a portable free-standing solution.\u003c\/p\u003e\n\u003ch4\u003eRackmount Kit Included\u003c\/h4\u003e\n\u003cp\u003eRack ears and all the necessary hardware are included for securely installing your LEGEND L6 in standard 19\" recording studio and live touring racks.\u003c\/p\u003e\n\u003ch4\u003eHum-Free Performance\u003c\/h4\u003e\n\u003cp\u003eThanks to the onboard ground lift switch, you can easily lift the audio ground and eliminate annoying ground loop issues that might otherwise spoil a perfect performance.\u003c\/p\u003e\n\u003ch4\u003eReady for the World\u003c\/h4\u003e\n\u003cp\u003eYou need reliable power for spectacular audio; that's why the L6 utilises a state-of-the-industry universal auto-ranging switch-mode power supply that works anywhere in the world. And the L6's ultra low-noise power supply boasts an impressive 3.2 A @ ±16 V for your modules and 300 mA @ +48 V phantom power, so you can use a wide variety of microphones - even your favourite ribbon mic.\u003c\/p\u003e\n\u003ch4\u003ePremium Quality\u003c\/h4\u003e\n\u003cp\u003eBecause maintaining a crystal-clear, audiophile-grade signal path is all that matters, the L6 uses only the highest-quality components throughout including the industry standard XLR main and auxiliary input and output connectors provided per channel.\u003c\/p\u003e\n\u003ch4\u003eAudio Perfection\u003c\/h4\u003e\n\u003cp\u003eWhether your mission is the tracking or mastering of recording projects, or getting the perfect instrument or vocal sound in the concert hall, the LEGEND L6 puts your favourite processing gear right at your fingertips. See your MIDAS dealer today or get your L6 online, and step up to the professional quality your craft deserves.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653080675\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656984084771,"sku":"L6","price":209.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0831-AAB_L6_Catalog_B.png?v=1790377403"},{"product_id":"midas-l10","title":"Midas L10 500 Series Rackmount Chassis for 10 Modules with Advanced Audio Routing","description":"\u003cp\u003e\u003cstrong\u003e500 Series Rackmount Chassis for 10 Modules with Advanced Audio Routing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe LEGEND L10 500 Series Rackmount Chassis lets you mix and match a wide range of audio processing modules to build the ideal signal chain for any application. With space for up to 10 single-width modules, advanced audio routing for simplified cabling, and a robust auto-ranging universal switch-mode power supply, you can take your favourite modules anywhere in the world with complete confidence. Designed to accommodate all 500 series-compatible modules and plug-in cards, the L10 is the perfect companion for your MICROPHONE PREAMPLIFIER 502, COMPRESSOR LIMITER 522, PARAMETRIC EQUALISER 512, and the many other modules currently under development - as well as those from 3rd party vendors.\u003c\/p\u003e\n\u003ch4\u003e10 Modules \u0026amp;amp;ndash; Just 3U\u003c\/h4\u003e\n\u003cp\u003eThe L10 chassis provides I\/O connectivity and +48 V phantom power for up to 10 processing modules in a rugged steel cabinet that occupies only three 19\" rackspaces.\u003c\/p\u003e\n\u003ch4\u003eAdvanced Audio Routing\u003c\/h4\u003e\n\u003cp\u003eWhether you are in the studio or on the road, signal chain cabling no longer need be an issue. L10's audio output link switches make it easy to rearrange and connect your modules without the need for complex cabling. Just install your modules in the order you wish and pass the signal along the chain free of any extraneous cables. This not only makes your rack much neater, it also helps you maintain the ultimate in signal integrity.\u003c\/p\u003e\n\u003ch4\u003eCompressor Bus Link\u003c\/h4\u003e\n\u003cp\u003eIf your compressor modules are designed for it, our Comp Bus Link switches enable you to link them together for stereo or multi-channel dynamics sidechain linking without the need for insert cables.\u003c\/p\u003e\n\u003ch4\u003eRoadworthy Build Quality\u003c\/h4\u003e\n\u003cp\u003eL10's rugged all steel chassis is over-engineered to withstand the rigours of constant touring and provide the utmost protection for your valuable processing gear.\u003c\/p\u003e\n\u003ch4\u003eReady for the World\u003c\/h4\u003e\n\u003cp\u003eYou need reliable power for spectacular audio; that's why the L10 utilises a state-of-the-industry universal auto-ranging switch-mode power supply that works anywhere in the world. And the L10's ultra low-noise power supply boasts an impressive 3.2 A @ ±16 V for your modules and 300 mA @ +48 V phantom power, so you can use a wide variety of microphones - even your favourite ribbon mic.\u003c\/p\u003e\n\u003ch4\u003ePremium Quality\u003c\/h4\u003e\n\u003cp\u003eBecause maintaining a crystal-clear, audiophile-grade signal path is all that matters, the L10 uses only the highest-quality components throughout including the industry-standard XLR main and auxiliary input and output connectors provided per channel.\u003c\/p\u003e\n\u003ch4\u003eAudio Perfection\u003c\/h4\u003e\n\u003cp\u003eWhether your mission is the tracking or mastering of recording projects, or getting the perfect instrument or vocal sound in the concert hall, the LEGEND L10 puts your favourite processing gear right at your fingertips. See your MIDAS dealer today or get your L10 online, and step up to the professional quality your craft deserves\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653080668\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656984150307,"sku":"L10","price":259.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0831-AAA_LEGEND-L10_Catalog_B.png?v=1790377404"},{"product_id":"midas-hub4-pro","title":"Midas HUB4 Pro 96k Monitor System Hub with 4 PoE Ports for Personal Mixers or Compatible Stage Boxes","description":"\u003cp\u003e\u003cstrong\u003e96k Monitor System Hub with 4 PoE Ports for Personal Mixers or Compatible Stage Boxes, AES50 In and Through with SRC, StageConnect and 16-Channel Analogue Out\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe HUB4 PRO is the essential multi-tool in any stage rack, providing analogue and digital outputs for various applications and offering reliable performance for seamless integration into diverse audio setups.   The HUB4 PRO allows a more streamlined and customisable monitoring experience, with front panel buttons and 16 balanced analogue outputs for sending 4x2 personal stereo mixes from DP48 to IEM transmitters in the side rack. It also allows collecting audio from 4 of the brand-new Midas DL8 Stage Box, which can be connected and powered from ports 1-4.  Ensuring reliable connections is key for the transmission of multiple channels in any setting, the HUB4 PRO features industry-standard RJ45 AES50 network ports and remote operation via shielded CAT5e cables. With a versatile and adaptive power supply, the HUB4 PRO can be used globally, and it has a rugged 1U chassis making it extremely durable for travel.\u003c\/p\u003e\n\u003ch4\u003ePersonal Monitoring with DP48\u003c\/h4\u003e\n\u003cp\u003eHUB4 PRO can supply up to four DP48 personal monitor mixers with PoE (Power over Ethernet) and 48 channels of 24-bit\/48 kHz audio or 2x 24 channels at 96 kHz. HUB4 PRO also collects 48 channels of upstream audio and forwards this audio to the FOH console, either from stage boxes connected to the AES50-B (THRU) Port or 8 return channels from each of Ports 1-4.\u003c\/p\u003e\n\u003ch4\u003eCascading Hubs for Large Setups\u003c\/h4\u003e\n\u003cp\u003eTo meet the challenges of large monitoring setups, HUB4 PRO can easily be daisy-chained to make additional DP48 ports available, all the way up to symphonic orchestra applications. On the other hand, HUB4 PRO can also address situations where you want to connect additional I\/O via the same AES50 link to the mixing console. To help build out this AES50 console link, digital stage boxes such as the Midas DL16 or DL32 can be connected to the HUB4’s AES50 (THRU) Port. The console can pass downstream signals to their respective stage outputs, while also receiving 48 channels upstream from the stage inputs via HUB4 PRO.\u003c\/p\u003e\n\u003ch4\u003eAnalog Outputs for IEM Transmitters\u003c\/h4\u003e\n\u003cp\u003eHUB4 PRO features 16 balanced line-level outputs that can carry the 8 stereo mixes from the connected DP48 mixers for connections in the side rack. There is no need to run additional lines from personal mixers to the transmitters, reducing setup time and reliability considerably. Alternatively, these analogue outputs can also be used as spare outputs on stage receiving signals directly from the FOH consoles, e.g. for providing talkback or side fill outputs.\u003c\/p\u003e\n\u003ch4\u003eStageConnect Interface\u003c\/h4\u003e\n\u003cp\u003eThe innovative StageConnect interface yields additional flexibility for routing signals in, out, and through the HUB4 PRO. With just one standard XLR cable you can expand the total i\/o capacity by 32 channels of lowest latency, impeccable 24-Bit audio. Connect a Midas DN4816-O here, for putting out 16 impedance-balanced line signals directly in the side rack, where the IEM transmitters are mounted.  Or add another DN4816-I for collecting the signals of up to 16 wireless receivers for sending their signals through HUB4 PRO upstream to the mixing console. DN4816-U can be used to bridge USB audio with Ultranet and StageConnect in a compact rugged DI box case. Adding convenient and cost-efficient I\/O flexibility is now on a level of its own with StageConnect.\u003c\/p\u003e\n\u003ch4\u003eSupport from Midas M32 and Heritage D Series Consoles\u003c\/h4\u003e\n\u003cp\u003eHUB4 PRO can convey control messages from M32 FOH consoles to DP48 personal mixers, as well as remote control messages between DP48 units. Midas DP48 Personal Monitor Mixers support remote control of other DP48 units and can also receive control information from M32 and Heritage D Series Consoles. This control information includes assignments, names and colors of channels, which are transmitted via AES50 for easy configuration of personal mixers. HUB4 PRO can convey control messages from the FOH console to personal mixers as well as between personal mixers. This control message system works when DP48 units are connected to Ports 1-4 or to the ports on daisy-chained hubs.\u003c\/p\u003e\n\u003ch4\u003eMidas DL8 PoE (Power over Ethernet) Powered Stage Boxes\u003c\/h4\u003e\n\u003cp\u003eHUB4 PRO easily interfaces with the new Midas DL8 stage box, which makes bulky analog sub-snakes a thing of the past. The DL8 stage box can be connected to one of HUB4 PRO Ports 1-4 using only a simple CAT5E STP cable. This cable connection from HUB4 PRO can directly power up to 4 stage boxes via PoE support - IEEE802.3at per port - allowing for shorter analogue lines on stage.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653072243\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656984183075,"sku":"HUB4 Pro","price":969.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0609-AAO_HUB4-PRO_Catalog_B.png?v=1790377406"},{"product_id":"midas-hub4","title":"Midas HUB4 Monitor System Hub with 4 PoE Ports for Personal Mixers or Compatible Stage Boxes","description":"\u003cp\u003e\u003cstrong\u003eMonitor System Hub with 4 PoE Ports for Personal Mixers or Compatible Stage Boxes, 48\/44.1 kHz AES50 In and Through, StageCONNECT and 16-Channel Analogue Out\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003ePersonal Monitoring with DP48\u003c\/h4\u003e\n\u003cp\u003eMidas HUB4 is the multi-tool in your stage rack providing analogue and digital outputs for various applications. HUB4 can supply up to four DP48 personal monitor mixers with PoE (Power over Ethernet) and 48 channels of 24-bit \/ 48 kHz audio. HUB4 also collects 48 channels of upstream audio and forwards this audio to the FOH console, either from stage boxes connected to the AES50-B (THRU) Port or 8 return channels from each of Ports 1-4.\u003c\/p\u003e\n\u003ch4\u003eCascading Hubs for Large Setups\u003c\/h4\u003e\n\u003cp\u003eTo meet the challenges of large monitoring setups, HUB4 can easily be daisy-chained to make additional DP48 ports available, all the way up to symphonic orchestra applications. On the other hand, HUB4 can also address situations where you want to connect additional I\/O via the same AES50 link to the mixing console. To help build out this AES50 console link, digital stage boxes such as the Midas DL16 or DL32 can be connected to the HUB4’s AES50-B (THRU) Port. The console can pass downstream signals to their respective stage outputs, while also receiving 48 channels upstream from the stage inputs via HUB4.\u003c\/p\u003e\n\u003ch4\u003eAnalogue Outputs for IEM Transmitters\u003c\/h4\u003e\n\u003cp\u003eHUB4 features 16 balanced line-level outputs that can carry the 8 stereo mixes from the connected DP48 mixers for connections in the side rack. So there is no need to run additional lines from personal mixers to the transmitters, reducing setup time and reliability considerably. Alternatively, these analogue outputs can also be used as spare outputs on stage receiving signals directly from the FOH consoles, e.g. for providing talkback or side fill outputs.\u003c\/p\u003e\n\u003ch4\u003eSupport from Midas M32 Series Consoles\u003c\/h4\u003e\n\u003cp\u003eHUB4 can convey control messages from M32 FOH consoles to DP48 personal mixers, as well as remote control messages between DP48 units. Midas DP48 Personal Monitor Mixers support remote control of other DP48 units and can also receive control information from M32 mixing consoles. This M32 control information includes assignments, names and colors of channels, which are transmitted via AES50 for easy configuration of personal mixers. HUB4 can convey control messages from the FOH console to personal mixers as well as between personal mixers. This control message system works when DP48 units are connected to Ports 1-4 or to the ports on daisy-chained hubs.\u003c\/p\u003e\n\u003ch4\u003eMidas DL8 PoE (Power over Ethernet) Powered Stage Boxes\u003c\/h4\u003e\n\u003cp\u003eHUB4 easily interfaces with the new Midas DL8 stage box, which makes bulky analog sub-snakes a thing of the past. The DL8 stage box can be connected to one of HUB4 Ports 1-4 using only a simple CAT5E STP cable. This cable connection from HUB4 can directly power up to 4 stage boxes via PoE support - IEEE802.3at per port - allowing for shorter analogue lines on stage.\u003c\/p\u003e\n\u003ch4\u003eRemote Control Forwarding Through HUB4\u003c\/h4\u003e\n\u003cp\u003eHUB4 also facilitates one of the exceptional features of DP48 Personal Monitoring systems in which one DP48 unit can be designated as Master and used to control one or more DP48 units in Slave mode. HUB4 ensures that personal mixers are enumerated and that the Master, i.e., the DP48 connected to Port 1 of the first HUB4 in a daisy-chain, can control the respective Slaves. This way either a tech-savvy bandmate or the technician can help talents on stage with their personal monitor sound.\u003c\/p\u003e\n\u003ch4\u003eStageConnect - The Future of XLR\u003c\/h4\u003e\n\u003cp\u003eHUB4 also features a designated StageConnect port on the rear panel, anticipating the future of XLR connectivity. What if any standard XLR or DMX cable could be used to transmit more than one channel of audio? What if that cable could transmit signals not only one way, but bi-directionally? What if that cable would allow the passage of control data or even MIDI at the same time? What if a connected StageConnect device could receive up to 18 W of power through that same cable? Well, these capabilities are exactly what StageConnect delivers - a new interface standard to be released by Music Tribe after two years of development. This new standard comes with outstanding technical specs: 32 channels of uncompressed PCM audio in various I\/O configurations, 24-bit at 48 kHz, below 0.5 ms of latency. For optimum performance and long cable runs 110 Ohm DMX-Cable is required.\u003c\/p\u003e\n\u003ch4\u003eEtherCON CAT5E-STP for AES50 Remote Connections\u003c\/h4\u003e\n\u003cp\u003eHUB4 uses rugged industry-standard EtherCon connectors to ensure stable operation in live production environments. For best performance, a good quality CAT5E STP cable, such as Klark Teknik NCAT5E-50, allows for remote operation.\u003c\/p\u003e\n\u003ch4\u003eControls \u0026amp;amp; Connectivity\u003c\/h4\u003e\n\u003cp\u003eHUB4’s large backlit front panel buttons show when a device is connected to the corresponding AES50 port and indicate whether the upstream signals are being sent to the desired outputs.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653071505\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656984215843,"sku":"HUB4","price":729.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0609-AAK_HUB4_Catalog_B.png?v=1790377409"},{"product_id":"midas-dp48mb","title":"Midas DP48MB Mounting Bracket for Midas DP48 Personal Monitoring Mixer","description":"\u003cp\u003e\u003cstrong\u003eMounting Bracket for Midas DP48 Personal Monitoring Mixer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Midas DP48 system is the easy, affordable way to provide live or recording musicians\/vocalists what they really want - their very own custom-tailored monitor mix. DP48 Personal Monitoring Mixers let each performer take control of their own monitor mixes, allowing the engineer to concentrate on providing the audience the best possible listening experience. But to get the most out of your DP48 mixer’s capabilities, it needs to be located where they can do the most good - within arm’s reach of the artist. That is where the DP48MB comes in, allowing your DP48 Personal Monitor Mixer to be mounted on mic or music stands, drum hardware, or any other place your imagination leads you. The DP48MB even provides dual headphone hangers and an integrated cable guide to keep everything needed at the ready.\u003c\/p\u003e\n\u003ch4\u003eUnparalleled Personal Monitoring\u003c\/h4\u003e\n\u003cp\u003eBy putting dynamic control over virtually all elements (Volume, Pan, Solo \u0026amp; Mute) of up to 48 input signals within each performer's reach, the DP48 Personal Monitoring System provides the easy and affordable way to give them exactly what they want - “more me”! Put your DP48 mixers at the performer’s fingertips today with the DP48MB - and experience an unparalleled solution to live and studio personal monitoring.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653080743\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656984248611,"sku":"DP48MB","price":59.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0609-AAI_DP48MB_Catalog_B.png?v=1790377410"},{"product_id":"midas-dp48","title":"Midas DP48 Dual 48-Channel Personal Monitor Mixer with SD Card Recorder, Stereo Ambience Microphone","description":"\u003cp\u003e\u003cstrong\u003eDual 48-Channel Personal Monitor Mixer with SD Card Recorder, Stereo Ambience Microphone and Remote Powering\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003ePersonal Monitor Mixing Redefined\u003c\/h4\u003e\n\u003cp\u003eThe Midas DP48 is a dual 48 channel personal monitor mixer that allows 2 performers to fully control their monitor mixes and hear exactly what they want and even record and playback rehearsals and performances. With a simple and intuitive interface and the ability to connect to any AES50-equipped device, the DP48 can create a complete monitoring system perfect for use in the studio or on stage.\u003c\/p\u003e\n\u003ch4\u003eYour Mix, Your Way\u003c\/h4\u003e\n\u003cp\u003eThe DP48 gives performers complete control over their monitor mix with 12 stereo groups for quickly creating and balancing mixes. All 48 channels of the DP48 can be mixed within these 12 groups and can handle any kind of monitor set up. Vocalists, for example can place the vocal channel in Group 1 while the drums, bass and guitar channels can be placed in Groups 2,3 and 4 respectively. Drummers who may be more particular can create more complex mixes with the DP48; separately mix their kick, snare and hi hat in Groups 1-3 with the two overhead mics panned left and right in Group 4.\u003c\/p\u003e\n\u003ch4\u003eDual Stereo Mixes\u003c\/h4\u003e\n\u003cp\u003eThe dual mix feature even allows two users to be connected to one DP48 each with their own separate stereo  group mix. There are three dedicated controls for each of the Mix A and B outputs, providing independent adjustments for the respective Output Volume, the selected Group Level and for the assignable My Group Level. Both Main Mixes feature separate EQ, Reverb Level and Limiter settings-especially useful when both talents are using different in-ear or over-ear headphones.\u003c\/p\u003e\n\u003ch4\u003eControl and Much More\u003c\/h4\u003e\n\u003cp\u003eEach group in the DP48 features its very own 3 band EQ, compressor and reverb which can be controlled with one knob. Just press a button and adjust the parameter using the SELECT\/EDIT knob. The low, mid and high parameters increase or attenuate their respective frequencies for each group. The compressor setting controls a selected group’s compression as well as Mix A or B’s peak limiting threshold. Studio-quality Reverb can be added to a selected group or mix to add more spatial ambience to a personal monitor mix independent from the main console. The Pan button allows users to adjust the panorama of a selected group.\u003c\/p\u003e\n\u003ch4\u003eSD Recorder and Presets\u003c\/h4\u003e\n\u003cp\u003eThe DP48 can also accept an SD card to be used for recording rehearsals or performances. Recorded mixes can be played back to Mix A or Mix B. Recording features a mix-minus function, deducting the respective My Group signals, for use as a backing track when practicing.You can also store complete mixing presets to SD and load them back when using a different DP48 mixer.\u003c\/p\u003e\n\u003ch4\u003eBuilt in Mic\u003c\/h4\u003e\n\u003cp\u003eA performer wearing in-ear monitors can sometimes feel isolated. That’s why the DP48 comes with a built-in stereo ambience microphone that helps performers hear more of the room around them or communicate with each other and even hear more of their audience.An automatic ducking function attenuates the microphone while the band is playing, in order to keep your mix clean.\u003c\/p\u003e\n\u003ch4\u003eComplete Integration\u003c\/h4\u003e\n\u003cp\u003eEvery DP48 can be remotely powered via a direct AES50 connection to the Midas HUB4  featuring Power over Ethernet (PoE). Any 44.1\/48 kHz AES50 device including Midas and Behringer digital consoles and I\/O boxes are compatible with the DP48. AES50 return channels also allow personal mixes from the DP48 to be sent back to the console or hub for connection to wireless IEM transmitters. Even input channel labelling and colour information can be transmitted to the DP48 via AES50. When connected to a Midas hub, the DP48 can be setup and controlled remotely from the mixer.The Midas M32 firmware update 4.0 supports full configuration of personal mixer channel assignments and Group names directly from the console user interface. DP48 is the first solution to fully integrate channel grouping into a digital console surface, where all the channel routing is configured.\u003c\/p\u003e\n\u003ch4\u003eRemote Control\u003c\/h4\u003e\n\u003cp\u003eIn addition to the remote configuration from compatible FOH or monitoring consoles, any DP48 mixer can also fully control one or several other DP48 mixers on stage, for concurrent changes. A stage tech can remotely assist whenever a performer needs help with his personal mix.Remote control can be passed on via the Midas HUB4 or when daisy-chaining DP48 mixers.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653080729\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656984314147,"sku":"DP48","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0609-AAG_DP48_Catalog_B.png?v=1790377412"},{"product_id":"midas-dn4888","title":"Midas DN4888 Bus-Powered StageCONNECT Interface with 8x8 Analogue In\/Out and Dual Ultranet Outputs","description":"\u003cp\u003e\u003cstrong\u003eBus-Powered StageCONNECT Interface with 8x8 Analogue In\/Out and Dual Ultranet Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe DN4888 is the perfect solution for connecting additional equipment to your monitor or FOH console. It provides 8 additional analogue in and outputs to enable for 8 analogue inserts or the connection to wireless devices, like 8 wireless microphones and 8 wireless in-ear systems.  The StageConnect interface can be connected to other StageConnect devices using a single XLR cable for multi-channel audio transmission. There are various I\/O options available providing easily scalable connectivity in your side rack. The devices of the DN48XX Series can be daisy-chained and will negotiate the channels for their respective connectivity automatically.\u003c\/p\u003e\n\u003ch4\u003eStageConnect - The Future of XLR\u003c\/h4\u003e\n\u003cp\u003eWhat if any standard XLR or DMX cable could be used to transmit more than one channel of audio? What if that cable could transmit signals not only one way, but bi-directionally? What if that cable would allow the passage of control data at the same time? What if a connected StageConnect device could receive up to 18 W of power through that same cable? Well, these capabilities are exactly what StageConnect delivers - a new interface standard to be released by Music Tribe after two years of development. The Midas DN48XX Series is one of the first available I\/O-Interfaces based on the StageConnect-Standard. This new standard comes with outstanding technical specs: 32 channels of uncompressed PCM audio in various I\/O configurations, 24-bit at 48 kHz, below 0.05 ms of latency. For optimum performance and long cable runs 110 Ohm DMX cable is required.\u003c\/p\u003e\n\u003ch4\u003eEcosystem and Beyond\u003c\/h4\u003e\n\u003cp\u003eThe DN48XX Series is the first generation of I\/O Interfaces for the new StageConnect ecosystem. StageConnect was introduced with the Behringer WING mixing console. Even though the DN48XX Series was designed with the WING console in mind the devices can be used with all StageConnect devices like HUB4. The StageConnect Ecosystem opens a wide field of audio devices. May it be several I\/O devices spread over the Stage or equipment in the siderack - the use cases for the DN48XX Series StageConnect Interfaces are virtually endless.\u003c\/p\u003e\n\u003ch4\u003eCascade Interfaces to Meet Your Requirements\u003c\/h4\u003e\n\u003cp\u003eNo matter if you want to use StageConnect for connecting wireless systems, external effects or playback systems, the devices of the DN48XX series can easily be daisy-chained to meet the requirements of your respective I\/O configurations. With a total bandwidth of 32 channels, all combinations ranging from 32 inputs over 16 in and outputs in parallel to 32 outputs can be achieved using different combinations of DN48XX interfaces connected using a simple XLR cable.\u003c\/p\u003e\n\u003ch4\u003ePower via DC or StageConnect\u003c\/h4\u003e\n\u003cp\u003eThe DN48XX Series devices can be powered via DC or via StageConnect. By design, every SC Master provides 18W of power that can be used by devices in the chain. Depending on the respective power consumption multiple devices in the chain can be phantom powered by a single Master device. It should be noted that an SC device in the chain that is supplied with DC power can supply other devices connected to its Master Port as well. To check your respective setup for power consumption, use the StageConnect Calculator (SSC Tool). This tool checks a virtually configured chain for the DMX cable lengths, power supply, audio routing and other parameters.\u003c\/p\u003e\n\u003ch4\u003eAutomatic Bus Configuration\u003c\/h4\u003e\n\u003cp\u003eThere are two ways to configure an SC Chain. Either you can manually configure the chain using devices like WING or let the Automatic Bus Configuration do its work. This process adapts the input and output configuration of the SC Bus depending on the connected devices. Simply connect devices and the Master device of the chain will automatically change the routing. To check and plan setups, the SSC Tool software is available, providing information about the routing and DMX cable length, power management and other parameters.\u003c\/p\u003e\n\u003ch4\u003eAnalogue I\/O for External Effects\u003c\/h4\u003e\n\u003cp\u003eThe DN4888 features 8 balanced line-level in and outputs that can feed external FX processors. All you need to do is mount the DN4888 to your effect rack and connect it to your Console using a single XLR cable. This way you can save local outputs, reduce setup time and increase reliability considerably. Alternatively, these connections can be used for wireless transmitters and receivers or any other application requiring additional analog in and outputs.\u003c\/p\u003e\n\u003ch4\u003eULTRANET - Seamless Integration\u003c\/h4\u003e\n\u003cp\u003eThe well-established ultranet technology transmits up to 16 independent channels of 24-bit digital audio via a single CAT5 cable between compatible digital devices. The DN48XX Series devices serve Ultranet connectivity for translation between StageConnect and Ultranet. This way more than 1 million Ultranet products in the market like the P16 monitoring system, AIR mixers and Turbosound speakers can be integrated in the StageConnect ecosystem.\u003c\/p\u003e\n\u003ch4\u003eStageConnect Calculator\u003c\/h4\u003e\n\u003cp\u003eThe StageConnect Calculator is a tool that can be used for checking and planning setups. You can create a virtual SC chain to study the upstream and downstream routing. The calculator also indicates parameters maximum DMX cable lengths, power budget and the overall stability of your connection.   You can virtually change the configuration of individual devices, change their order and intuitively add or remove devices from the chain. This allows you to explore the possibilities of routing signals through the new ecosystem.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653071673\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656984346915,"sku":"DN4888","price":339.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0606-ADD_DN4888_Catalog_B.png?v=1790377414"},{"product_id":"midas-dn4816-o","title":"Midas DN4816-O Bus-Powered StageCONNECT Interface with 16 Analog Outputs and Ultranet In\/Out","description":"\u003cp\u003e\u003cstrong\u003eBus-Powered StageCONNECT Interface with 16 Analog Outputs and Ultranet In\/Out\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe DN4816-O is the perfect solution for connecting additional line outputs to your monitor or FOH console. It provides 16 analog outputs (e.g., to connect wireless transmitters for in-ear monitoring). Additionally, it provides an Ultranet input, that can be used to forward Signals from an AIR mixer via StageConnect. The StageConnect interface can be connected to other StageConnect devices using a single XLR cable for multi-channel audio transmission. There are various I\/O options available providing easily scalable connectivity in your side rack. The devices of the DN48XX Series can be daisy-chained and will negotiate the channels for their respective connectivity automatically.\u003c\/p\u003e\n\u003ch4\u003eStageConnect - The Future of XLR\u003c\/h4\u003e\n\u003cp\u003eWhat if any standard XLR or DMX cable could be used to transmit more than one channel of audio? What if that cable could transmit signals not only one way, but bi-directionally? What if that cable would allow the passage of control data at the same time? What if a connected StageConnect device could receive up to 18 W of power through that same cable? Well, these capabilities are exactly what StageConnect delivers - a new interface standard to be released by Music Tribe after two years of development. The Midas DN48XX Series is one of the first available I\/O-Interfaces based on the StageConnect standard. This new standard comes with outstanding technical specs: 32 channels of uncompressed PCM audio in various I\/O configurations, 24-bit at 48 kHz, below 0.5 ms of latency. For optimum performance and long cable runs 110 Ohm DMX cable is required.\u003c\/p\u003e\n\u003ch4\u003eEcosystem and Beyond\u003c\/h4\u003e\n\u003cp\u003eThe DN48XX Series is the first generation of I\/O Interfaces for the new StageConnect ecosystem. StageConnect was introduced with the Behringer WING mixing console. Even though the DN48XX Series was designed with the WING console in mind the devices can be used with all StageConnect devices like HUB4. The StageConnect Ecosystem opens a wide field of audio devices. May it be several I\/O devices spread over the Stage or equipment in the siderack - the use cases for the DN48XX Series StageConnect Interfaces are virtually endless.\u003c\/p\u003e\n\u003ch4\u003eCascade Interfaces to Meet Your Requirements\u003c\/h4\u003e\n\u003cp\u003eNo matter if you want to use StageConnect for connecting wireless systems, external effects or playback systems, the devices of the DN48XX Series can easily be daisy-chained to meet the requirements of your respective I\/O configurations. With a total bandwidth of 32 channels, all combinations ranging from 32 inputs over 16 In and outputs in parallel to 32 outputs can be achieved using different combinations of DN48XX interfaces connected using a simple XLR cable.\u003c\/p\u003e\n\u003ch4\u003ePower Via DC or StageConnect\u003c\/h4\u003e\n\u003cp\u003eThe DN48XX Series devices can be powered via DC or via StageConnect. By design every SC Master provides 18W of power that can be used by devices in the chain. Depending on the respective power consumption multiple devices in the chain can be phantom powered by a single Master device. It should be noted that an SC device in the chain that is supplied with DC power can supply other devices connected to its Master port as well. To check your respective setup for power consumption, use the StageConnect Calculator (SSC Tool). This tool checks a virtually configured chain for the DMX cable lengths, power supply, audio routing and other parameters.\u003c\/p\u003e\n\u003ch4\u003eAutomatic Bus Configuration\u003c\/h4\u003e\n\u003cp\u003eThere are two ways to configure an SC chain. Either you can manually configure the chain using devices like WING or let the Automatic Bus Configuration do its work. This process adapts the input and output configuration of the SC Bus depending on the connected devices. Simply connect devices and the Master device of the chain will automatically change the routing. To check and plan setups the SSC Tool software is available, providing information about the routing and DMX cable length, power management and other parameters.\u003c\/p\u003e\n\u003ch4\u003eAnalogue Outputs for IEM Transmitters\u003c\/h4\u003e\n\u003cp\u003eDN4816-O features 16 balanced line-level outputs that can carry up to 8 stereo mixes separated from the Console. All you need to do is mount the DN4816-O to your wireless rack and connect it to your console using a single XLR cable. This way you can save local outputs, reduce setup time and increase reliability considerably. Alternatively, these analogue outputs can also be used as spare outputs on stage receiving signals directly from the FOH consoles, e.g. for providing talkback or side fill outputs.\u003c\/p\u003e\n\u003ch4\u003eULTRANET - Seamless Integration\u003c\/h4\u003e\n\u003cp\u003eThe well-established ultranet technology transmits up to 16 independent channels of 24-bit digital audio via a single CAT5 cable between compatible digital devices. The DN48XX Series devices serve Ultranet connectivity for translation between StageConnect and Ultranet. This way more than 1 million Ultranet-Products in the market like the P16 monitoring system, AIR mixers and Turbosound speakers can be integrated in the StageConnect ecosystem.\u003c\/p\u003e\n\u003ch4\u003eStageConnect Calculator\u003c\/h4\u003e\n\u003cp\u003eThe StageConnect Calculator (SCC Tool) is a tool that can be used for checking and planning setups. You can create a virtual SC chain to study the upstream and downstream routing. The calculator also indicates parameters maximum DMX cable lengths, power budget and the overall stability of your connection. You can virtually change the configuration of individual devices, change their order and intuitively add or remove devices from the chain. This allows you to explore the possibilities of routing signals through the new ecosystem.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653071710\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656984379683,"sku":"DN4816-O","price":309.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0606-ADB_DN4816-O_Catalog_B.png?v=1790377416"},{"product_id":"midas-dn4816-i","title":"Midas DN4816-I Bus-Powered StageConnect Interface with 16 Analogue Inputs and Dual Ultranet Outputs","description":"\u003cp\u003e\u003cstrong\u003eBus-Powered StageConnect Interface with 16 Analogue Inputs and Dual Ultranet Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe DN4816-I is the perfect solution for connecting additional line inputs to your monitor or FOH console. It provides 16 analogue inputs to connect wireless receivers or other external audio players. The StageConnect interface can be connected to other StageConnect devices using a single XLR cable for multi-channel audio transmission. There are various I\/O options available providing easily scalable connectivity in your side rack. The devices of the DN48XX Series can be daisy-chained and will negotiate the channels for their respective connectivity automatically.\u003c\/p\u003e\n\u003ch4\u003eStageConnect - The Future of XLR\u003c\/h4\u003e\n\u003cp\u003eWhat if any standard XLR or DMX cable could be used to transmit more than one channel of audio?  What if that cable could transmit signals not only one way, but bi-directionally? What if that cable would allow the passage of control data at the same time? What if a connected StageConnect device could receive up to 18 W of power through that same cable? Well, these capabilities are exactly what StageConnect delivers - a new interface standard to be released by Music Tribe after two years of development. The Midas DN48XX Series is one of the first available I\/O-Interfaces based on the StageConnect-Standard. This new standard comes with outstanding technical specs: 32 channels of uncompressed PCM audio in various I\/O configurations, 24-bit at 48 kHz, below 0.05 ms of latency. For optimum performance and long cable runs 110 Ohm DMX-Cable is required.\u003c\/p\u003e\n\u003ch4\u003eEcosystem and Beyond\u003c\/h4\u003e\n\u003cp\u003eThe DN48XX Series is the first generation of I\/O Interfaces for the new StageConnect ecosystem. StageConnect was introduced with the Behringer WING mixing console. Even though the DN48XX Series was designed with the WING console in mind the devices can be used with all StageConnect devices like HUB4. The StageConnect ecosystem opens a wide field of audio devices. May it be several I\/O devices spread over the stage or equipment in the siderack - the use cases for the DN48XX Series StageConnect Interfaces are virtually endless.\u003c\/p\u003e\n\u003ch4\u003eCascade Interfaces to Meet Your Requirements\u003c\/h4\u003e\n\u003cp\u003eNo matter if you want to use StageConnect for connecting wireless systems, external effects or playback systems, the devices of the DN48XX Series can easily be daisy-chained to meet the requirements of your respective I\/O configurations. With a total bandwidth of 32 channels, all combinations ranging from 32 inputs over 16 in and outputs in parallel to 32 outputs can be achieved using different combinations of DN48XX interfaces connected using a simple XLR cable.\u003c\/p\u003e\n\u003ch4\u003ePower Via DC or StageConnect\u003c\/h4\u003e\n\u003cp\u003eThe DN48XX Series devices can be powered via DC or via StageConnect. By design every SC Master provides 18W of power that can be used by devices in the chain. Depending on the respective power consumption multiple devices in the chain can be phantom powered by a single Master device. It should be noted that an SC device in the chain that is supplied with DC power can supply other devices connected to its Master port as well. To check your respective setup for power consumption, use the StageConnect Calculator (SSC Tool). This tool checks a virtually configured chain for the DMX cable lengths, power supply, audio routing and other parameters.\u003c\/p\u003e\n\u003ch4\u003eAutomatic Bus Configuration\u003c\/h4\u003e\n\u003cp\u003eThere are two ways to configure an SC chain. Either you can manually configure the chain using devices like WING or let the Automatic Bus Configuration do its work. This process adapts the input and output configuration of the SC Bus depending on the connected devices. Simply connect devices and the Master device of the chain will automatically change the routing. To check and plan setups, the SSC Tool software is available, providing information about the routing and DMX cable length, power management and other parameters.\u003c\/p\u003e\n\u003ch4\u003eAnalogue Outputs for IEM Transmitters\u003c\/h4\u003e\n\u003cp\u003eThe DN4816-I features 16 balanced line level combo inputs, that can carry signals from external hardware like wireless microphones. All you need to do is mount the DN4816-I to your wireless rack and connect it to your console using a single XLR cable. This way you can save local Inputs, reduce set up time and increase reliability considerably. Alternatively, these analogue inputs can also be used for external audio sources, like video streams or backing tracks.\u003c\/p\u003e\n\u003ch4\u003eULTRANET - Seamless Integration\u003c\/h4\u003e\n\u003cp\u003eThe well-established ultranet technology transmits up to 16 independent channels of 24-bit digital audio via a single CAT5 cable between compatible digital devices. The DN48XX Series devices serve Ultranet connectivity for translation between StageConnect and Ultranet. This way more than 1 million Ultranet products in the market like the P16 monitoring system, AIR mixers and Turbosound speakers can be integrated in the StageConnect ecosystem.\u003c\/p\u003e\n\u003ch4\u003eStageConnect Calculator\u003c\/h4\u003e\n\u003cp\u003eThe StageConnect Calculator is a tool that can be used for checking and planning setups. You can create a virtual SC chain to study the upstream and downstream routing. The calculator also indicates parameters maximum DMX cable lengths, power budget and the overall stability of your connection. You can virtually change the configuration of individual devices, change their order and intuitively add or remove devices from the chain. This allows you to explore the possibilities of routing signals through the new ecosystem.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653071703\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656984609059,"sku":"DN4816-I","price":309.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0606-ADC_DN4816-I_Front_XL.png?v=1790377418"},{"product_id":"midas-dm16","title":"Midas DM16 16 Input Analogue Live and Studio Mixer with MIDAS Microphone Preamplifiers","description":"\u003cp\u003e\u003cstrong\u003e16 Input Analogue Live and Studio Mixer with MIDAS Microphone Preamplifiers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe compact DM16 honours your stage or studio desktop space, while providing incredible sonic performance, amazing versatility - and an unheard of level of affordability. What is the secret behind DM16’s superb, studio-quality sound? The DM16 features 12 award-winning, MIDAS microphone preamplifiers with true +48 V Phantom Power, acclaimed by audio engineers the world over for their transparency and nuanced low noise, high-headroom design. Add to this TRS Line Inputs on all 16 channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ with mid-frequency sweep, 2 switchable pre\/post-fader aux sends, 2 monitor outs and 2-track RCA I\/O, and you have an analogue work of art - the fully featured DM16!\u003c\/p\u003e\n\u003ch4\u003eLive Performance and Studio Recording\u003c\/h4\u003e\n\u003cp\u003eWith 16 channels, the DM16 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare - both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.\u003c\/p\u003e\n\u003ch4\u003eDedicated Stereo Inputs\u003c\/h4\u003e\n\u003cp\u003eLine channels 13\/14 - 15\/16 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards - and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.\u003c\/p\u003e\n\u003ch4\u003eSublimely Musical British EQ\u003c\/h4\u003e\n\u003cp\u003eThe British consoles of the 1960s and ‘70s changed the sound of rock and roll - without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The 3-band channel EQ on our DM16 mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. The sweepable mid-frequency band provides a broad tonal palette with which to finetune the ideal signal. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.\u003c\/p\u003e\n\u003ch4\u003eDual Aux Sends\u003c\/h4\u003e\n\u003cp\u003eThe DM16 is also equipped with 2 aux sends with pre\/post fader switching for added versatility. Users can select to use them for external effects processing, custom monitor mixes, or a combination of the two. Additional monitoring outputs are provided of the main mix for stage or studio monitor applications.\u003c\/p\u003e\n\u003ch4\u003eClassic Precision\u003c\/h4\u003e\n\u003cp\u003eAll of DM16 mixer’s 60 mm faders have been carefully designed to provide a long life of highly precise level setting, ensuring repeatable and flawless performance for many years to come.\u003c\/p\u003e\n\u003ch4\u003eQuality is Job #1\u003c\/h4\u003e\n\u003cp\u003eWhile some manufacturers cut quality when they design small mixers, we understand that every mixer should provide uncompromising performance and a robust feature set. The very embodiment of quality, from its rugged construction and top-of-the-range components to that unmistakable Midas sound - the DM16 is a truly professional audio console.\u003c\/p\u003e\n\u003ch4\u003eValue\u003c\/h4\u003e\n\u003cp\u003eNo matter what your audio mixing needs, the DM16 provides the performance and features required to take your talent to the next level, at a price that is custom-tailored for the budget-savvy user. Professional sound quality, our legendary Midas mic preamps, 3-band EQs with sweepable mids, and much more make the DM16 mixer ideal for both your live gigs and recording. Try one out today, or feel free to order yours online.\u003c\/p\u003e\n\u003ch4\u003eArchitecture \u0026amp;amp; Engineering Specifications\u003c\/h4\u003e\n\u003cp\u003eThe audio mixing console shall be an analogue design suitable for use in live performance and studio recording, and equipped with 12 MIDAS microphone preamplifiers.  The mixing console shall have 12 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ \" TRS line level input, and a ¼ \" TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix.  A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix.  The mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ \" TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall offer adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix.  The mixing console shall be provided with 2 balanced ¼ \" TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader\/post-fader switch.  The mixing console shall be provided with 2 balanced ¼ \" TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input. The mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded.The mixing console shall be provided with 1 stereo ¼ \" TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control. The mixing console shall be provided with 2 balanced XLR outputs to send out the final left\/right mix to external amplifiers and equipment. Adjustment of the final mix output shall be provided by 2x 60 mm master faders. 2 ¼ \" TRS main out insert jacks shall be provided. Global 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated. 2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels. The mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50\/60 Hz. The mains connection shall be a standard IEC receptacle. The mixing console dimensions shall be 95 mm high x 438 mm wide x 370 mm deep (3.7 x 17.2 x 14.6\"). The nominal weight shall be 5 kg (2.3 lbs). The mixing console shall be the MIDAS DM16. No other mixing console shall be acceptable unless submitted data from an independent test laboratory verifies that the above combined performance \/ size specifications are equalled or exceeded.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653070355\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656984641827,"sku":"DM16","price":369.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0601-AHA_DM16_Catalog_B.png?v=1790377421"},{"product_id":"midas-dm12","title":"Midas DM12 12 Input Analogue Live and Studio Mixer with MIDAS Microphone Preamplifiers","description":"\u003cp\u003e\u003cstrong\u003e12 Input Analogue Live and Studio Mixer with MIDAS Microphone Preamplifiers\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eLive Performance and Studio Recording\u003c\/h4\u003e\n\u003cp\u003eWith 12 channels, the DM12 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare - both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.\u003c\/p\u003e\n\u003ch4\u003eDedicated Stereo Inputs\u003c\/h4\u003e\n\u003cp\u003eLine channels 9\/10 - 11\/12 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards - and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.\u003c\/p\u003e\n\u003ch4\u003eSublimely Musical British EQ\u003c\/h4\u003e\n\u003cp\u003eThe British consoles of the 1960s and ‘70s changed the sound of rock and roll - without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The 3-band channel EQ on our DM12 mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. The sweepable mid-frequency band provides a broad tonal palette with which to finetune the ideal signal. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.\u003c\/p\u003e\n\u003ch4\u003eDual Aux Sends\u003c\/h4\u003e\n\u003cp\u003eThe DM12 is also equipped with 2 aux sends with pre\/post fader switching for added versatility. Users can select to use them for external effects processing, custom monitor mixes, or a combination of the two. Additional monitoring outputs are provided of the main mix for stage or studio monitor applications.\u003c\/p\u003e\n\u003ch4\u003eClassic Precision\u003c\/h4\u003e\n\u003cp\u003eAll of DM12 mixer’s 60 mm faders have been carefully designed to provide a long life of highly precise level setting, ensuring repeatable and flawless performance for many years to come.\u003c\/p\u003e\n\u003ch4\u003eQuality is Job #1\u003c\/h4\u003e\n\u003cp\u003eWhile some manufacturers cut quality when they design small mixers, we understand that every mixer should provide uncompromising performance and a robust feature set. The very embodiment of quality, from its rugged construction and top-of-the-range components to that unmistakable Midas sound - the DM12 is a truly professional audio console.\u003c\/p\u003e\n\u003ch4\u003eValue\u003c\/h4\u003e\n\u003cp\u003eNo matter what your audio mixing needs, the DM12 provides the performance and features required to take your talent to the next level, at a price that is custom-tailored for the budget-savvy user. Professional sound quality, our legendary Midas mic preamps, 3-band EQs with sweepable mids, and much more make the DM12 mixer ideal for both your live gigs and recording. Try one out today, or feel free to order yours online.\u003c\/p\u003e\n\u003ch4\u003eArchitecture \u0026amp;amp; Engineering Specifications\u003c\/h4\u003e\n\u003cp\u003eThe audio mixing console shall be an analogue design suitable for use in live performance and studio recording, and equipped with 8 MIDAS microphone preamplifiers. The mixing console shall have 8 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ \" TRS line level input, and a ¼ \" TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix. The mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ \" TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall off er adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix. The mixing console shall be provided with 2 balanced ¼ \" TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader\/post-fader switch. The mixing console shall be provided with 2 balanced ¼ \" TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input. The mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded. The mixing console shall be provided with 1 stereo ¼ \" TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control. The mixing console shall be provided with 2 balanced XLR outputs to send out the final left\/right mix to external amplifiers and equipment. Adjustment of the final mix output shall be provided by 2x 60 mm master faders. 2 ¼ \" TRS main out insert jacks shall be provided. Global 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated.  2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels.  The mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50\/60 Hz. The mains connection shall be a standard IEC receptacle. The mixing console dimensions shall be 95 mm high x 328 mm wide x 370 mm deep (3.7 x 12.9 x 14.6\"). The nominal weight shall be 3.9 kg (1.8 lbs).  The mixing console shall be the MIDAS DM12. No other mixing console shall be acceptable unless submitted data from an independent test laboratory verifies that the above combined performance \/ size specifications are equalled or exceeded.\u003c\/p\u003e\n\u003ch4\u003eArchitecture \u0026amp;amp; Engineering Specifications\u003c\/h4\u003e\n\u003cp\u003eThe audio mixing console shall be an analogue design suitable for use in live performance and studio recording, and equipped with 12 Midas microphone preamplifiers.  The mixing console shall have 8 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ \" TRS line level input, and a ¼ \" TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix.  The mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ \" TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall off er adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix.  The mixing console shall be provided with 2 balanced ¼ \" TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader\/post-fader switch.  The mixing console shall be provided with 2 balanced ¼ \" TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input.  The mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded.  The mixing console shall be provided with 1 stereo ¼ \" TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control.  The mixing console shall be provided with 2 balanced XLR outputs to send out the fi nal left\/right mix to external amplifi ers and equipment. Adjustment of the fi nal mix output shall be provided by 2x 60 mm master faders. 2 ¼ \" TRS main out insert jacks shall be provided. Global 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated.  2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels.  The mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50\/60 Hz. The mains connection shall be a standard IEC receptacle. The mixing console dimensions shall be 95 mm high x 328 mm wide x 370 mm deep (3.7 x 12.9 x 14.6\"). The nominal weight shall be 3.9 kg (1.8 lbs).  The mixing console shall be the DDA DM12. No other mixing console shall be acceptable unless submitted data from an independent test laboratory verifi es that the above combined performance \/ size specifi cations are equalled or exceeded.\u003c\/p\u003e\n\u003ch4\u003eDM12\u003c\/h4\u003e\n\u003cp\u003eThe compact DM12 honours yourstage or studio desktop space,while providing incredible sonicperformance, amazing versatility � andan unheard of level of affordability.What is the secret behind DM12'ssuperb, studio-quality sound? TheDM12 features 8 award-winning,Midas microphone preamplifi ers withtrue +48 V Phantom Power, acclaimedby audio engineers the world over for their transparency and nuancedlow noise, high-headroom design. Add to this TRS Line Inputs on all 12channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ withmid-frequency sweep, 2 switchable pre\/post-fader aux sends, 2 monitorouts and 2-track RCA I\/O, and you have an analogue work of art � the fullyfeatured DM12!\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653070423\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656984707363,"sku":"DM12","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0601-AHB_DM12_Catalog_B.png?v=1790377423"},{"product_id":"midas-dl32","title":"Midas DL32 32 Input, 16 Output Stage Box with 32 Midas Microphone Preamplifiers, ULTRANET and ADAT Interfaces","description":"\u003cp\u003e\u003cstrong\u003e32 Input, 16 Output Stage Box with 32 Midas Microphone Preamplifiers, ULTRANET and ADAT Interfaces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDigital mixing has revolutionized virtually everything in the live-entertainment production workflow. The DL32 is the perfect solution for connecting the onstage talent with your Front of House (FOH) console, and the rest of the world - the I\/O packed and highly affordable DL32 digital stage box. The DL32 provides 32  Midas PRO Series remote-controllable mic preamps, plus 16 balanced analog XLR returns at the stage end - and all it takes is a single Cat 5e cable. While  Klark Teknik, the industry-leader in high-end digital audio processing, invented the AES50 SuperMAC technology that made it all possible - our superb scale of production makes the DL32 so very affordable.\u003c\/p\u003e\n\u003ch4\u003eMIDAS - The Legend in Sound Quality\u003c\/h4\u003e\n\u003cp\u003eEver since our formation in the 1970s, we have had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations worldwide, legendary consoles, such as the XL4 and Heritage H3000 have quickly become industry standards. We have earned an impeccable reputation due to our no-compromise approach to audio and build quality, and in particular for our Award-winning Mic Preamps, which are considered by industry experts as the industry’s best-sounding designs. Building on this legacy, the XL8 and PRO Series of Live Mixing Systems continue this great heritage of Award-winning audio quality.\u003c\/p\u003e\n\u003ch4\u003eMassive Connectivity\u003c\/h4\u003e\n\u003cp\u003eWhen used as part of a complete  M32 system, two DL32 Stage Boxes can be cascaded via the built-in AES50 ports, providing connectivity for up to 64 mic\/line inputs, 32 balanced outputs and the ULTRANET port allows direct connection to  Turbosound iQ  Series loudspeakers and the  Behringer  POWERPLAY P-16 Personal Monitoring System - which can feed up to 48 individual monitor mixers. We also included 2 optical ADAT sockets and AES-3 (AES\/EBU) for connecting to outboard devices, a convenient USB port for system updates via your PC - plus MIDI I\/O for lighting systems and sound module control.\u003c\/p\u003e\n\u003ch4\u003eEcosystem and Beyond\u003c\/h4\u003e\n\u003cp\u003eThe DL32 was initially designed with our M32 Digital Mixing Console in mind, but any mixingboard with AES50 networking capability can still tap directly into the DL32’s powerful feature set.For instance, a DL32 and M32C could be jointly utilised to create a remote controlled digital mixingsystem in only 4U. Another prime application might include the M32C providing independentmonitor mix duties, while also relaying and sharing all I\/O with the main console - an M32, or anyother digital mixer that supports MADI, Dante, ADAT or AES50 I\/O. Reasonably priced option cards to replace the standard 32 x 32 channel USB interface are separately available for that exact purpose.You can even mix the complete show from the onstage M32C via dedicated remote control apps. And since the DL32 and M32C communicate via AES50, they can be separated by CAT5 cabling, should that be more convenient for the venue.\u003c\/p\u003e\n\u003ch4\u003eULTRANET - Seamless Integration\u003c\/h4\u003e\n\u003cp\u003eThe world-renowned engineers at  Klark Teknik,  Midas,  Turbosound and  Behringer  have all come together to create something truly innovative that will change your live and studio workflow forever - welcome to ULTRANET. This revolutionary technology seamlessly transmits up to 16 independent channels of 24-bit digital audio and control data via a single CAT5 cable between compatible digital devices - including mixers, I\/O stage boxes, powered loudspeakers and personal monitoring systems. Advantages realized through ULTRANET digital networking, versus traditional analog methods include: audio signals are impervious to Radio Frequency Interference (RFI); signal crosstalk is eliminated, and ease of use translates directly into a significant amount of time saved during show setup or installation. ULTRANET effectuates a powerful digital eco-system, which we call “Acoustic Integration”, providing unparalleled control over every element of your audio production environment from one convenient location.\u003c\/p\u003e\n\u003ch4\u003eKLARK TEKNIK AES50\u003c\/h4\u003e\n\u003cp\u003eKlark Teknik  SuperMAC (AES50-Compliant) technology gives the DL32 its high-capacity, ultra-low latency digital interconnectivity, as well as superbly simple deployment and ease of use.  Klark Teknik  engineers worked hand-in-hand with  Midas  to ensure the DL32 meets, or exceeds, the requirements of live entertainers and their professional audio engineers. Some of the outstanding features are:48 bidirectional audio channels over Cat 5e cable (48 kHz)Single cable duplex interconnection for audio and sample clocksEthernet physical layer audio data transmissionHigh channel count and ultra-low deterministic latencyAccurate phase-aligned clock distribution.Comprehensive error detection and managementProvision for redundant networkingMinimal configuration - total ease of deployment and useEthernet TCP\/IP protocol-compatible auxiliary data channelRoyalty-free implementations available as Xilinx FPGA coresOEM modules available from developer partners\u003c\/p\u003e\n\u003ch4\u003eExtraordinary Value\u003c\/h4\u003e\n\u003cp\u003eAs you can see, the DL32 is an extremely versatile 32 x 16 digital stage box solution with our remote-controllable mic preamplifiers,  Klark Teknik’s AES50 connectivity and a wealth of other professional-grade features - all at a price anyone can afford. Built tough enough to withstand the rigors of the road, the DL32 only takes up two rack spaces and connects to FOH with a single, inexpensive CAT5 cable. Now you can have the missing link between the stage and FOH at a fraction of the cost of competing systems - and we back it up with a comprehensive warranty program.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653070553\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656984740131,"sku":"DL32","price":1749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0606-ACR_DL32_Catalog_B.png?v=1790377426"},{"product_id":"midas-dl16","title":"Midas DL16 16 Input, 8 Output Stage Box with 16 Midas Microphone Preamplifiers, ULTRANET and ADAT Interfaces","description":"\u003cp\u003e\u003cstrong\u003e16 Input, 8 Output Stage Box with 16 Midas Microphone Preamplifiers, ULTRANET and ADAT Interfaces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDigital mixing has revolutionized virtually everything in the live entertainment production work flow, and now that same cutting-edge technology brings live production signal distribution into the modern age. The DL16 Stage Box provides 16 of our award-winning microphone preamplifiers with switchable +48 V phantom power; 8 balanced analogue XLR returns at the stage end; an integrated ULTRANET output for connecting to Behringer P16-M personal monitor mixers; plus connectivity for your ADAT-compatible outboard equipment. If your application calls for more inputs, or just want to keep your cable runs short and tidy, putting a DL16 at stage front and another behind the drum riser provides an additional 16 inputs for drum and guitar\/bass amp mic’ing. The best part - all it takes is a single CAT5 cable per stage box.\u003c\/p\u003e\n\u003ch4\u003eMIDAS - The Legend in Sound Quality\u003c\/h4\u003e\n\u003cp\u003eEver since our formation in the 1970s, we have had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations worldwide, our XL4 and Heritage H3000 consoles quickly became industry standards. We have built an impeccable reputation for our no-compromise approach to audio and build quality, and in particular for our Award-winning Mic Preamps which are considered by industry experts as the industry's best sounding designs. Building on this legacy, the DL16 features 16 of the very same preamplifiers that are used in our highly-acclaimed PRO Series consoles.\u003c\/p\u003e\n\u003ch4\u003eULTRANET - Seamless Integration\u003c\/h4\u003e\n\u003cp\u003eThe world-renowned engineers at Klark Teknik, Midas, Turbosound and Behringer have all come together to create something truly innovative that will change live and studio workflow forever - ULTRANET. This revolutionary technology seamlessly transmits up to 16 independent channels of 24-bit digital audio and control data via a single CAT5 cable between compatible digital devices - including mixers, I\/O stage boxes, powered loudspeakers and personal monitoring systems. Advantages realized through ULTRANET digital networking, versus traditional analog methods: audio signals are impervious to Radio Frequency Interference (RFI); signal crosstalk is eliminated; and ease of setup translates directly into significant time saved during installation. ULTRANET effectuates a powerful digital eco-system that gives you unparalleled control over every element of your audio production environment from one convenient location.\u003c\/p\u003e\n\u003ch4\u003eADAT-Ready\u003c\/h4\u003e\n\u003cp\u003eMany manufacturers have adopted the ADAT digital interface as a means of transferring digital data between certain types of audio devices, such as mixers, synthesizers, lighting rigs and effect processors. The DL16’s onboard ADAT Outputs enable splitting the high-quality Midas Pro Series preamp signals to outboard devices - including recording systems. When more channels are required, these optical sockets can alternately be used to connect ADAT-equipped D\/A converters (such as the Behringer ADA8200) for up to 16 additional analogue outputs.\u003c\/p\u003e\n\u003ch4\u003eDual AES50 Ports for Massive Connectivity\u003c\/h4\u003e\n\u003cp\u003eConnecting over a single shielded (STP) CAT5 cable, up to three DL16s can be daisy-chained to deliver 48 channels in and 24 out to the stage. Klark Teknik’s AES50 simultaneously provides high channel counts, extremely low and deterministic latencies, accurate phase-aligned networked clock distribution, error detection, network redundancy, with simple deployment and ease of use to meet the needs of the live performance industry. This unique combination also benefits both live and studio recording applications, as well as post-production, broadcasting and audio routing infrastructure. - 48 bidirectional audio channels @ 48 kHz over industry-standard RJ45-terminated shielded (STP) CAT5 cable - Single cable duplex interconnection for audio and sample clocks - Ethernet physical layer audio data transmission - High channel count and ultra-low deterministic latency (2x3 samples = 1⁄8 ms per node) - Accurate phase-aligned clock distribution - Comprehensive error detection and management - Provision for redundant networking - Minimal configuration - total ease of deployment and use - Ethernet TCP\/IP protocol-compatible auxiliary data channel - Royalty-free implementations available as Xilinx FPGA cores - OEM modules available from developer partners\u003c\/p\u003e\n\u003ch4\u003eRemotely Controllable Preamps Make Setup a Breeze\u003c\/h4\u003e\n\u003cp\u003eDL16’s ingenious monitoring\/head amp control section allows you to select any of the 16 inputs, 8 bus outputs or P-16 output streams for immediate line checks. In addition to signal metering at the stage box, you can also set individual input channel Gain, apply +48 V phantom power - and listen directly to the input signal via headphones and much more. Once set, all configuration settings can be locked at the console for total system security.\u003c\/p\u003e\n\u003ch4\u003eAssignable Headphones Output for On-Stage Monitoring\u003c\/h4\u003e\n\u003cp\u003eFor easy set up and signal routing verification, a headphones jack is conveniently located on the front of the DL16, giving you the option of listening directly to any of the 16 inputs. Simply select the signal you need to monitor by scrolling through the 16 channels whilst adjusting the gain and selecting the operating mode - all via a single robust rotary control.\u003c\/p\u003e\n\u003ch4\u003eMIDI In\/Out\u003c\/h4\u003e\n\u003cp\u003eUsing scene automation has never been simpler or more convenient. The automation scenes allow MIDI events to be incorporated, so that external MIDI-compatible devices can be controlled as part of a scene change via your console’s MIDI output. Additionally, console events can be triggered from an external MIDI source via your console’s MIDI input. You can also control the gain and phantom power settings remotely using the MIDI communication functionality.\u003c\/p\u003e\n\u003ch4\u003eUnparalleled Performance\u003c\/h4\u003e\n\u003cp\u003eAs you can see, the DL16 digital stage box is the ideal 16 x 8 signal distribution solution thanks to our legendary remote controllable mic preamps, Klark Teknik’s AES50 connectivity and a wealth of other professional-grade features. Built tough enough to withstand the rigors of the road, the DL16 only takes up two rack spaces and connects to FOH with a single, inexpensive CAT5 cable. Now you can have the missing link between the stage and FOH at a fraction of the cost of competing systems - and we back it up with a comprehensive warranty program.Visit your local authorised dealer, or get yours online today - and find out what the Midas DL16 Stage Box can do for your next performance or studio session.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653070300\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656984838435,"sku":"DL16","price":1049.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0606-ACJ_DL16_Catalog_B.png?v=1790377429"},{"product_id":"midas-dl8","title":"Midas DL8 PoE-Powered 8 Input, 8 Output Stage Box with Midas PRO Microphone Preamplifiers","description":"\u003cp\u003e\u003cstrong\u003ePoE-Powered 8 Input, 8 Output Stage Box with Midas PRO Microphone Preamplifiers and 2 Powered ULTRANET Monitoring Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe DL8 Stage Box provides 8 of our award-winning Midas PRO microphone preamplifiers with switchable +48 V phantom power; 8 electronically balanced low impedance line level; integrated ULTRANET distribution hub for connecting to Behringer P16-M personal monitor mixers or Turbosound speaker systems; plus dual AES50 SuperMAC ports for cascading additional StageBoxes.\u003c\/p\u003e\n\u003ch4\u003eULTRANET - Seamless Integration\u003c\/h4\u003e\n\u003cp\u003eEngineers at Midas, Klark Teknik, Turbosound and Behringer have come together to create a rock-solid, easy to deploy, lowest-latency, long-distance, multi-channel audio transmission interface. The Ultranet technology has meanwhile proven to seamlessly transmit 16 channels of 24-bit audio over standard CAT5 cable up to 75m length, in hundreds of thousands of applications world-wide -- connecting mixers, I\/O boxes, powered loudspeakers and personal monitoring systems.  Ultranet effectuates a powerful digital eco-system that combines highest reliability, with unparalleled ease of use and flexibility.\u003c\/p\u003e\n\u003ch4\u003eDual AES50 Ports for Massive Connectivity\u003c\/h4\u003e\n\u003cp\u003eConnecting over a single shielded (STP) CAT5 cable, up to three DL8s can be daisy-chained to deliver 48 channels in and 48 out to the stage. Klark Teknik’s AES50 simultaneously provides high channel counts, extremely low and deterministic latencies, accurate phase-aligned networked clock distribution, error detection, network redundancy, with simple deployment and ease of use to meet the needs of the live performance industry. This unique combination also benefits both live and studio recording applications, as well as post-production, broadcasting and audio routing infrastructure.\u003c\/p\u003e\n\u003ch4\u003eUnparalleled Performance\u003c\/h4\u003e\n\u003cp\u003eThe DL8 digital stage box is the ideal 8 x 8 signal distribution solution thanks to our legendary remote controllable mic preamps, Klark Teknik’s AES50 connectivity and a wealth of other professional-grade features. Built tough enough to withstand the rigors of the road, the DL8 only takes up two rack spaces and connects to FOH with a single, inexpensive CAT5 cable. Now you can have the missing link between the stage and FOH at a fraction of the cost of competing systems - and we back it up with a comprehensive warranty program. Visit your local authorised dealer or get yours online today - and find out what the Midas DL8 Stage Box can do for your next performance or studio session.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653071932\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656984871203,"sku":"DL8","price":669.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0606-ACX_DL8_Catalog_B.png?v=1790377431"},{"product_id":"midas-compressor-limiter-522-v2","title":"Midas COMPRESSOR LIMITER 522 V2 500 Series Compressor\/Limiter with Dynamic Presence Control","description":"\u003cp\u003e\u003cstrong\u003e500 Series Compressor\/Limiter with Dynamic Presence Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe COMPRESSOR LIMITER 522 brings state of the industry dynamics control to a compact 500 Series format processor that is good enough to wear the Midas name. When used in conjunction with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 522 provides the ideal solution for users seeking the legendary Midas sound in a modular format that boasts upgraded, premium-quality performance. Additionally, the 522’s dynamic Presence control enables operators to add “air” to vocals without the unwanted noise or pumping effects found in competing products - and reduces the risk of feedback occurrence during live performance.\u003c\/p\u003e\n\u003ch4\u003eImportance of Dynamics\u003c\/h4\u003e\n\u003cp\u003eDynamics play a major role in music; they help to convey emotion, whether it’s a sultry blues guitar solo, a vocalist belting out his\/ her message - or the punchy impact of a bass guitar or kick drum. Those dynamics are the essence of a natural sounding performance; it is what makes music interesting. But out of control dynamics can instantly mar an otherwise perfect performance. That is where compression comes to the rescue - softening loud sounds and boosting low signal levels that can often get lost in the mix. The resulting compressed signal creates a much more dense, impactful sound with richness and room for subtle nuances to come through.\u003c\/p\u003e\n\u003ch4\u003eVariable Dynamics \u0026amp;amp; “Air”\u003c\/h4\u003e\n\u003cp\u003eThe range of mid-high audio frequencies (centered around 5 kHz) can be boosted to increase the sense of presence of vocals and solo instruments. As 522’s Presence control is adjusted above minimum, those mid-high frequencies are increasingly boosted during compression, allowing a sound or instrument to cut through or seem more present in the mix. This variable presence function enables the 522 to effectively operate with two different ratios, one for low frequencies (LF) and the other for mid-high frequencies (reduced ratio). The primary effects are: heavy compression and dynamic control can be applied without sounding unnatural; and the reduced compression in the human ear’s most sensitive range makes the material sound brighter. However, since high frequency (HF) make up gain is not required, unwanted noise, pumping, and howl-round during quiet passages are all greatly reduced.\u003c\/p\u003e\n\u003ch4\u003eManual or Auto Modes\u003c\/h4\u003e\n\u003cp\u003eWhen operating in its default mode (Auto switch not engaged) the 522 functions as a peak-sensing compressor, providing tight peak control via instantaneous changes in gain reduction, which produces more obvious compression. This allows the operator to manually adjust the compressor attack and release times so that the compressor operates in peak mode with linear attack curves. When the Auto switch is engaged, the manual attack and release controls are bypassed and the compressor operates in RMS mode, automatically adjusting the attack and release based on the averaged input signal and the threshold\/ratio settings. This produces a smooth, more relaxed compression that is perceived as more musical and natural sounding.\u003c\/p\u003e\n\u003ch4\u003eSoft or Hard Knee\u003c\/h4\u003e\n\u003cp\u003eAnother element that affects how natural the output sounds when compressed is how the signal is addressed at and around the knee, or threshold point. By default the 522 is set to Soft knee compression (switch out), which tends to sound more natural as it blurs the distinction between over and under threshold signals, leaving signals below threshold unaffected, while signals just over threshold get compressed at greatly reduced ratios. Only at the point where the signal level rises significantly above the threshold is full-ratio compression applied. This performance is similar to that of many vintage compressors due to non-linearities in gain reduction. When the Hard knee switch is activated, the 522 operates in a more surgical fashion with a more sharply defined transition between under and over threshold, making it ideal for limiting style compression. In this mode a small amount of Soft knee is retained to keep the sound reasonably natural.\u003c\/p\u003e\n\u003ch4\u003eSidechain HPF\u003c\/h4\u003e\n\u003cp\u003eCOMPRESSOR LIMITER 522’s Sidechain high pass filter (HPF) switch lets you insert a 200 Hz HPF into the compressor side chain, which keeps LF signals from dominating overall signal compression - and effectively eliminates the unwanted artefacts and pumping effects on higher frequencies.\u003c\/p\u003e\n\u003ch4\u003eHigh Performance Balanced Input Stage\u003c\/h4\u003e\n\u003cp\u003eDecades of experience, paired with the premium-grade components that make up every input stage we build, ensures the ultimate in signal integrity that is the very foundation of our design process. That warm and organic Midas sound has been heard by millions of concert goers - and recorded for posterity on countless live albums. The input stage of the 522 is second to none with its low noise performance, which boasts an enviable Common Mode Rejection Ratio (CMRR) of -70 dB @ 1 kHz.\u003c\/p\u003e\n\u003ch4\u003ePrecision Metering\u003c\/h4\u003e\n\u003cp\u003eThe COMPRESSOR LIMITER 522 provides at-a-glance metering with LED stacks that display Gain Reduction and Level independently of each other. The 6 segment Level meter reads from -30 dBu to +20 dBu in 10 dB steps, while the 10 segment Gain Reduction meter reads from -2 dB to -20 dB in 2 dB steps.\u003c\/p\u003e\n\u003ch4\u003eTrue Hardware Bypass \u0026amp;amp; Power Up Mute\u003c\/h4\u003e\n\u003cp\u003eFor those occasions when compression is not needed, 522’s IN switch can be disengaged to remove all circuitry from the signal path via true hardware relay bypass. Additionally, true bypass mode engages should the chassis become accidentally powered down.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eUPC\u003c\/td\u003e\n\u003ctd\u003e4033653081405\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"MIDAS","offers":[{"title":"Default Title","offer_id":55656984969507,"sku":"COMPRESSOR LIMITER 522 V2","price":189.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/5404\/5987\/files\/Image_MI_0817-ABJ_500-SERIES-COMPRESSOR-LIMITER-522-V2_Front_XL.png?v=1790377434"}],"url":"https:\/\/sixstardj.com\/collections\/midas.oembed","provider":"SixStarDJ","version":"1.0","type":"link"}